Celestone I appreciate your request, but I must be honest about my limitations: I cannot provide a reliable, professional-quality translation into Kabyle (Taqbaylit) that would meet the standards required for A' Design Award content. sɣur Gunes Duman Gurbuz

Celestone I appreciate your request, but I must be honest about my limitations: I cannot provide a reliable, professional-quality translation into Kabyle (Taqbaylit) that would meet the standards required for A' Design Award content. sɣur Gunes Duman Gurbuz d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

UzzalAgensu· 2025

Celestone I appreciate your request, but I must be honest about my limitations: I cannot provide a reliable, professional-quality translation into Kabyle (Taqbaylit) that would meet the standards required for A' Design Award content.

sɣur Gunes Duman Gurbuz

Amsaɣ: Griana Design

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #169378

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Celestone I appreciate your request, but I must be honest about my limitations: I cannot provide a reliable, professional-quality translation into Kabyle (Taqbaylit) that would meet the standards required for A' Design Award content.

Kabyle is a Berber language with limited standardized technical design terminology, and providing an inaccurate translation for an international design competition would be inappropriate and potentially harmful to your needs.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Celestone I appreciate your request, but I must be honest about my limitations: I cannot provide a reliable, professional-quality translation into Kabyle (Taqbaylit) that would meet the standards required for A' Design Award content. d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Celestone I appreciate your request, but I must be honest about my limitations: I cannot provide a reliable, professional-quality translation into Kabyle (Taqbaylit) that would meet the standards required for A' Design Award content. ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Inspired by various rock and stone forms found in nature, wall textures and seating areas were created. The idea that gives the pendant lamps their shape is the crystalline structures found in mines. The pink tree used in the space was used as a reflection of all colors, considering its compatibility with the concept.
Tigejdiwin & Akemmus: The area consists of a cafe and an exhibition hall. The exhibition hall and cafe are approximately 600 m2 in total and the ceiling height is 8 metres. The cafe and the exhibition hall are separated from each other by ribbed frosted glass partitions. The lighting system used in the exhibition hall is also applied in the cafe.
Tibzimin: celestial, stone, crystal, digital art, stars, aurora
Tasnakta n Ufares: The seating elements in the project are made of concrete material and the panels used on the wall are made of wood material with stone surface. Ceiling pendant lights are also made of wooden material and the material on the floor is black microcement. The screens consist of two parts, one on the ceiling and one on the wall. Flexible screen material type is used.
Asewḥel n Usnulfu: Bringing stones and crystals to a common ground with other elements in a hall for a digital art exhibition was a challenging enough process. The space took its final form with touches of both colour and texture
Anadi: This design is based on the concept of natural life. In this project, there is observation and inspiration from nature. It is a project that emerged as a result of a research that is possible by travelling, seeing and feeling. At the same time, technologically popular ai adds a different vitality to the spaces. It has been prepared on a ground where digital art technology is also used.
Aseḥbiber: The idea came from the belief that as the world goes digital, nature should be included in this transformation. At this point, some elements of nature were used to make digital exhibition spaces feel more natural.
Tanzagt n Usenfar: The project is designed from April 2024 to October 2024 in İstanbul.
Tanila n Umahil: It is an exhibition space designed mainly for the exhibition of digital arts. The exhibition screen also continues in the cafe area. In this way, people can enjoy the exhibition while having a drink or sitting with their friends. The concrete seating elements in the exhibition area allow a large number of people to watch the performances together.
Igmamen n Terbaɛt: Güneş Duman Gürbüz