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Evd Aseɣwes n Wexxam n Uxeddim sɣur Yang Bing and Hao Liyun

Evd Aseɣwes n Wexxam n Uxeddim sɣur Yang Bing and Hao Liyun d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


DdhebAgensu· 2021

Evd Aseɣwes n Wexxam n Uxeddim

sɣur Yang Bing and Hao Liyun

Amsaɣ: EVD Design

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Agensu

23,353

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #112174

Initen

Afeṣṣel

Ɣef Evd Aseɣwes n Wexxam n Uxeddim

EVD d agensu n uxeddim akked temsegzelt yellan di Shanghai, di Tacinwit. Adeg-agi yeṭṭef 300 n lmitrat imkuẓen. Talɣa n wadeg tebna ɣef tutlayin tiklasikin, yerna isefranen n lebni aklasiki ttwasqedcen s tarrayin timiranin akken ad rnun aḥulfu n tɣellist d wafud. Tamnaḍt s talɣa n U tedda-d akked yiwen n yidis ɣezzifen d xemsa n ṭṭwaqi imeqqranen, ihi tafat tagamant tkeččem-d yerna tettwazuzer s tlelli. Rnan-d talɣiwin tikurayin akken ad sebɣesen agensu. Aseɣwes yebda s uferru n tilas i d-yekkan seg yiberdan n waman n usexsi n tmes akked tregwa n usemmiḍ. Tuget n leḥyuḍ sseqdacen isbaɣen n tẓuri yettwaxedmen s uwren n yiqecwalen n yilel akked tqecwalin tigamanin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Evd Aseɣwes n Wexxam n Uxeddim d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Evd Aseɣwes n Wexxam n Uxeddim ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
Tigejdiwin & Akemmus
Type: office and exhibition area
Area: 300 sqm
Tibzimin
Evd, office, workplace, classical aesthetics, Classical spatial languages
Tasnakta n Ufares
The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
Asewḥel n Usnulfu
Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
Anadi
Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
Aseḥbiber
The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
Tanzagt n Usenfar
April 2019-September 2019, Shanghai
Tanila n Umahil
The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
Igmamen n Terbaɛt
Design team: Yang Bing, Hao Liyun
Imsuren n Tugniwin
Super Yingxiang

Yettwaxellṣen

Snirem Seld Designers.org

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

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