Yue Tawwurt Agensu n Umeqqim n Wučči sɣur Toby Lin

Yue Tawwurt Agensu n Umeqqim n Wučči sɣur Toby Lin d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2023

Yue Tawwurt Agensu n Umeqqim n Wučči

sɣur Toby Lin

Amsaɣ: Sgiant Space Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

8,660

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #147467

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Yue Tawwurt Agensu n Umeqqim n Wučči

Yue d agensu n umeqqim n wučči yellan di temdint n Hsinchu, Taiwan. Asnfar-agi isseqdac tanaḍt tajapunit wabi-sabi, i yesɛeddin azal i tmenzuyt akked tsudmet tazuranet. Iɣezfan uḍlaqen icebḥen, iferdisen n ttejra izeddigen akked tɣawsiwin tiwriniyin timeqqranin snulfan-d tamiḍt talmeɛt d taḥerkist ddaw tafat tawraɣt yesɛan taḥmi. Ṭṭaqat timeqqranit seg wadda alamma s ufella kkatent-d tafat n tigira ɣer daxel. Iɣudan yekksen akken ad d-yili yiwet n tuɣmist tazeɣbant. Adeg n 232 lmitrat aduret yesɛa tanast n unekcum, adeg n tuɣmist akked texxamin uslig. Iferdisen yettwaxedmen s ufus sɣaren-d tasumta tamzuranet, ttejra tettwaskadam d wuzzal.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Yue Tawwurt Agensu n Umeqqim n Wučči d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Yue Tawwurt Agensu n Umeqqim n Wučči ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Yue Tawwurt Agensu n Umeqqim n Wučči yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The Japanese aesthetic of wabi-sabi is injected into the space. With dark-colored interiors, mellow wooden gratings, and large curved surfaces, the place exudes a calm and stable atmosphere under the yellow glow. The large open floor-to-ceiling windows allow plenty of natural light into the space. In the interior, the partition walls are removed to offer unrestricted sight lines and allow the mind and body to unwind and decompress.
Tigejdiwin & Akemmus: In the space of 232 square meters, there are a reception counter, a seating area, and private rooms.
Tibzimin: Interior Design, Wabi-sabi, Japanese aesthetic, Human-centered, Dark-colored
Tasnakta n Ufares: Suzuka cement texture, high definition printing board, atural weathered veneer, Italian slate tile, aluminum alloy tile, bamboo charcoal metal plate
Asewḥel n Usnulfu: Structural short beams are situated in the public area. The large, curved surfaces are extended and continuously wrap the volume to ease the rigid and oppressive feeling. A flowing arc draws the eye upward and the walls feature a warm gray color scheme that gives off a mellow atmosphere. In the private rooms, dark brown colors create a subdued ambience, and the seamless material makes up the canopy and extends downward to wrap the lighting fixtures, creating a sense of serenity and simplicity. In the shimmering light, one can enjoy a comfortable and relaxing mealtime.
Anadi: In terms of the design of the entrance, warm LED lights from the canopy emit a warmer, softer glow. The marble patterns on the wall create an inviting atmosphere. Pairing with neat coal-black lines, they create a multi-layer spatial hierarchy between order and disorder. The entrance is deliberately indented to give way to a platform where guests can polish their appearance and settle the mind.
Aseḥbiber: Wabi-sabi expresses gratitude for the beauty of modesty and rustic simplicity. Inspired by wabi-sabi aesthetic, the human-centered place, without extravagance and over-ornamentation, embraces the true essence of interior design. The hand-applied materials reflect the rustic and primitive texture. Intertwined with wood and metal, they create a delicate balance of tension between modern style and Japanese charm, and together build a quiet and unhurried dining scene.
Tanzagt n Usenfar: The project finished in January 2022 in Hsinchu City, Taiwan.
Tanila n Umahil: The space is divided into a reception counter, a seating area, and private rooms. The reception counter is made of hairline stainless steel panel that shimmers luxuriously and plays sparklingly with light and shadow, giving everyone a stylish yet warm welcome. In the seating area, the spacious space between seats is wide enough to allow people to move through, making it feel less crowded and confined. At one end of the structural pillar is a hollowed-out circular screen. The 3D mosaic tiles on the surface emit a lustrous glow to add extra softness to the silent space, while the full circle symbolizes wholeness and happiness
Igmamen n Terbaɛt: Toby Lin
Imsuren n Tugniwin: SGIANT SPACE DESIGN