Reading Tea Axxam n latay sɣur Ling Zhou

Reading Tea Axxam n latay sɣur Ling Zhou d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

DdhebAgensu· 2020

Reading Tea Axxam n latay

sɣur Ling Zhou

Amsaɣ: Chongqing Zhou Decoration Design Co., Ltd.

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Agensu

16,418

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #96973

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Reading Tea Axxam n latay

Reading Tea d axxam n latay, s daxel-is yeṭṭafaren 380 n lmitrat imkuẓen di Chongqing. Aseɣnew-a isdukkel tiɣawsiwin tigensasin n Ccin akked webrid atrar n usbeddi n tallunt. Iqecwalen igamanen n usɣar bḍan d iceqfan n usɣar s tehri n 100 n imilimitren akked tuzert n 5 n imilimitren. Iceqfan-a yesehlen i uknu, knan d talɣiwin ikerrfen i yeṭṭfen ṣṣifa n usɣar, rnu snulfan-d talɣa tamaynut n tallunt. Leḥyuḍ n usɣar akked leḥyuḍ n uzzal ur nṣeddi n yiwen n yini, cudden imukan gar-asen. Aẓru agaman yettwaḥukk armi yuɣal d tiɣzert ur nemsawa ara, i yemṣadan akked usɣar. Initen imellalen iberkanen (imcebbḥen s tillas) akked yiqermuden n lqaɛa iqbuṛen kemmlen amkan-a n talwit.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Reading Tea Axxam n latay d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Reading Tea Axxam n latay ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Nowadays, most of the Chinese tea spaces are dominated by the traditional Chinese style. In order to break the fixed thinking, the designer uses the relationship between the wood wall and the stainless steel wall with the same tonality to connect the whole space, which seems to be independent but closely related to each other, so as to overlap the multiple levels of space and show the pure design details.
Tigejdiwin & Akemmus: The project covers a total of 380 square meters. In the entrance area, natural logs are used as the main materials. The designer divides the original logs into wood chips with a width of 100 mm and a thickness of 5 mm. The processed wood chips are flexible and can be bent and folded at will, which makes the design more possible.
Tibzimin: Interior, Commercial, Tea House, Oriental Elements, Natural, Elegant, Cultural, Modern
Tasnakta n Ufares: The circular space form made of wood chips retains the characteristics of woodiness, but people also see the formation of new space form. The designer hopes to break the tradition and keep it at the same time, so as to achieve the symbiosis of culture and architecture. The natural stone is polished to form the uneven surface, which also makes the visual sense of stone and wood more perfect and harmonious.
Asewḥel n Usnulfu: Under the premise of not replacing the original Chinese furniture, it is a big difficulty to renovate the shop in a modern way. Chinese window made of wood is our most common and traditional way, but in this space, the designer hopes that the traditional elements have changed, so the bronze stainless steel material instead of the traditional wood material, making Chinese window and style both Chinese direction and not too traditional.
Anadi: The design purpose of this case is not simply to seek aesthetic changes. In addition to aesthetic feeling, we must also give consideration to practicality and durability, so that the space will last forever. For the designer, it is the most valuable thing to create a comfortable tea space and make users feel happy. He thinks that each material can present different forms of expression through design.
Aseḥbiber: Party A hopes that the renovated space can retain the traditional Chinese elements, but does not want to see the traditional Chinese appearance. Therefore, the designer uses the spatial design method to create the state of the whole teahouse, and expresses to people that even the traditional Chinese materials can also have a different sense of design direction. He re sized the wood to create a new spatial framework, which is the highlight of the project.
Tanzagt n Usenfar: The project started in June 2019 in Chongqing and finished in October 2019 in Chongqing.
Tanila n Umahil: The spatial tone is made of gray, coupled with natural lying wood texture and rustic gray floor tiles, creating a simple fashion full of organic style, presenting a rustic and natural aesthetic point of view.
Ibrivan: Copyrights belong to Ling Zhou, 2019.
Igmamen n Terbaɛt: Ling Zhou
Imsuren n Tugniwin: Image #1: Photographer Chuan He, Entrance Area, 2019.
Image #2: Photographer Chuan He, Entrance Area 2, 2019.
Image #3: Photographer Chuan He, Reception Desk, 2019.
Image #4: Photographer Chuan He, Box, 2019.
Image #5: Photographer Chuan He, Box 2, 2019.