Ɛeddi ɣer ugbur
Hangzhou Elements Tagrumma n Yiqbucen n Ṭṭabla sɣur Fan Xiaolin, Chen Gang and Ma Daoshun

Hangzhou Elements Tagrumma n Yiqbucen n Ṭṭabla sɣur Fan Xiaolin, Chen Gang and Ma Daoshun d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Wagama Adelsan d Yinerni Adelsan.


LbrunzAgama Adelsan· 2026

Hangzhou Elements Tagrumma n Yiqbucen n Ṭṭabla

sɣur Fan Xiaolin, Chen Gang and Ma Daoshun

Amsaɣ: Hangzhou Arts and Crafts Museum

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agama Adelsan

6,674

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #180669

Initen

Afeṣṣel

Ɣef Hangzhou Elements Tagrumma n Yiqbucen n Ṭṭabla

Hangzhou Elements d tagrumma n yifenǧalen d tḍebsiyin n ufexxaṛ (porselan) i d-yettwasuddsen seg yidles n temdint n Hangzhou. Izemluyen inilit-imellalen sdukklen asayes n "Kraḍ n Temdiwin i d-yesmektayen Aggur" deg Ugelmim n Utaram akked yizemluyen n yidles n Liangzhu. Yal aḥric yettwaxdem s tẓuri tamensayt n Jingdezhen, yerna yekkaw deg tmes n 1300 n tfesniwin Celsius, ayen i yettḥerrizen acebbeḥ d ufrin yerna yerra tanga-s d taǧehdit. Afus yemmezgen d tḍebsit ur nemsawa ara sishilen aseqdec-is. Tagrumma-a tettuheyya i useqdec n yal ass akked usefk deg tmeɣriwin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Hangzhou Elements Tagrumma n Yiqbucen n Ṭṭabla d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Hangzhou Elements Tagrumma n Yiqbucen n Ṭṭabla ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Hangzhou Elements Tagrumma n Yiqbucen n Ṭṭabla yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Using traditional Chinese blue and white porcelain craftsmanship as a medium, the design integrates the scenic poetry of the Three Pools Mirroring the Moon in West Lake with the deep historical roots of Liangzhu Culture. Transformed through a contemporary design language into daily tableware, the collection not only embodies the distinct regional identity of Hangzhou but also serves as a sophisticated choice for festive gifting.
Tigejdiwin & Akemmus
Plates width 80mm X depth 80mm X height 15mm. Cups width 60mm X depth 60mm X height 80mm.
Tibzimin
Cultural Creative Homeware, Cups and Saucers, Ceramic Art, Hangzhou Elements
Tasnakta n Ufares
Utilizing traditional Jingdezhen blue and white porcelain craftsmanship, the work is fired at a high temperature of 1300°C. This rigorous process ensures the patterns remain permanently vibrant and the material exceptionally durable.
Asewḥel n Usnulfu
The primary challenge lay in seamlessly integrating Hangzhou cultural motifs with Jingdezhen blue and white porcelain craftsmanship. The objective was to elevate both utility and cultural expression through the design of irregularly shaped cups and saucers alongside ergonomic handles. This required navigating the tension between traditional aesthetics and modern convenience, while technically ensuring the structural stability of these non standard forms during high temperature firing.
Anadi
Reimagining blue and white porcelain, this project blends West Lake Three Pools scenery with Liangzhu heritage. Fired at 1300 degrees Celsius using Jingdezhen techniques, it ensures permanent vibrancy. The design features an irregular saucer and ergonomic handle, balancing aesthetics with utility while resolving stability challenges in firing non standard forms. Beyond function, the collection serves as a cultural vessel and ideal festive gift, embodying the regional identity of Hangzhou.
Aseḥbiber
The natural and cultural landscapes of Hangzhou West Lake, the Three Pools Mirroring the Moon, and the history of Liangzhu Culture and intangible cultural heritage.
Tanzagt n Usenfar
The project originated in Hangzhou, with a development cycle spanning from October to December 2025.
Tanila n Umahil
The design prioritizes structural ergonomics, featuring a uniquely contoured cup handle paired with an irregularly shaped saucer. This configuration not only enhances usability but also amplifies the visual impact of the cultural narrative. Positioned as a vessel for Hangzhou heritage, the set serves as an ideal festive gift, deepening the connection of the recipient to the distinct cultural identity of the region.
Igmamen n Terbaɛt
Designer:Fan Xiaolin
Designer:Chen Gang
Designer:Ma Daoshun
Designer:Yang Chao
Imsuren n Tugniwin
Image#1:Fan Xiaolin
Image#2:Chen Gang
Image#3:Ma Daoshun
Image#4:Yang Chao
Image#5::Fan Xiaolin

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

Sumer