Guanlan Yipin Ammud n uzenzi sɣur Hongfei Yan

Guanlan Yipin Ammud n uzenzi sɣur Hongfei Yan d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LfeṭṭaAgensu· 2021

Guanlan Yipin Ammud n uzenzi

sɣur Hongfei Yan

Amsaɣ: WJ Design

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

20,565

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #109052

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Guanlan Yipin Ammud n uzenzi

Guanlan Yipin d ammud n uzenzi yellan di Suzhou, di Cinwa. Aqeddic yesdukkul udem asdiwanan (aciqran) akked wallal ansayan afessas, mgal tikti n tuddert di tebḥirt i inehhun inerzuyen deg umkan. Amermar, uzzal, uɣebbar akked wesɣar ttarran anẓaḍ n zdaxel. Dai Cyan, d ini aqbur acinwi, iban-d am umermar ɣef ugejdur yesɛan sḍis n lemtar n tehrwet akked ɛecra n lemtar n teɣzef. S ɣur ugejdur n umermar, ṭṭam n leblaḍ n uzɣaɣ amellal aɛlayan yettwaltet, yal yiwen yesɛan 0.8 n lmitr n tehrwet akked ɛecra n lemtar n teɣzef, bedden zdat n tseddert n unẓaḍ. Tiẓewwar timeqqranin ttawint-d tafat taɣezfant akked tuzegzawt ɣer zdaxel.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Guanlan Yipin Ammud n uzenzi d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Guanlan Yipin Ammud n uzenzi ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Suzhou is a warm and beautiful city in the south of the Yangtze River. In the process of project creation, the designer grasps the profound understanding of "Minimalist Oriental", and the design vocabulary of deconstructionism making the order, level, form and temperament interweave in multiple ways. The architectural expression language not only has the shape, color and meaning of the east, but also has the spiritual characteristics of modern minimalism.
Tigejdiwin & Akemmus: In the project, beside the landscape stairs, one side of the elevation is made of Dai Cyan marble with 6 meters wide and 10 meters high, highlighting the grace. On the other side, it is composed of 8 pieces of laminated super-white tempered glass, each of these is 0.8 meters wide and 10 meters high, which is full of visual shock. Material and light contrast each other to form a unique scene, also the deconstruction and reorganization of traditional aesthetics.
Tibzimin: Interior, Commercial, Minimalist, Oriental, Sales Center, Art, Aesthetic
Tasnakta n Ufares: Multiple material adorns the space. Marble, metal, sandstone, wood and so on set the fundamental tone of it. As one of the traditional Chinese colors, Dai Cyan is often used in the costumes of Kunqu Opera, appearing in the space in the form of marble skillfully. The sequential connection part of it, is a series of dense and orderly partition walls . Meanwhile, the process and details are very elegant. The landscape stair is interpreted by wood and art painting together.
Asewḥel n Usnulfu: Capturing natural light as well as not seeing the lighting is the key point of the design. Large area of French Windows instantly eliminate the boundary ofindoorand outdoor. The corridor is dotted with trees and stones, bringing the natural landscape indoors and reflecting the harmony between man and nature.
Anadi: Poetic dwelling is a spiritual home for people. Suzhou, a warm and beautiful city in the south of the Yangtze River, flows in the pens of the writers and walks in the modern prosperity. In the process of project creation, the designer grasps the profound understanding of " Minimalist Oriental", and the design vocabulary of deconstructionism making the order, level, form and temperament interweave in multiple ways.
Aseḥbiber: The classical gardens and Suzhou Museum constitute the ancient and modern correspondence between the oriental spirit and minimalism in this city. And also becoming the spiritual background of the sales center for designers. The spatial rhythm of Suzhou architecture and its unique garden experience are the responses of the design to the city. The logic clue of "Garden Tour" runs through, relying on the Oriental context, and giving consideration to both practical function and spiritual care.
Tanzagt n Usenfar: The project started in November 2019 in Suzhou and finished in June 2020 in Suzhou.
Tanila n Umahil: The details of this project show the ingenuity of the designers. For example, seeing the light but not the lighting is a key point. The lighting is controlled by the weak current. The later stage of the project can be adjusted according to the site conditions, so as to reduce the engineering repetition and ensure the best visual effect.
Ibrivan: Copyrights belong to Ingallery, 2020.
Igmamen n Terbaɛt: Hongfei Yan
Bin He
Yiming Pan
Renxiang Lee
Xia Huang
Hongliang Zhen
Imsuren n Tugniwin: Image #1: Photographer Ingallery, Guanlan Yipin, 2020.
Image #2: Photographer Ingallery, Guanlan Yipin, 2020.
Image #3: Photographer Ingallery, Guanlan Yipin, 2020.
Image #4: Photographer Ingallery, Guanlan Yipin, 2020.
Image #5: Photographer Ingallery, Guanlan Yipin, 2020.