Interviews with Dabi Robert

There are many possibilities to adjust the lamp, so one of the tings I focused on was that the overall appearance of the lamp is coherent in every position.

I would like to produce and sell this lamp. I am currently checking if that could be done under an own brand.

It took about 3 months, alongside other projects.

I pursued my own inspiration because I am very enthusiastic about designing lighting products for about 3 years now. I'm constantly researching and have far more ideas than I have time to prototype them. This lamp is only one of many, I also built other prototypes.

It's not yet being produced, I'm just looking for possibilities. I could imagine both ways, either producing it under an own brand or licensing it to a company. For both options I need help from a partner.

In the preceding time before designing Poise, I did a lot of researching and testing about methods for converting arrays of single LEDs into thin spotless shapes and patterns using lenticular or micro prism filters. At the same time, I experimented with different thin LED light profiles, so it originated in this pursue of working with slim lines of spotless light.

Yes there are many design(er)s that inspire me. For example the designs of Arnout Meijer kept me occupied a lot, I love the design language of Pietro Russo, Mathieu Lehanneur, Carlo Bernardini, Morgane Tschiember, and many more.

I think the production costs of a smaller quantity of this lamp might be comparatively high, so it wouldn't be something for a very broad audience. I don't want it to be super expensive either. I can imagine it to be used as a decorative element in design oriented environments like homes or shops to complement with an unobscured, straightforward styling.

The glowing ring and the straight line holding it create a dynamic or static appeal depending on the position to each other. It encourages curiosity and playfulness, instead of just putting the lamp somewhere to rest. The ring can be moved by hand and be placed in any position around a certain radius to the base. The ring can be rotated around the joint axis, the arm holding the ring can be tilted, as well as turned around its' axis.

The word "poise" has meanings like: maintaining in a balanced position, floating, equilibrium, to remain in a posture. I thought it was the perfect name because the lamp can change its' posture just like a body, and switch between a sweeping, almost float-like composure to a very stable one.

I designed some parts in CAD to have a better planning for manually manufacturing the parts in the workshop afterwards.

The ability to move the glowing circle around quite freely.

No, I worked on it alone.

Digitalisation transforms every market it touches very fast. This also goes for lamps with smart home technology, I think it is evolving even faster than the lifespan of a LED based lamp is. Therefore I would build it into the lamp, but attach it externally, for example by using a zigbee controller between power socket and the lamp. The lamp itself is "dumb" and only contains the LEDs. So if you change your smart home system in 5-10 years, you can simply change the controller instead of having to change the whole lamp.

No, I didn't really make any specific research apart from getting inspired. What I paid attention to is that the light source is always comfortable and doesn't glare. A directly visible source can easily result in glaring, at the same time a diffuse light can look inconsiderable. That's why I tried to find ways of "showing but not showing" the direct source of light.

For example the hinges, most of all the bottom one because it has to hold the weight when the pole and ring are moved far to the side. I didn't really know how to construct them because I had no experience with things like that. I also had to figure out how long and heavy the base has to be in order to work as a counterweight.

I didn't want to sit on the concept and wait until it will eventually become mass produced. I experienced earlier, that it can be an advantage to publish ideas even if they are in an early stage. There is always a risk of ideas being stolen, but at the same time it can also be a chance.

Since consider myself still being pretty new in this field of light, I learn a lot from all lighting projects I do, such as this one. From this one I learned how to bend aluminium profiles, or how to built a T shaped metal construction for the base for example.

In case anybody reads this and wants to get in touch with me, I'd be delighted. I have a couple of other designs which may be interesting but could need some help.

When I was a kid, I drew a lot. My mum always loved painting and drawing, so she supported me. I knew that I wanted to be a Designer when I grew up, it was never a question to do anything else than a creative job.

I totally choose and my parents supported me.

At the moment I do a lot of product design, most of all related to watches and lighting. Lighting is what I'd like to do more of. However industrial design isn't something I studied, I'm just really enthusiastic about it and try to teach myself.

Focus on learning the basic principles of design, not so much the tools for creating it. The principles will stay the same for decades while the tools are rapidly changing. And you can always quickly learn the tool you need. Whenever possible, try to work on things that you really care about. Often the best works are the ones you would want for yourself. If you work in a team, try to find places where your work is appreciated, because this is what makes you happy and keeps you going. And just try out as much as possible, because most ideas turn out not to work like you imagined.

A good designer does the job, a great designer doesn't stop there.

Design is somehow the communication between objects and humans, and there are multiple factors that define this communication. I think the more of these factors the design carves out at the same time, the better it gets. It depends on the product, which of these factors are more important.

Design is part of the backbone of our society. It has the power to steer our society. Cavemen designed their axes, which allowed them to hunt better, now we have smartphones which make the world more connected. If we invest in good design, we can change the world.

Realistically I would like to work for Flos, Vibia or Artemide and design lighting. In a space of infinite time I would probably try to create some art instead of design. I have a couple of ideas for illustrative and figurative artworks but never get to work on them.

Probably +12 years ago, I wanted to make an illustrated book about our oceans to raise awareness about our environment. It should have been entertaining and informative at the same time.

My secret recipe is to follow my passion, it sounds cheesy but I believe in it. The secret ingredient would probably be: every time I think I have finished something, add a breeze of insanity to it.

For example Phillipe Starck, Ives Bahar, Steve Jobs (even if he wasn't a designer he understood more of it than many others)

For example the Guise lamp Stefan Diez designed for Vibia, because I was experimenting with something similar at the same time it was released... his design just was much better than what I had in mind.

Well, I think my poise lamp is not bad :) What I like about it is that even after months of working on it, I still keep playing around and changing its' pose. From my watch-related projects, I still like the ZIIIRO Lunar watch very much, it was also sold in the MoMa shop. I think a design is great when it's still interesting after a long time, when you still want to interact with it or look at it without getting bored. Those are the things you end up getting attached to.

Constantly keep learning. New tools, new disciplines, new sources of inspiration, new people to work with, projects that are not in your comfort zone. Eventually, you will end up doing one thing in the end and that's ok, but if you tried many different things before, you know your strengths and weaknesses, so the one thing will have even more value to you and others.

Maybe an artist or photographer, but at least something creative.

It defines how we interact with something and it's an intersection of functionality and aesthetics. It isn't always a 50/50 intersect, something can be more useful than beautiful or the other way round. So I think that design isn't necessarily functionalism. When design leans more towards the artistic way, it can have a psychological influence on the individual, for example to inspire.

When I was younger, my mother supported me, but in the times when I was a teenager my family slowly drifted apart and everybody had their own problems. For a long time I didn't have any mentor or special supporter, until I met my wife.

First of all, thanks! I am constantly driven by ideas, in fact there are far more than I can handle. Often that's a problem and I have to force myself to focus on something. That might be one of the keys to success, being able to focus on something until it's done. This argument is backed by the fact that I experienced drawbacks when I wasn't focused. Working with people who could give me constructive criticism was also important.

I don't feel like I mastered design, In my opinion, there are only few people that did. Anyway, when I was younger, I often had the black page syndrome. i couldn't draw things that I have in mind, because my drawing skills hadn't been evolved enough. Looking back to that time, what I would do different is to just literally draw all kinds of basic things and just forget about the "perfect" picture for now. Now I'm still constantly facing obstacles, whenever something doesn't work out as expected. That can be demotivating, but the more often it happens, the better I learned to deal with it, and to expect ideas not to work out at first.

I think presentation is very important, even the best work can be disregarded when presented in the wrong context, or place or manner. It is important to think about a concept of how to present your work, and put as much effort into it as into the work itself. Think about what makes your work, and then translate that into the presentation.

I'm working on an apple watch strap, on different lamps and there is a new ZIIIRO watch coming soon. A quick little side project I just finished is www.clingclip.com, a nose clip for bandanas and face masks.

Happiness. What makes me happy is a good working environment, when my work is appreciated, and when I can make a living from all that.

I don't know, maybe they expect that I can find a creative solution to a problem.

Design can define how we interact with each other and our environment. Through design, we can change these interactions and for example improve our ecologic environment by creating new ways of transportation. In my opinion, another call for action would be in the field of online communication, I think we need to think about how to contain misinformation.

I'm working on a special kind of strap for the Apple watch.

When we had the first international success with ZIIIRO watches, it was a really great time. We exhibited at the Berlin fashion week, where I talked to so many people who were excited about my designs.

The most obviously needed change is towards being more eco-friendly. But not everything can be solved by design alone, for example not every eco-friendly material available is suitable for every product. I think the low hanging fruit is rather the packaging around the products.

With digitalisation many new opportunities came, like AI and machine learning, but also problems. I think design will have more overlaps with disciplines like psychology and politics.

That's very dependant on the project. For watches, there were models that took over a year because we wanted to try really unusual things which oftentimes turned out not to be feasible.

I start with brainstorming and jotting ideas, which take me to scribbles, and so on.

It is only finished when I'm happy with it.

I'd say design sets a trend because there can be no trend without a first product.

Technology provides many versatile tools for designing, almost like a brain expander.

I use a stationary computer with 2 screens and software like the whole Adobe Suite, Fusion360 and other 3D apps, note taking apps, etc. Then there are also multiple tools like a lathe, milling machine etc.

They have a big influence on how we perceive a product, even the slightest details like the sound a hinge makes, can make a product appear cheap or valuable.

How can I help you with investing & marketing?

It inspires me and I think about how it was made.

It's been a long time since I worked with a design partner, but yes sure, I think it works when two designers can complement each other and can give each other responsibility and appreciation.

The two partners I work with in Hong Kong, and some professors at university.

Rework & The value of design.

By trying to do things and getting help if it doesn't work out. I think most of the skill development happens autodidactically.

Steve Jobs.

Haha, I don't feel famous at all.

Apart from brand, these are questions my son also asked me before. I don't really have the one favourite thing of each. Every of these things has its' own convenience. For food I like sushi and pizza, my favourite season is spring, brands I like are Apple and Sony, but there are many more options I could pick.

In 2010, I co-founded a watch brand together with a guy from Hong Kong, whom I didn't know until shortly before. The funny part about it is that our whole communication happened by text-chat on skype, because at that time I was employed as a designer and couldn't communicate in the evenings because of the time zones. So the first time we actually met and talked to each other was about 2 years later when I invited him to my wedding in Germany. He also brought his mum, his friend, and a friend of hers I never heard of before.

Motivation and good vibes come when something I have in mind really works out.

It was obvious that I will become something like a designer, but not necessarily a great one (haha).

I think that countries, languages and races will slowly become one.

If you get to know me, I am actually nicer than I look like.

I've been working as a freelancer since 2012 after co-founding the watch brand ZIIIRO. The studio founded in 2020 called "unform" is solely dedicated to lighting design, which has become my main passion during the past 3 years. I've accumulated a nice palette of tools in my small workshop for working on prototypes and expanded my knowledge around this subject.

For me, Design is an intersection of functionality and aesthetics. It isn't always 50/50, sometimes something can be more useful than beautiful and the other way round. So I think that design isn't necessarily functionalism. When design leans more towards the artistic way, it can have a psychological influence on the individual, for example to inspire him.

At the moment, product design is what I like the most, especially lighting. But I'm also working on other things, for example I just designed a simple nose clip for securing a bandana to the nose in times of Corona.

Not sure wether it should be my own or something I admire.. if it's my own one, maybe the Horizon watch I designed for ZIIIRO, because I think it is a timeless design. If it's something I admire, for example the Guise lamp Stefan Diez designed for Vibia.

Before I started with product design, I designed lots of print products for different companies. But the first thing that really made an impact to my life and the life of other people was the first watch for ziiiro (ziiiro gravity) back in 2010.

I don't really have one favourite tool, I think it depends on what you want to make. Sometimes I spend hours on creating something in CAD, and sometimes I spend hours getting my hands dirty working with metal pieces. I love both!

When a plan works out! That really motivates and makes me feel i can achieve everything. In contrary to when something doesn't work out – which is actually most of the times. I guess every designer knows this.

I tend to focus on aesthetics and interactivity. Also I'm trying to create things where it's not always obvious what they can do or how they work. This should encourage the curiosity and playfulness of the user.

When I'm focused on a project I feel like in a tunnel, but in a positive way. I often let myself guide by intuition, things I've learned over the years influence what I do on a subconscious level. Sometimes I feel like there are pieces coming together, from things I thought about earlier for a different project. Then I always need to step back, that helps getting out of the tunnel and see the whole picture.

It makes me feel happy that I'm not the only one who likes what I do.

Well, a pragmatic answer would be that good marketing can make a design successful. That doesn't always mean that the design is really as good as the revenue it generates. So if success isn't only measured financially, it could be timelessness. In the end, the things that have the most value to me are the things I often use or can't take my eyes away even after years.

Does it bring any additional value to my life or the life of others?

Not to harm both of them. As a designer you can always refuse to design something that is harmful for either society or environment. But then the client can look for another designer that does the job. So the responsibility is to solve problems in ways that are harmless and in a best case scenario even better than the harmful solutions.

The future of design in general leans towards life preservation, the corona crises shows it again, everybody designs masks. But the biggest challenge of our time is to fight climate change, so I think that's a field with many opportunities for designers, for example in traffic and energy transformation.

The last exhibitions where a while ago, at Berlin fashion week in 2014, that was for my watch brand. For Lighting, I planned to attend Light & Building in March 2020, my lamp was supposed to be exhibited at their Trend Forum. Unfortunately, the whole event was cancelled along the crisis.

I get my inspiration from many things, I can’t even point out anything in particular. The web is certainly the most important source of inspiration. Being responsive to the world you’re living in is the essential part. When I look around, I often analyse things and automatically start thinking about what could be done with them, or what could be done differently. Every new design is a remix. Sometimes it can even be exhausting that my mind keeps drifting off.

I would describe it as somehow minimal, but not in a super rational, pragmatic way. More like in a playful way. Maybe I try to bring these two styles together. So what I'm striving for is to create fun, but also timeless things because I noticed that the more details there are to an object, the quicker it gets boring.

I was born in Romania and am living in Germany since 86. The heritage of German design is very functional and effective. Especially the city i live in (Nuremberg) is full of engineers and one of the cities with the highest density of IT related jobs in Europe. I was never very interested in coding or engineering myself, but I admire what can be done with it and consider myself a geek. So maybe these two worlds can be complementary here. Actually when I think about it, I'm not especially focused on the city or even country I live in.

During the last 10 years I mostly worked with the 2 other co-founders of our watch brands from Hong Kong. So remote work is normal to me. Back then, we even founded the company just by by text chat, we didn't even call each other. For one year in 2018, I was also part-time working as a designer for the fastest growing Tech Incubator in my city.

First of all, it is important who in the company is involved in decisions like that. It would be good if there's someone who understands the value of the design and works with the designer afterwards. If you narrowed it down to a small number of designers of choice, it might help to do a little commissioned test project to see if the designer fits into your environment.

For me, the most important thing in creative work is taking notes. I do that digitally so that I can access them any time. It's like thinking about different things, taking notes, making a scribble eventually, and when I feel like I’m onto something I start making more precise scribbles followed by CAD drawings, or I try to build it right away, depending on the complexity. In graphic design it's similar, but it's more like a rough rock that gets chiseled into a finished sculpture, metaphorically.

iPhone, Airpods, Mac, the Aeon Rocket P3 lamp, ... and I just notice that I'm not very attached to any specific objects around.

Right now, my days are different than 2 -3 months ago. I'm used to work from home where my studio is, but normally my wife and 5-year old son aren't at home as well. So now me and my wife have to switch working and taking care of our son because nursery schools are closed. My regular day would be to drive my son to daycare and then go back up into my studio / workshop and just work on different projects there, as well as having a meeting with my colleagues from time to time. I have an adequate amount tools and materials to try some basic stuff, so I can do many things in-house and switch between screen and workbench.

Whenever possible, try to work on things that you really care about. Often times, the best works are the ones you would want to have for yourself. If you work with others, try to find places where your work is appreciated, because this is what makes you happy.

The pros and cons are pretty close to each other. It is great being able to create something from scratch which can potentially influence others. But at the same time, when you are really enthusiastic about what you do, you'll have to learn how to stop thinking about it and enjoy other things in life.

The principles of design are more important than the tools, because they won't change over time.

To think outside the box, to question why things are done the way they are. Then, being able to observe these things and to alter them in a way that they open a new perspective for the observer.

A stationary computer, my smartphone, notebooks - those are my tools for creating intellectual information. In the workshop I have tools like a lathe, a milling machine, vacuum chamber, different tools to cut and sand. My sources of inspiration are mostly online, I also have many helpful books, but I couldn't pick any specific one.

When you have to work where you also live, you really have to be disciplined and organised, not to be distracted. So (in other times than during the corona crisis) I have pretty strict working hours from nine to six. Sometimes I also add an evening here and there if I have to get something finished. If there's a deadline, I consider myself focused and solution-oriented.

That's very dependant on the object. For watches, there were models that took over a year because we wanted to try really unusual things which oftentimes turned out not to be feasible.

Can you design a logo for me?

The most recent one was working for the tech incubator, because of the great team there and the things I learned. I got to know what makes a great and effective working environment.

During the last years I more or less worked on the brands I co-founded, ZIIIRO and Cronometrics.

At the moment it's lighting design. Sometimes I feel like a fly that is attracted by light because i can't stop thinking and researching about lighting objects.

I really want to work on lighting objects, but I'm not sure yet how. Whether to create an own brand or try to offer commissioned work to existing brands. The Poise lamp is only one of many lamps I created over the last months and years, so I wish it could be the entry ticket into this world.

Just myself.

Yes, I have some more prototypes of lamps, and even more unfinished ideas after that. I am looking for an outlet to let them grow.

On my website www.dabi.me, you can find multiple ways to contact me.

Thank you for this opportunity!