Looping Flower Spatium Culturale Ikebana ab Ni Jie Guo

Opus Looping Flower Spatium Culturale Ikebana a designatore Ni Jie Guo est victor maxime honoratus praemii praestigiosissimi 2024 Praemium A' Design Award Aeneum in Categoria Certaminis Designatio Interior.

AesInterior· 2024

Looping Flower Spatium Culturale Ikebana

a Ni Jie Guo

Cliens: Blankspace

Victor praemii Praemium A' Design Award Aeneum in Categoria Interior

10,553

Victor Praemii Verificatus

Verifica Statum Praemii pro #151842

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Looping Flower Spatium Culturale Ikebana

Ars Ikebana est meditatio de vita in fluxu quattuor temporum, includens ultimam capturam momentorum brevium in aestheticā Iaponicā, reconstructionem vitae florum et ramorum, et innovativam collisionem structurae et aestheticae. Designatio totius spatii fundatur in spiritu Kusatsuki-ryu, elementa ex architecturā traditionali Iaponicā extrahens eaque in linguam architectonicam modernam transformans, relationem inter constructionem contemporaneam et aestheticam cum elementis Iaponicis abstractis explorans.

Agnitio

De Praemium A' Design Award Aeneum

Looping Flower Spatium Culturale Ikebana victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur Looping Flower Spatium Culturale Ikebana rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. Looping Flower Spatium Culturale Ikebana necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Dimensiones et Involucrum: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Notulae: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Technologia Productionis: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Provocatio Designandi: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Investigatio: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspiratio: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Duratio Operis: The project started in August 2022 and finished in December 2022 in China .
Cursus Operationis: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Membra Turmae: NI JIE GUO
Agnitiones Imaginum: BLANKSPACE