Superegg Ntinye Ihe Ọkpụkpụ nke Jaco Roeloffs

Ihe emepụtara bụ Superegg Ntinye Ihe Ọkpụkpụ nke Jaco Roeloffs bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Platinum na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

PlatinumNkà Mma· 2020

Superegg Ntinye Ihe Ọkpụkpụ

nke Jaco Roeloffs

Onye Ahịa: Jaco Roeloffs

Onye Meriri Ihe Nrite A' Design Award nke Platinum na Udi Nkà Mma

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Superegg Ntinye Ihe Ọkpụkpụ

Superegg na-anọchi anya ngwangwa nke kọfị kọfị na-eji otu eji eme ihe, nke na-egosipụta ịdị mma mmadụ na mmetụta ọ na-enwe na gburugburu ebe obibi. N'ile ya anya n'elu ala, ụdị geometric superegg nke ederede, dị ka onye okute mgbakọ na mwepụ Gabriel Lame dere, nwere chaplet kọfị tụfuru n'ụzọ a na-ahụghị anya. Ahụmahụ visceral na-eme ka onye na-ekiri ya si n'akụkụ niile na tere aka. Karịrị 3000 capsules anakọtara site na oku ime ka ndị ọrụ mgbasa ozi na obodo. Superegg na-enye onye na-ekiri ya ohere ịhapụ ihe mkpofu ma gbaa ndị mmadụ ume ọhụrụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Platinum

Superegg Ntinye Ihe Ọkpụkpụ meriri A' Design Award nke Platinum, nnabata dị oke ugwu e nyere design ndị bụ n'ezie pụrụ iche, mara mma ma dị ebube. Ndị meriri na Platinum bụ ihe ịtụnanya nke imepụta, ihe akaebe nke oke ntụgharị uche imepụta ihe, ma na-egosi ikike ọrụ na ọgụgụ isi na-enweghị ntụnyere nke ndị designer ha. A na-atụ anya na design ndị a ga-abụ ọrụ kacha mara amara nke na-akọwa ịma mma nke oge, na-enye aka na ọdịmma obodo ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Superegg Ntinye Ihe Ọkpụkpụ na-egosi ọkwa ịdị mma karịrị oke ma n'enweghị obi abụọ na-eme ka ụwa bụrụ ebe ka mma site na àgwà ya bara uru na dị oke ọnụ ahịa. Superegg Ntinye Ihe Ọkpụkpụ bụ ọrụ meriri A' Design Award nke Platinum nke na-akpali ọchịchọ, na-akpali, na-eme ka obi ụtọ jupụta ma na-akpali oke ọṅụ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Modern consumer product packaging can be irresponsible to nature and the human connection with it. This sculpture reveals the beauty and harmonious co-existence of humans and nature, made possible by thought-provoking art. Combining the core elements of art, the levitated Superegg creates a visceral experience that engages the viewer from all angles and distances. The ability to experience feelings and change perspectives through art, unites people, which is reflected in the sculpture image.
Nha & Mkpuchi: Dimensions, mm: 2038 high x 1463 diameter. Weight: 350kg. The bulk of the weight is concentrated in the base and centre core that gives stability. The art installation consists of 4 main parts (base, large and small wheels, aluminium strips), which facilitates the transportation of the structure and its assembling at exhibitions. Installation packaging and storage is a custom built crate with 4 panels that protects against bumps and scratches.
Mkpado: Superegg, installation, art-installation, sculpture, recycling, consumer products, coffee, life, feelings, earth
Teknụzụ Mmepụta: The support structure is made of aluminium, steel and plywood. The cylindrical core has 9 plywood 'wheels' cut and spaced precisely to form an exact superegg. The exterior is formed with 64 aluminium strips bent and rolled to match a 'Lame curve'. LED strips illuminate the sculpture from inside out. 3000 aluminium coffee capsules were collected via a call to action on social media and the local community. Capsules were cleaned and dents removed, then spaced accurately and glued on the surface.
Ịma Aka Imepụta: Creating and upscaling a superegg as documented in mathematics theory by French mathematician Gabriel Lame in the 19th century was a challenge. We first modelled the shape in 3D CAD space and converted it to 2D in order to use flat materials like plywood and aluminium sheet. Nine CNC cut plywood 'wheels' dictate the various horizontal extremities, are spread vertically along critically precise points on the core shaft ensuring the shape is true to its design parameters.
Nchọpụta: Design research and development was carried out according to the author's observation of consumer behaviour and studies on the resultant impact of waste on our environment. Crowd-sourcing the main material for the sculpture installation (used coffee capsules) helped create an intriguing story of community involvement and care for the environment. The colours, shape and texture, interacting with each other in the context of the sculpture form, assisted in realising the vision of the artist.
Mkpali: The sculpture represents the rapid multiplying of single use coffee capsules, which symbolises human convenience and its impact on our environment. At the heart of the object is the geometric 'superegg' shape, combined with the capsules, it presents the contributions of hundreds of coffee consumers. The capsules are arranged into a new pattern, from random to perfectly spaced lines. This gives a new perspective and the opportunity to peruse our waste and lead us to rethink our recycling habits.
Oge Ọrụ: The project started in May 2019 in Brisbane, and finished and exhibited in September 2019 at SWELL Sculpture Festival on The Gold Coast, Australia.
Usoro Ọrụ: The sculpture serves as a visual, textured art object, with the intention of being viewed up close, or from a greater distance. Invited into serene space created by the form, line and texture, there are no defined viewing angles, encouraging the viewer to make their own discoveries. Appearing levitated above ground, the installation represents the contradiction of disorganised consumer product packaging rearranged in perfectly spaced lines, allowing for the beauty and randomness to be revealed.
Ndị Otu: Artist: Jaco Roeloffs
Design Engineering: Andrew Strelnikov
Asụsụ Foto: Image #1: Photographer Lexi Spooner, Variations, 2019
Optional Image #1: Photographer Lexi Spooner, 2019
Optional Image #2: Photographer Lexi Spooner, 2019
Optional Image #3: Photographer Lexi Spooner, 2019
Optional Image #4: Photographer Lee Burrows, 2019