Haimen Vanke Jadeite Ammas n uznuzu sɣur Wally Mau

Haimen Vanke Jadeite Ammas n uznuzu sɣur Wally Mau d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

DdhebAgensu· 2020

Haimen Vanke Jadeite Ammas n uznuzu

sɣur Wally Mau

Amsaɣ: Maudea Design Studio

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Agensu

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #90531

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Haimen Vanke Jadeite Ammas n uznuzu

Haimen Vanke Jadeite d ammas n uznuzu deg Haimen, tamnaḍt n Jiangsu, di Tacinwit. Agensu-ines yeṭṭef 2000 n lmitrat imkukaḍ, yesseqdac talɣa n lebni s yisulal ɣezzifen d yiggejda ɛlayen. Aɣawas-ines yeḍfer aɣawas amensay n ufrag, yerna yettmuqul ɣer umezruy adigan n tewwurt n yillel. Yiwet n ṭṭabla n lqahwa n rrxam akked yimeẓla n yiqecwalen leggaɣen, ttalsen-d tamnaḍt n usteɛfu yesshel, ma d yiniten inilanen smektayen-d tudert n yiṣeggaḍen n yiselman n temnaḍt. Sin n yiḥedran n usɣar ṭṭfen taxxamt n VIP akked wadeg n warrac, zzin-asen s lezyaj seg lqaɛa ɣer ssqef akken ad ḥerzen tabaḍnit. Yiwet n tseddarit tameqqrant tettezzi tettali deg wadeg-a.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Haimen Vanke Jadeite Ammas n uznuzu d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Haimen Vanke Jadeite Ammas n uznuzu ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The large-span, high-scale spatial characteristics of the building, combined with the history of the Millennium Sea Gate and the prestige of the Jadeite, are the key elements of our design considerations. Therefore, we finally decided to create a multi-dimensional blend of ancient and modern, fashionable and luxurious for the urban newcomers here. Meeting place.
Tigejdiwin & Akemmus: The project covers a total of 2000 square meters. Two wooden blocks in the VIP room and the children's area are extended on both sides of the central axis, and can only be seen through the floor-to-ceiling glass partition on one side. It has independent privacy and internal and external connectivity, which maintains the beauty of the external order and magnifies the visual scale of the interior space.
Tibzimin: Interior, Commercial, Sales Center, Oriental elements, Natural, Elegant, Cultural
Tasnakta n Ufares: The introverted and elegant marble coffee table is matched with a soft stool that looks like a random place, which will inadvertently reflect the current free and easy lifestyle.
The soft furnishings here use modern charm, which will match the blue of the fishermen's life scenes, and enrich the depth and content of the space.
Asewḥel n Usnulfu: It's not just that creating something new is a creation. It's equally creative to re-develop a familiar thing as an unknown field. Therefore, the designer chose to inherit the spatial layout of the traditional four-in-one courtyard and implant the temperament of the Haimen Cultural Museum. The "order" of time and space, the "potential" of space.
Anadi: Haimen City, Jiangsu Province, which is known as the "Jianghai Gateway", is located at the mouth of the Yangtze River and faces Shanghai across the river. Enter the open academic institution, through the quiet courtyard, through the corridor to the main building of the sales office. In the Tang Dynasty poet Zhang Jiuling, in the "Wang Yue Huai Yuan", the situation of "the sea is shining and the moon is at the end of the world" is also unfolding.
Aseḥbiber: Following the design concept of Vanke Jadeite Oriental Residence and new aesthetics, the project is based on the design of "Love Poetry, Elegant and Natural", and blends Haimen's past, now and future in space. Therefore, after rooted in history and culture to tell modern life, designers will also inject space into the future, allowing people to feel a new possibility of design.
Tanzagt n Usenfar: The project started in March 2018 in Haimen and finished in August 2018 in Haimen.
Tanila n Umahil: The large-scale staircase rotates upwards, re-emphasizing the fusion of the freedom of contemporary art and the promotion of future life in a silent way.
Ibrivan: Copyrights belong to Wally Mau, 2018.
Igmamen n Terbaɛt: Wally Mau
Cui Wei
Wan Lijun
Liu Yajuan
Ye Xiaotong
Li Wenjing
Imsuren n Tugniwin: Image #1: Photographer Zhang Jing and Yan Sicong, Reception Hall, 2018.
Image #2: Photographer Zhang Jing and Yan Sicong, Negotiate Area, 2018.
Image #3: Photographer Zhang Jing and Yan Sicong, Entrance, 2018.
Image #4: Photographer Zhang Jing and Yan Sicong, Art Installation, 2018.
Image #5: Photographer Zhang Jing and Yan Sicong, Stairs, 2018.