Fujifilm Clay Studio2 Büroinnenausstattung vum Koji Aoki, Lin Su and Atsushi Fujita

D'Wierk Fujifilm Clay Studio2 Büroinnenausstattung vum Designer Koji Aoki, Lin Su and Atsushi Fujita ass en héich geschätzten Gewënner vum prestigiéisen 2022 A' Design Award an Bronze an der Wettbewerbskategorie Inneraum an Ausstellungsdesign.

BronzeInterieur· 2022

Fujifilm Clay Studio2 Büroinnenausstattung

vum Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

A' Design Award an Bronze Gewënner an der Kategorie Interieur

10,594

Verifizéierte Präisgewënner

Präisstatus fir #131321 verifizéieren

Säit besichen Kuckt beim A' Design Award Pressemëtteelung Award Badge

Faarwen

Den Design

Iwwer Fujifilm Clay Studio2 Büroinnenausstattung

Clay Studio 2 ass eng Büroariichtung, déi fir Produkt- a visuell Designaarbecht zu Tokio entworf gouf. De Raum vun 300 Quadratmeter ass als roueg Ëmfeld fir Konzentratioun geplangt, am Géigesaz zu Büroen, déi haaptsächlech op Kommunikatioun ausgeriicht sinn. Bëtong, Faarf a Holzzementplacke bleiwen onbehandelt, sou datt de Raum ausgesäit, wéi wann hie just aus Balke a Pilaren bestoe géif. D'Gaardegestaltung an d'natierlech Landschaft bilden den Hannergrond a bréngen de jorezäitlechen Wiessel an de Raum eran. D'Dëschë sinn no baussen ausgeriicht, an en siwe Meter laange Dësch erméiglecht kuerz Reuniounen, wärend en Ofstand tëscht de Leit bäibehale gëtt.

D'Unerkennung

Iwwer den A' Design Award an Bronze

Fujifilm Clay Studio2 Büroinnenausstattung ass e Gewënner vum A' Design Award an Bronze, enger héich prestigiéiser Unerkennung, déi un erausragend Designe vergi gëtt, déi sech duerch Kreativitéit, Erfindungsgab a Schlauheet ausgezeechnen. Bronze-Gewënner si voll Fäegkeet a opfälleg kreativ Wierker, déi déi grouss Erfahrung, d'Fantasie an d'Ressourceréichtum vun hire Designer bestätegen. Et gëtt erwaart, datt Fujifilm Clay Studio2 Büroinnenausstattung e héich geschätzt, bewonnert a beléifte Géigestand ass, bemierkenswäert professionell an innovativ. Dëst mam Bronze ausgezeechent Design integréiert déi beschte Praktike vun der Konscht, der Wëssenschaft, vum Design an der Technologie an zeechent sech duerch Opmierksamkeet fir Detailer aus. Fujifilm Clay Studio2 Büroinnenausstattung erfëllt Bedierfnesser exzellent, beréiert Wënsch, bezauberet Gefiller an erweckt Neigierecht.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensiounen & Verpackung: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Produktiounstechnologie: concrete, painting, wood cement board
Design Erausfuerderung: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Fuerschung: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiratioun: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Projetdauer: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operatiounsablaf: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Teammemberen: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita