Art Omi Deconstructive Utopia Tazeqqa n Uɣanib sɣur Daria Yang Du

Art Omi Deconstructive Utopia Tazeqqa n Uɣanib sɣur Daria Yang Du d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LfeṭṭaTansekta· 2026

Art Omi Deconstructive Utopia Tazeqqa n Uɣanib

sɣur Daria Yang Du

Amsaɣ: DD Studio

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tansekta

23,338

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #176619

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Art Omi Deconstructive Utopia Tazeqqa n Uɣanib

Art Omi Deconstructive Utopia d tazeqqa n uɣanib akked lebni n uskan deg Wazal n Hudson, yeṭṭfen azal n 12000 n imitrat ikwaḍen (square feet). Aqcuc n uberkan (concrete) yettwaqewsen yettwabna s tezrawin n usenqes n ubalun, yerna yettwafṛeɣ s tferka n usali yettwaneǧren s tmacinin CNC iwakken ad d-yeffeɣ uqews s telqeyt. Deg tlemmast, yettwaḥrez yiwen n usemmid akurar am texxamt tagejdant n uskan akked tewwurt n unekcum i medden. Yiwen n webrid iteddu seg utaram ɣer usammar, ẓẓayen-t sin idisan s texxamin n umahil, ifukk ɣer wagelmim. Ixxamen n umahil yettɛellqen sseqdacen ikataren n wuzzal ifsusen yettwaɣummen s wesɣar. Tiferkiyin n wesɣar yeḥman ɣumment agensu yerna sseɣwlayent taɣect (akustik).

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Art Omi Deconstructive Utopia Tazeqqa n Uɣanib d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Art Omi Deconstructive Utopia Tazeqqa n Uɣanib ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Beginned by an experimental process of morsal-folly finding process to explore form and movement, the Art Omi Design Gallery reinterprets kinetic gestures into architectural space. The design transitions from a linear system of tensioned strings to a centralized spherical volume, carved out and preserved as the main exhibition space and public entrance. This void becomes the anchor of spatial experience, emphasizing a fluid internal circulation that guides visitors across the site.
Tigejdiwin & Akemmus: Size: 12000ft²
Tibzimin: Balloon Experiment, Yarn Grid, Deflation Studies, Form-Finding, Curved Concrete, Spatial Void, Floating Studios, Circulation Path, Cultural Landmark, Landscape Integration, Lightness and Memory, Architecture and Movement
Tasnakta n Ufares: The gallery is built as a curved concrete shell shaped by balloon deflation studies, using CNC-milled formwork for precise curvature. Warm timber panels line the interiors, enhancing acoustics and contrast with the concrete mass. Suspended studios use lightweight steel frames clad in wood, appearing to float above. Foundations integrate with the lakeside landscape, anchoring the structure while respecting natural topography.
Asewḥel n Usnulfu: The challenge was translating a fleeting balloon-and-yarn experiment into a permanent architectural system. Capturing the dynamic shift from expansion to deflation required rethinking geometry, circulation, and structure. Preserving the spherical void while adapting the shifting yarn grid into concrete and timber demanded both technical precision and conceptual clarity, turning ephemeral gestures into a coherent, inhabitable cultural landmark.
Anadi: Each material guided form-finding through its properties. In balloon and yarn experiments, expansion and contraction revealed new spatial opportunities. Placed on flat topography, the balloon’s center aligned with a yarn grid, creating a cloud-like form. Strings attached to it defined smooth paths connecting to the ground. When deflated, shifting strings generated a new landscape, inviting people to walk, sit, lie, and interact with the folly as structure.
Aseḥbiber: Inspired by balloon inflation and deflation studies, the design shifts from a linear system to a central spherical void, preserved as the main exhibition and entrance. A pivoting path extends west to east, flanked by workshops and ending at the lake. Suspended studios echo floating forms, while a curving concrete shell recalls string grids. Warm wood interiors contrast the monolithic frame, guiding visitors through a dynamic spatial journey.
Tanzagt n Usenfar: Art Omi in Hudson Valley
Tanila n Umahil: Individual Work
Imsuren n Tugniwin: All Design & Illustration & Drawing & Physical Model by Daria Yang DU