Funshine Culture Group Co., Ltd.によるOmni Chang’An Site Concept Show 舞台公演

Funshine Culture Group Co., Ltd.によるOmni Chang’An Site Concept Show 舞台公演は、文化遺産・文化産業デザインコンペティションカテゴリーにおける非常に権威ある2024 A' Design Award 金賞の優れた受賞作品です。

金文化遺産· 2024

Omni Chang’An Site Concept Show 舞台公演

デザイナー： Funshine Culture Group Co., Ltd.

クライアント: Funshine Culture Group Co., Ltd.

文化遺産カテゴリーのA' Design Award 金賞受賞者

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デザイン

Omni Chang’An Site Concept Show 舞台公演について

『Omni Chang'An（オムニ長安）』は、中国・西安で上演される大規模なサイトスペシフィック・コンセプチュアル演劇公演である。本作は陝西省の無形文化遺産を題材とし、上演時間は90分。公演はオリジナルの8つのパートで構成され、それぞれ異なる次元と様式で展開される。マトリクススクリーン、壁面プロジェクション、昇降式ステージ、ホログラフィック投影など20種類以上の舞台技術を駆使している。7つの伝統的な文化遺産の芸術形式が現代技術と融合しており、伝統文化を新たな形で若い世代の観客に届けることを目指している。

受賞

A' Design Award 金賞について

Omni Chang’An Site Concept Show 舞台公演は、まさに素晴らしく傑出した第一級のデザインに授与される、計り知れないほど権威ある評価である A' Design Award 金賞の受賞作品です。金賞の受賞作品は、きわめて革新的で、先見性に富み、きらびやかに輝く創造物であり、デザイナーの天才性、叡智、卓越した技量を映し出しています。Omni Chang’An Site Concept Show 舞台公演は、最も称賛される、流行を牽引する記念碑的な発明であり、前例のない価値をもたらすことが期待されます。この A' Design Award 金賞を受賞したデザインは、壮観で尊敬されるプロジェクトであり、芸術・科学・デザイン・技術の境界に大きく寄与し、それを前進させます。Omni Chang’An Site Concept Show 舞台公演は、強い欲求を生み出し、情熱を呼び覚まし、創造性を促し、私たちを引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: Omni Chang’An is China's first large-scale site-specific conceptual theatre, a whole piece of stage performance based on the intangible cultural heritages of Shaanxi and driven by the most state-of-the-art stage technology. The theatre is composed of 8 original parts carried in different dimensions and styles, Heming (Harmony), Nichang (The Rainbow Skirt), Yingren (The Imagined Man), Wanxiang, Chang’an, Chongyuan (The Reunion), Gongsheng (Interdependence), and Chuanqi (The Legend).
寸法とパッケージ: The performance lasts 90 minutes
Fewer than 150 people performed
タグ: Cultural Heritages, Performance, Stage, Technology, Creative Idea
製造技術: The theatre is composed of 8 original parts, Heming (Harmony), Nichang (The Rainbow Skirt), Yingren (The Imagined Man), Chang’an, Chongyuan (The Reunion), Gongsheng (Interdependence), and Chuanqi (The Legend). Over 20 kinds of advanced stage technological means are leveraged, including but not limited to, matrix screen, wall projection, elevating stage, holographic projection, mechanical arm, photo shooting and video recording, and stage mechanisms developed in-house.
デザインの課題: How to reconcile traditional culture with modern technology, design the creative way of presentation, and make sure that viewers would understand and accept this new form of performing are considered the most challenging part of working out Omni Chang’An.
リサーチ: What the community currently demands for cultural experiences tend to be personalized and diversified, and traditional culture needs to attract the attention of modern viewers, especially younger viewers. This show opens up a new way to transmit and develop traditional culture, and further provides a new field where traditional art infuses with modern technology. This crossover innovation is expected to herald an important trend in the field of culture and art.
インスピレーション: As the chief director Mr. Zhang Yimou shares the core idea: Xi’an links with the rest of the world, the present, the future and the past in the form of conceptual, ideological performance, combined with the distinctive stage design and the rendering of technological elements. The way to express beyond physical space on the stage of this time-honored ancient city spans 5,000 years of history.
プロジェクト期間: The creation team was formed in July 2022 and after more than 500 days of creation, the premier show staged on 15 October 2023, and the formal show was opened to the public on 9 November 2023 in Xi’an, China.
オペレーションフロー: In more than 700 sessions convened by over 300 members of the programming team to discuss how to create the work, 35 packages of creative programs were submitted, and more than 5,000 visual design drafts were prepared. After more than 80,000 hours of production and rendering, hundreds of rehearsals were conducted by an ingenious combination of 7 traditional non-heritage artistic means and over 20 kinds of stage technological means, until the desired results are attained.
チームメンバー: ZHANG YIMOU CHIEF DIRECTOR
SHAXIAOLAN CHIEF PRODUCER PANG LIWEI OPERATIONS DIRECTOR WU YAN PRODUCER
WANG XING ASSOCIATED DIRECTOR
XU JUNRUI LITERARY SCEENWVRITER
YANG QIAN VISUAL EFFECT SUPERVISOR
HAN HAIBIN CHIEF STAGE DESIGNER ZHAO XUAN CHIEF COORDINATOR
Yang Rong Chapter Director of Resonance
Zhang XingChapter Director of Mantle
Wang XingChapter Director of "Shadows”
Huang HuiChapter Director of Whole
Li ChaoChapter Director of Chang’an
Ou SiweiChapter Director of Restoration
Yang QianChapter Director of“Harmony”
Cai CanhuangChapter Director of Legends
Lighting Instructor: Zhang Shunchang
Chief Lighting Designer: Zhang Tao, Hu Yang
Chief Projection Designer: Wang Yanlong, Xiao Yong
Chief Styling Designer: Jia Lei
Technical Director: Li Jian, Chen Zimin
Performance Coordinator: Wang Huixian, Qu Wei
Kim Noah（Korea）Director Coordinator: Niu Xiaoning, An Ran, Wang Xinyu, Chen Kang, Zhang Chao, Liu Yang, Wang Zhizhao, Liu Haoyi, Kim Noah
Stage Manager: Li Wenlong
Business Coordinator: Zhou Qingping