Kaiseki Den Resṭuran sɣur Monique Lee d anerbaz yettwaqadren meqqren n 2018 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2018

Kaiseki Den Resṭuran

sɣur Monique Lee

Amsaɣ: Kaiseki Den by Saotome

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

16,077

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #61367

Kteف Tura Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Kaiseki Den Resṭuran

Kaiseki Den by Saotome, yesseqdac iferdisen n usɣun Wabi-sabi uzzigen n tefessast, tuṭṭfa tegejdant, tawaḍaɛt d ugama akken ad d-yesken anamek Zen n tmerẓit Kaiseki. Asenni n teḥanut yebna s ijerriḍen n uyyu ugdud agejdan yettaken tawmeẓt tazlart s tlata n imiḍanen. Abrid n unekcum d texxamin VIP s iferdisen ijapuniyen n Karesansui ttbeddiden tamussni n talluẓa deg umḍiq n lehna ur yettwabdar s uglagal n temdint. Agensay deg usefru aḍeffir s lezzeb amecṭuḥ. Ijerriḍen n uyyu iɣefsan d lkaɣeḍ wagami aẓidyaf s tafat taruqqaqt ḥeṛzen-d tirza tesɣawast.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Kaiseki Den Resṭuran d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Kaiseki Den Resṭuran ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Kaiseki Den Resṭuran yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Kaiseki Den, serves Kaiseki cuisine which is a tribute to transcendental meditation. The design employs simple shapes in a three-dimensional perspective for a modest and peaceful vibe. To bring out the concept of original state of nature associated with Kaiseki and its Zen philosophy, simple, soft sandy or earthy colours, natural materials, coarse marble floor are used. They are a visual pacifier to manifest a calm mind and customers are in a brief retreat from the busy city.
Tigejdiwin & Akemmus: The site area is 137.3 sq.m
Tibzimin: Elegant, Simple, Natural, Environment Friendly, Peaceful, wabi-sabi
Tasnakta n Ufares: Sustainable natural materials closest to its raw texture are selected to present the original state of nature. Tailor-made natural composite wood strips with metal strip inserted manually for a sturdy structure for shop front were assembled on spot. Interior is decorated with coarse marble floor, bamboo bark wall paper, wood screen door and linen Noren. An energy saving LED lighting system is employed. Wagami light boxes conceal an adjustable LED lighting system. For best visual effects and easy maintenance, paper cover is in a door construction with hinges hidden at the top.
Asewḥel n Usnulfu: The biggest challenge comes from its geographical complexity. Situated on a slope, it combines 2 units of irregular shapes on different horizontal levels and with different ceiling heights. Partial area sinks below ground level outside, blocking natural light source.
Its’ irregular shape posts a feeling of disorder. Reworking the drainage system compatible with an open kitchen design requires a full-scale construction of raising the floor for a unified level surface. A simple layout, minimum use of colours and decorations also post difficulty in creating a Japanese feeling.
Anadi: In order to create a comfortable and simple Japanese design, we chose Japanese garden as our design direction. We researched into Kyoto Jinfu Temple Karesansui - dry landscape through different books and internet. Understanding its representation of Wasbi-sabi and the Zen meaning behind the concept. We coordinate and employ these aesthetic concepts into our design to create a tranquil atmosphere.
Aseḥbiber: Kaiseki refers to the warm pebble Buddhist monks put on their belly during Zen contemplation to soothe feeling of hunger, a divine tool to assist the pursuit of ultimate truth. The design uses Wabi-sabi Aesthetics elements like simplicity, asymmetry to simulate a natural environment. The Japanese Karesansui Landscape represents a static form. Images like static ripple lines as Running Water, Circles as Rock meaning Land are believed to manifest a calm mind and build a tranquil environment.
Tanzagt n Usenfar: The project stated in Feb 2017 and finished in May 2017 in Hong Kong.
Located at Shop 3-4, G/F, The Oakhill, 28 Wood Road, Wan Chai, Hong Kong
Tanila n Umahil: Drainage system was re-laid to allow for an open kitchen and dining counter design. Diners can see chefs cook and talk with them. Floor of kitchen and main hall was raised for extra underground space to embed drainage pipes and to keep bar counter table on same level for diners and chefs chat comfortably. On the opposite is an open space with a sliding screen in translucent Wagami paper and wooden strips. When fully open, it becomes a spacious hall. When slided closed, it creates a Washitsu private room. This allows flexible and full use of space and light, and strengthens a Japanese vibe.
Ibrivan: Copyrights belong to Monique Lee, 2017
Igmamen n Terbaɛt: Design Director: Monique Lee
Designer: Thomas Chu
Imsuren n Tugniwin: Image #1- Photographer Ray Chow, Kaiseki Den 2017
Image #2- Photographer Ray Chow, Kaiseki Den 2017
Image #3- Photographer Ray Chow, Kaiseki Den 2017
Image #4- Photographer Ray Chow, Kaiseki Den 2017
Image #5- Photographer Ray Chow, Kaiseki Den 2017