Ya-Jung Yvane HsiehによるPaper for Light 住宅インテリアデザイン

Ya-Jung Yvane HsiehによるPaper for Light 住宅インテリアデザインは、インテリア空間・展示デザインコンペティションカテゴリーにおける非常に権威ある2021 A' Design Award 銅賞の優れた受賞作品です。

銅インテリア· 2021

Paper for Light 住宅インテリアデザイン

デザイナー： Ya-Jung Yvane Hsieh

クライアント: Limo Design

インテリアカテゴリーのA' Design Award 銅賞受賞者

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A' Design Awardで見るプレスリリース受賞バッジ

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デザイン

Paper for Light 住宅インテリアデザインについて

「Paper for Light」は、瞑想のための静謐な空間として構想された住宅インテリアです。100平方メートルの住まいは、東洋の紙の芸術を中心概念に据えています。半透明の障子パネル6枚はレールに沿って可動し、自然光の強さと柔らかさを調整するとともに、空気の流れを導きます。これにより人工照明や空調への依存が軽減されます。水平に広がる木の床の上には、折り紙を思わせる折り畳まれた紙のような形状の天井が広がります。木材、和紙、珪藻土が湿度を調整し、プラスチックの使用を抑えています。

受賞

A' Design Award 銅賞について

Paper for Light 住宅インテリアデザインは、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Paper for Light 住宅インテリアデザインは、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Paper for Light 住宅インテリアデザインは、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: To create a calm space for meditation, oriental paper art is the concept applied through the project in responding to the light. The Shoji Gate can mediate the intensity of light, which help decreasing the usage of artificial light. To reduce the consumption of plastic and balance the humidity, wood and timber structure became the main material and construction way. In the main space, the layers of light from the movement of Shoji Gate and the from Origami become the space’s response to nature.
寸法とパッケージ: The space dimension is 100m square.
- The layers of semi-transparent Shoji Gate can not only mediate the intensity and softness of the natural light but also lead the airflow, which helps reduce the usage of the air conditioner and the artificial light. Meanwhile, the designer applied abundant wood and Diatom mud in this project to balance the humidity and the temperature of the environment.
- The cantilever bench combines two functions: the seat for users and the track of Shoji Gate, which reduces the usage of furniture and provides the space with flexibility.
タグ: Oriental space, Shoji Gate, Origami, Engawa, Nature light
製造技術: The concept of Origami (paper folding) is expressed from the form of ceiling and the patterns of Shoji Gate. The paper-crease-shaped ceiling and the horizontally-arranged wood floor create the axis of the main corridor, which not only extends users’ vision and provides two different atmospheres (steady and flowing) of the public area. By overlapping the six pieces of Shoji Gate, it becomes the diaphragm of natural light that mediates its softness and influences the user’s senses.
デザインの課題: A new idea by inspiration from oriental paper with real material and concept form to balance the indoor light brightness, air flow, temperature, humidity, etc based on the combinations non-aritfitrual constructed by local wood, rice paper, diatom, natural paint, which the space composited by elements of Shoji Gate, Origami, Engawa, Ceiling into a contemporary building. Break the boundary of traditional Shoji Gate - the six pieces of semi-transparent can be adjusted at any position on the track according to the direction and intensity of the light.
リサーチ: Combine diverse patterns of paper to create the contrast of solid and void in the space: the Shoji Gate versus the dim light; the paper-crease-shaped ceiling and the horizontally-arranged wood floor as the imaginary paper of the vision. - This project is a place for the users to meditate, so 60 percentage of the whole space is designed for the public area. The window bench seat and Shoji Gate in this area serve as the Engawa which create a semi-transparent boundary between the outdoors and the indoors.
インスピレーション: Recall the importance of natural material- Paper has gradually lost its importance now owing to the development of plastic. However, compared to the plastic products, paper can naturally compose and is more eco-friendly. Furthermore, the characteristic of oriental paper makes it suitable for mediating the light and creating an ambiguous boundary for space, which makes it different from other materials. Therefore, the designer contributes to recall the importance of using natural material in this project. By applying the wood, paper, and Diatom mud, the usage of plastic, artificial light, and air conditioner can be efficiently decreased.
プロジェクト期間: The project is finished in Jan 2018 in New Taipei City.
オペレーションフロー: A Zen space for meditation with naturally oriental paper art, to enjoy the Empty Spirit. One big space invites host to stay in the ambience.
チームメンバー: Ya-Jung Yvane HSIEH