D'Wierk Jinglan Bay Art Verkafszentrum vum Designer Nic Lee ass en héich geschätzten Gewënner vum prestigiéisen 2024 A' Design Award an Sëlwer an der Wettbewerbskategorie Inneraum an Ausstellungsdesign.
SëlwerInterieur· 2024
Jinglan Bay Art Verkafszentrum
vum Nic Lee
Client: China Resources Land South China Guangxi Co.
A' Design Award an Sëlwer Gewënner an der Kategorie Interieur
Verifizéierte Präisgewënner
Präisstatus fir #152974 verifizéierenDen Design
Iwwer Jinglan Bay Art Verkafszentrum
Jinglan Bay Art ass en Interieur vun engem Verkafszentrum zu Liuzhou, enger biergerescher Regioun mat gewundene Gewässer. Den Interieur ëmfaasst 1705 Quadratmeter a beinhalt Beräicher fir Empfang, Verkaf, Ausstellung, digital Medien a VIP-Zonen. Amplaz d'Landschaft duerch Formen ze kopéieren, ginn Liicht a Schied benotzt, fir héich Bierger an déift Waasser unzedeiten. Schwaarzen Terrazzo gëtt op Héichglanz poléiert, sou datt d'Ausselandschaft an d'Beweegung vun de Besucher sech dora reflektéieren. Rohsteen um Agank schaaft d'Déift vun engem Dall. Aner Materialien enthale gemeisselte Marber, Mineralfaarf, schwaarzt Holz an Eechenholz.
D'Unerkennung
Iwwer den A' Design Award an Sëlwer
Jinglan Bay Art Verkafszentrum ass e Gewënner vum A' Design Award an Sëlwer, enger aussergewéinlech prestigiéiser Unerkennung, déi un Designe vun der héchster Qualitéit, prächteg a beandrockend vergi gëtt. Sëlwer-Gewënner si bemierkenswäert brillant a ganz kreativ Wierker, déi d'erausragend Expertise, d'Talent an d'Schaarfsënnegkeet vun hire Designer weisen. Et gëtt erwaart, datt Jinglan Bay Art Verkafszentrum e wonnerbart, mustergëlteg, bemierkenswäert professionellt an déif innovatiivt Wierk ass. Dëst mam Sëlwer ausgezeechent Design ass eng bemierkenswäert, bewonnert Erfindung, déi dozou bäidréit, d'Grenze vun der Konscht, der Wëssenschaft, vum Design an der Technologie ze erweideren. Jinglan Bay Art Verkafszentrum ass eng Kreatioun, op déi vill neidesch sinn, déi Wënsch erweckt, positiv Gefiller bréngt an Erstaunen a Wonner erweckt.
Hannert dem Design
Press Kit
Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.
- Eenzegaarteg Eegeschaften
- The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
- Dimensiounen & Verpackung
- Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak - Tags
- sales center, landscape, museum, indoor architecture, interior design
- Produktiounstechnologie
- In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
- Design Erausfuerderung
- By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
- Fuerschung
- Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
- Inspiratioun
- The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
- Projetdauer
- The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
- Operatiounsablaf
- Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
- Bildnoweis
- Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
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