Yun Chi Gu Xing Jiang Ornatus Interior Deversorii ab Jing Liu

Opus Yun Chi Gu Xing Jiang Ornatus Interior Deversorii a designatore Jing Liu est victor maxime honoratus praemii praestigiosissimi 2026 Praemium A' Design Award Aeneum in Categoria Certaminis Designatio Interior.

AesInterior· 2026

Yun Chi Gu Xing Jiang Ornatus Interior Deversorii

a Jing Liu

Victor praemii Praemium A' Design Award Aeneum in Categoria Interior

5,145

Victor Praemii Verificatus

Verifica Statum Praemii pro #183125

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Yun Chi Gu Xing Jiang Ornatus Interior Deversorii

Yun Chi Gu Xing Jiang est ornatus interior deversorii in Campo Karajun situs. Opus mille quadringentos quinquaginta sex metra quadrata complectitur et hereditatem nomadicam cum commoditate moderna coniungit. Structurae ligneae exsistentes ratione non intrusiva conservantur. Geometria ex Urbe Bagua et ornamenta ex picturis muralibus Specuum Kizil in elementa interiora propria transferuntur. Viginti quinque tentoria luxuriosa octo generum vitreis a solo ad tectum utuntur ad prospectum alpinum includendum. Texturae locales atque lumina et supellex texta secessum tranquillum sustinent.

Agnitio

De Praemium A' Design Award Aeneum

Yun Chi Gu Xing Jiang Ornatus Interior Deversorii victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur Yun Chi Gu Xing Jiang Ornatus Interior Deversorii rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. Yun Chi Gu Xing Jiang Ornatus Interior Deversorii necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: Located in Karajun, this design blends nomadic heritage with modern luxury. It features "non-intrusive" intervention, preserving local wooden structures and deconstructing motifs to blur artifice and wilderness. Innovation lies in translating Bagua City philosophy and Kizil Grottoes murals into bespoke interiors. 25 luxury tents in 8 styles use expansive glazing to frame alpine scenery, offering a therapeutic retreat that redefines luxury glamping.
Dimensiones et Involucrum: Project Area: 1,456 sqm
Notulae: Wild、Luxury、Resort、XinJiang
Technologia Productionis: The project employs a "non-intrusive" construction strategy, preserving existing timber structures while integrating modern high-performance materials. We deconstructed Bagua City’s geometry and Kizil Grottoes motifs using digital modeling to create bespoke interior elements. 25 luxury tents feature expansive floor-to-ceiling glazing to dissolve indoor-outdoor boundaries. By blending raw, local textures with contemporary weaving techniques for lighting and furniture, the design achieves a dialogue between nomadic history and modern luxury.
Provocatio Designandi: The primary challenge was "invisible intervention" in a protected wilderness. Internally, deconstructing Silk Road history into modern luxury required balancing heritage with nomadic spirit. Externally, the remote Karajun location presented extreme logistics and limited infrastructure. We overcame these by utilizing digital modeling to adapt traditional timber structures and implementing high-performance glazing. This allowed us to preserve the ecological site while meeting premium hospitality standards.
Investigatio: This qualitative study aims to harmonize nomadic culture with luxury hospitality. Using field surveys and digital deconstruction, we analyzed Tianshan’s timber structures and Bagua City’s geometry. Data from local artisans guided the integration of Kizil mural motifs. Findings show that "non-intrusive" design, using 25 narrative tents, maximizes emotional healing. Insight: blending heritage with glazing dissolves boundaries, creating a scalable model for sustainable, high-end cultural tourism.
Inspiratio: The inspiration stems from Karajun’s wilderness and nomadic heritage. Driven by "invisible intervention," the motive is to honor the Tianshan landscape by blurring the line between architecture and nature. Drawing from Bagua City’s geometry and Kizil Grottoes murals, the design translates Silk Road history into modern luxury. Research focuses on deconstructing local timber structures to create a non-intrusive sanctuary for spiritual healing and a profound return to the wild.
Duratio Operis: Project Duration: Five Months
Project Location: Kerganbulak Village, Kalatuohai Town, Tekes County, Ili Kazakh Autonomous Prefecture, Xinjiang Uygur Autonomous Region, Karajun Grassland.
Cursus Operationis: The design optimizes spatial flow through "spiritual nomadism," guiding guests from restored timber reception areas to 25 secluded luxury tents. Large floor-to-ceiling windows act as dynamic interfaces, blurring indoor-outdoor boundaries to integrate shifting alpine light and scenery. The layout facilitates a seamless transition between private retreats and communal bonfire areas. By employing high-performance glazing and local textures, the project ensures superior climate comfort and emotional healing.
Membra Turmae: Lead Designer: Jing Liu
Designer: Liyuan Pang
Designer: Shuilin Chen
Agnitiones Imaginum: Image #1: Photographer: Jing Liu, Yun Chi Gu, 2024.

Image #2: Photographer: Jing Liu, Yun Chi Gu, 2024.

Image #3: Photographer: Jing Liu, Yun Chi Gu, 2024.

Image #4: Photographer: Jing Liu, Yun Chi Gu, 2024.

Image #5: Photographer: Jing Liu, Yun Chi Gu, 2024.