Ɛeddi ɣer ugbur
Oriental Villa Aseɣwes n Daxel n Uxxam n Uznuzu sɣur Hangzhou Meizhi Home Design Co., Ltd

Oriental Villa Aseɣwes n Daxel n Uxxam n Uznuzu sɣur Hangzhou Meizhi Home Design Co., Ltd d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


LfeṭṭaAgensu· 2026

Oriental Villa Aseɣwes n Daxel n Uxxam n Uznuzu

sɣur Hangzhou Meizhi Home Design Co., Ltd

Amsaɣ: Hangzhou Meizhi Home Design Co., Ltd

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

20,333

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #174652

Initen

Afeṣṣel

Ɣef Oriental Villa Aseɣwes n Daxel n Uxxam n Uznuzu

Oriental Villa d aseɣwes n daxel n uxxam n uznuzu di Huzhou, di Ccinwa. Adeg-agi yeṭṭef 650 n lmitrat imerbaɛen, yerna yekka-d seg tesɣunt n lebni, seg tebḥirin akked temnaḍt n taddart n waman n Nanxun. Tugniwin tiqburin n Ccinwa ttuɛawdent s uẓeṭṭa, s usdukkel n lḥibṛ akked usserɣ n uwreq n lqecc. Iferdisen yettwaneqcen s uplastik akrilik n platin d lkristal, ttmeslayen-d ɣef waman s waṭas n talɣiwin. Uzzal, marbra, aqcuḍ n usɣar, aglim akked lqecc ttuseqdacen iwakken ad rnun tanuffa i wadeg. Tafat i yettbeddilen akked yizamulen idelsanen ttawin inebgawen deg wadeg s ttawil, yiwet yiwet, s talwit.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Oriental Villa Aseɣwes n Daxel n Uxxam n Uznuzu d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Oriental Villa Aseɣwes n Daxel n Uxxam n Uznuzu ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
This project blends Nanxun's traditional architectural features, gardens, and cultural motifs into a contemporary leisure space. Its uniqueness lies in integrating ancient Chinese paintings through refined techniques like embroidery and ink stacking, highlighting cultural richness while using modern materials like crystal acrylic to express water's poetic charm.
Tigejdiwin & Akemmus
The total interior area spans 650 square meters. Materials used include metal, wood veneer, marble, leather, fabric, and platinum crystal acrylic. Decorative elements incorporate traditional Chinese craftsmanship alongside contemporary artistic fabrication methods to achieve cultural and spatial integration.
Tibzimin
Nanxun Culture, Oriental Leisure Space, Ancient Paintings, Water Town Design, Acrylic Sculpture, Embroidery Technique, Garden Architecture, Modern Aesthetics, Cultural Memory, Immersive Experience
Tasnakta n Ufares
The project utilizes embroidery, ink layering, and foil burning techniques to reinterpret ancient paintings. Sculptural elements made from platinum crystal acrylic reinterpret water in diverse forms. Main materials include metal, marble, wood veneer, leather, and fabric, all selected to enhance texture and atmosphere.
Asewḥel n Usnulfu
The main challenge was translating ancient paintings into three dimensional, textural spatial expressions. Adapting embroidery and ink techniques for modern interiors required extensive testing. Balancing authenticity with contemporary aesthetics while preserving emotional depth was also complex but essential.
Anadi
This was qualitative research focused on cultural integration in spatial design. Field studies in Nanxun were conducted, analyzing architectural features, garden typologies, and traditional artworks. Techniques were tested with artisans to apply painting translations. The result is a culturally immersive, emotionally resonant space with significant influence on heritage-inspired design.
Aseḥbiber
The inspiration comes from Nanxun's local culture, water town landscapes, and historical legacy. The design seeks to translate these emotional and spatial memories into a modern narrative that allows users to journey through curiosity, contemplation, and comfort, evoking a deep connection to place and heritage.
Tanzagt n Usenfar
The project started in March 2025 in Huzhou, China and finished in May 2025.
Tanila n Umahil
Visitors transition through the space in an emotional sequence from curiosity to tranquility via changing light, textures, and cultural symbols. Artworks and sculptures guide their attention and mood, creating an immersive environment where aesthetics, history, and spatial flow interact organically.
Igmamen n Terbaɛt
Designer: Sheng Menghua
Designer: Cheng Jijun
Designer: Cao Shiming
Imsuren n Tugniwin
Image #1: Photographer HAMOVISION, Oriental Villa, 2025.
Image #2: Photographer HAMOVISION, Oriental Villa, 2025.
Image #3: Photographer HAMOVISION, Oriental Villa, 2025.
Image #4: Photographer HAMOVISION, Oriental Villa, 2025.
Image #5: Photographer HAMOVISION, Oriental Villa, 2025.

Yettwaxellṣen

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

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