Crown of the Sea General Ọrụ Nkà Ọha na Eze nke Yu Liang Chen

Ihe emepụtara bụ Crown of the Sea General Ọrụ Nkà Ọha na Eze nke Yu Liang Chen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

BronzNkà Mma· 2020

Crown of the Sea General Ọrụ Nkà Ọha na Eze

nke Yu Liang Chen

Onye Ahịa: NewLocal Art Studio

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Nkà Mma

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #97588

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Crown of the Sea General Ọrụ Nkà Ọha na Eze

Okpueze nke Onyeisi Oke Osimiri bụ ihe okike nkà ọha na eze dị na Kouhu Township, Yunlin County, Taiwan. Ihe okike a dị mita iri n'ogologo, mita atọ n'obosara na mita anọ n'elu. Ntanyere igwe stainless na aja ntụ eji ewu ya na ụdịdị ya, ebe taịl e ji chọọ ihe na-egbuke egbuke, ọdọ ụzọ ekwesa e tiwara etiwa, nkume nta na iko enyo kpuchie elu ya. Oche dị n'ime ihe owuwu a na-enye ndo na ebe izu ike, ebe ọtụtụ ọkpụrụkpụ nkume ọcha gburugburu ntọala na-akpali ụmụaka ka ha na-egwuri egwu. Emejupụtara ya n'usoro ihe atụ ndị sitere n'omenala ụmụ amaala, ndị Han na ndị Japan. Okpueze a na-akwalite nkwanye ùgwù nye akụ nrite mmiri.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Crown of the Sea General Ọrụ Nkà Ọha na Eze meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Crown of the Sea General Ọrụ Nkà Ọha na Eze ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Crown of the Sea General Ọrụ Nkà Ọha na Eze na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
Nha & Mkpuchi: The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
Mkpado: Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
Teknụzụ Mmepụta: We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
Ịma Aka Imepụta: Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
Nchọpụta: The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
Mkpali: In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
Oge Ọrụ: The project finished in November, 2019 in Yunlin County, Taiwan.
Usoro Ọrụ: Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
Ndị Otu: Yu-Liang Chen
Asụsụ Foto: Cheng-Mao Liu