Trinity Boyaxkirina Dîjîtal لەلایەن Vanja Vizner

دیزاینی Trinity Boyaxkirina Dîjîtal لەلایەن Vanja Vizner خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2021 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Grafîk, Wênesazî û Ragihandina Dîtbarî.

TuncGrafîk· 2021

Trinity Boyaxkirina Dîjîtal

لەلایەن Vanja Vizner

کڕیار: Art of core

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Grafîk

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #112954

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Trinity Boyaxkirina Dîjîtal

Trinity balê dikişîne ser mirov: veguherîna biyolojîkî, hestyarî û derûnî. Bi pêvajoyên xwe yên derûnî û hestyarî, ew têkiliyên bi civak, dêûbav û hawîrdorê re vedikole. Qebûlkirina aliyên neyînî û erênî yên civakê, ku bingehek ji bo pêşkeftina perspektîfek berfireh diafirîne. Hunermend bang dike ku li şûna veqetandinê ber bi entegrasyona hemûyan ve bimeşe û li hember neheskirinê li ser têgihiştinê bisekine.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Trinity Boyaxkirina Dîjîtal xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Trinity Boyaxkirina Dîjîtal tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Trinity Boyaxkirina Dîjîtal pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The main focus of the artwork is on the growth of mental, and emotional body by passing various stages of human development. It addresses the challenges in one's relation to gender, social, parental, political preconditioning including self-conditioning. Its main idea is to show the path of constant learning development to improve one's cognition, heart and mind connection to its environment in order to overcome stagnation created by setting absolute values of opinions, which creates repetition over time.
قەبارە و پاکێج: The size of digital art of is 720 mm x 720 mm/72 dpi.
تاگەکان: trinity, visionary art, digital art, humanity, artofcore, vanja vizner
تەکنەلۆژیای بەرهەمهێنان: Base sketch was a pencil drawing that was further developed in "Photoshop" by using "Wacom" graphics tablet. Finished artwork was done by use of regular paintbrushes, filters, layer styles and effects with stylized changes. Process of making was experimental progressive painting without a clear motive in mind.
هەڵەنگاندنی دیزاین: The challenge was to improvise while keeping the technical part and the structure of the image meaningful without knowing the outcome. This kind of experimentation was mentally intensive and time-consuming. The artist overcame the obstacle by switching between abstraction and rational.
توێژینەوە: Human society has set values in the past to make clear distinction of man and woman roles in society. These roles were initially set by practicality through order. The artist tries to convey the message that, whilst this approach may have been practical in the past, it may cause fragmentation in the mind of humans. Humans suppressed the feminine or masculine part of their beings and restrained themselves from reaching full potential of their mind.
ئیلهام: Inspiration came from the artists exploration of unconditional Love and nonattachment towards living beings and their environment. Accepting the world as one continuous process with all its faults and imperfections.
ماوەی پڕۆژە: The project started from May 2015 and finished in August 2015. The design is done in Zagreb, and was exhibited in Psychedelic Dream Temple Gallery August 2017.
ڕێڕەوی کارکردن: The artwork is arranged in a linear way from bottom to top. The information presented to the public has three points: 1. Realization of the negative aspects of society 2. Acknowledgement of their own ancestral legacy 3. Growth and its own responsibility in the universe by expanding to the unknown.
پەتێنتەکان: Copyrights belong to Vanja Vizner, 2015.
کرێدیتی وێنەکان: Image #1: Illustrator Vanja Vizner, Trinity, 2015.