Hönnunarverkið White Forest Innanhússhönnun íbúðarhúsnæðis eftir Po Chuan Kao er hávirt verðlaunaverk sem hlaut hin virtu 2022 A' Design Award í bronsi verðlaun í keppnisflokknum Innanhúss- og sýningarhönnun.
BronsInnanhúss· 2022
White Forest Innanhússhönnun íbúðarhúsnæðis
eftir Po Chuan Kao
Viðskiptavinur: ACG Design International
Handhafi A' Design Award í bronsi í flokknum Innanhúss
Staðfestur verðlaunahafi
Staðfesta verðlaunastöðu fyrir #127343Hönnunin
Um White Forest Innanhússhönnun íbúðarhúsnæðis
Hvíti skógurinn er innanhússhönnun fyrir íbúðarhúsnæði upp á um 42 „ping“ (um 139 fermetrar) í Taichung. Skipulagið nær yfir anddyri, eldhús, borðstofu, stofu og vinnuherbergi, auk hjónaherbergis með baðherbergi og annars svefnherbergis með baðherbergi. Óþarfa veggir voru fjarlægðir til að leiðrétta hið afmyndaða og mikið sundurskipta upprunalega skipulag. Grátt terrazzó í anddyrinu tengir eldhúsið og borðstofuna saman. Marmari, speglar, glerflísar og málað massíft tré vísa til steina, lækja og blóma, á meðan álljósaraðir veita mjúka, óbeina lýsingu.
Viðurkenningin
Um A' Design Award í bronsi
White Forest Innanhússhönnun íbúðarhúsnæðis vann A' Design Award í bronsi, mjög virta viðurkenningu sem veitt er framúrskarandi hönnunarverkum sem einkennast af sköpunargáfu, hugvitssemi og skarpskyggni. Sigurvegarar í bronsi eru ríkulega leiknir og áberandi skapandi gripir sem staðfesta víðtæka reynslu, ímyndunarafl og útsjónarsemi hönnuða sinna. Þess er vænst að White Forest Innanhússhönnun íbúðarhúsnæðis sé mjög metinn, dáður og elskaður hlutur sem er einstaklega fagmannlegur og nýstárlegur. Þetta hönnunarverk sem vann A' Design Award í bronsi felur í sér bestu starfsvenjur í list, vísindum, hönnun og tækni og er framúrskarandi fyrir athygli sína á smáatriðum. White Forest Innanhússhönnun íbúðarhúsnæðis fullnægir þörfum á dásamlegan hátt, snertir langanir, heillar tilfinningar og vekur forvitni.
Á bak við hönnunina
Fjölmiðlapakki
Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.
- Einstakar eiginleikar
- After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
- Stærðir og umbúðir
- The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
- Merki
- flowers blooming, relaxing, silence and pure, pink
- Framleiðslutækni
- Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
- Hönnunaráskorun
- To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
- Rannsóknir
- To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
- Innblástur
- The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
- Lengd verkefnis
- The project finished in Jun 2021 in Taichung.
- Verkflæði
- Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
- Liðsmenn
- PO-CHUAN KAO
- Myndheimildir
- ACG Design International
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