Wonderland Primärfunktioun: Innenarchitektur vun engem Ausstellungszentrum vum Chengzhe Zhang

D'Wierk Wonderland Primärfunktioun: Innenarchitektur vun engem Ausstellungszentrum vum Designer Chengzhe Zhang ass en héich geschätzten Gewënner vum prestigiéisen 2020 A' Design Award an Sëlwer an der Wettbewerbskategorie Inneraum an Ausstellungsdesign.

SëlwerInterieur· 2020

Wonderland Primärfunktioun: Innenarchitektur vun engem Ausstellungszentrum

vum Chengzhe Zhang

Client: Shanghai Hongshida Real Estate Development Co., LTD

A' Design Award an Sëlwer Gewënner an der Kategorie Interieur

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Kuckt beim A' Design Award Pressemëtteelung Award Badge

Faarwen

Den Design

Iwwer Wonderland Primärfunktioun: Innenarchitektur vun engem Ausstellungszentrum

Wonderland ass eng Ausstellungszentrum-Interieur zu Shanghai, China. D'Design ass vum Taoyuan Wonderland inspiréiert, engem Landschaftsbild vum Ming-Dynastie-Moler Qiu Ying, an notzt gréng, rosa a wäiss Téin an engem roueg Raum. Eng gro Schiefermauer verstoppt fir d'éischt d'Vue, an déi haaptsächlech zéng Meter héich Hal gëtt laanscht de Wee opgedeckt. De zentrale Gank féiert an de Konferenzberäich, an den Ausstellungsberäich an an de Teesall. Buedemstänneg Bicherregaler a geometresch Huelraum-Trennwänn deelen d'Beräicher op. Eng schwiewend Glasinstallatioun aus méi wéi 5.000 Peschbléieblieder gouf mat der Hand installéiert.

D'Unerkennung

Iwwer den A' Design Award an Sëlwer

Wonderland Primärfunktioun: Innenarchitektur vun engem Ausstellungszentrum ass e Gewënner vum A' Design Award an Sëlwer, enger aussergewéinlech prestigiéiser Unerkennung, déi un Designe vun der héchster Qualitéit, prächteg a beandrockend vergi gëtt. Sëlwer-Gewënner si bemierkenswäert brillant a ganz kreativ Wierker, déi d'erausragend Expertise, d'Talent an d'Schaarfsënnegkeet vun hire Designer weisen. Et gëtt erwaart, datt Wonderland Primärfunktioun: Innenarchitektur vun engem Ausstellungszentrum e wonnerbart, mustergëlteg, bemierkenswäert professionellt an déif innovatiivt Wierk ass. Dëst mam Sëlwer ausgezeechent Design ass eng bemierkenswäert, bewonnert Erfindung, déi dozou bäidréit, d'Grenze vun der Konscht, der Wëssenschaft, vum Design an der Technologie ze erweideren. Wonderland Primärfunktioun: Innenarchitektur vun engem Ausstellungszentrum ass eng Kreatioun, op déi vill neidesch sinn, déi Wënsch erweckt, positiv Gefiller bréngt an Erstaunen a Wonner erweckt.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimensiounen & Verpackung: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Tags: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Produktiounstechnologie: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Design Erausfuerderung: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Fuerschung: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspiratioun: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Projetdauer: The Project started in January 2018 in Shanghai China
Operatiounsablaf: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Teammemberen: Mingxin Lu
Yunhui Tang
Bildnoweis: Main Image: Photographer Hai Zhu, 2018