Industrial Bank Ọrụ Bụ Isi: Nhazi Ime Ụlọ Akụ nke Qinyin Tan

Ihe emepụtara bụ Industrial Bank Ọrụ Bụ Isi: Nhazi Ime Ụlọ Akụ nke Qinyin Tan bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2020

Industrial Bank Ọrụ Bụ Isi: Nhazi Ime Ụlọ Akụ

nke Qinyin Tan

Onye Ahịa: JianFeng Construction & Interior Decoration Group

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Industrial Bank Ọrụ Bụ Isi: Nhazi Ime Ụlọ Akụ

Ederede Akwụkwọ: Industrial Bank bụ nhazi ime ụlọ akụ nke gbara agba mita square 890 na Changchun. Echiche a sitere na eserese ala mmiri nke Song Dynasty, a na-egosipụta ihe omenala China site na ahịrị, agba, ọdịdị na ntụziaka kama iji ihe ịchọ mma nkịtị. Agba ndị dị nsọ dịka ọcha ọnwa, tii ọcha na osikapa isi awọ na-eke ikuku dị jụụ, jiri agba anụnụ na-agba ọchịchịrị na turmeric mee ka ọ maa mma. E ji njikọ dị mfe mepụta oche ihu, ihe niche na-ekewa ogidi na mgbidi. Ala odide na tii nke emeghere ọkara ka a na-eme ka ọ dị nro site na ọkụ ahịrị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Industrial Bank Ọrụ Bụ Isi: Nhazi Ime Ụlọ Akụ meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Industrial Bank Ọrụ Bụ Isi: Nhazi Ime Ụlọ Akụ ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Industrial Bank Ọrụ Bụ Isi: Nhazi Ime Ụlọ Akụ bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: In this case, the designer deliberately played down the impression of traditional cultural symbols and conveyed the historical and cultural connotation through lines, colors, forms and textures. The combination of traditional Chinese element symbols and highly modern materials, combined with modern furniture craftsmanship, makes the shape and quality of different times seamlessly integrated, which not only inherits the classical ancient style, but also carries forward the innovation of art.
Nha & Mkpuchi: The project covers a total of 890 square meters. The negotiation area organically combines the traditional and modern, simple and elegant aesthetic tastes to create a pleasant space atmosphere. The calligraphy and tea drinking area further soften the boundary of the edge by using smooth line lighting. Semi-open layout allows customers to enjoy the surrounding scenery while waiting.
Mkpado: Interior, Bank, Office, Oriental Elements, Natural, Elegant, Cultural
Teknụzụ Mmepụta: The front desk abandons too many complicated decorations and creates a sense of end-view hierarchy with simple and intuitive splicing. The application of niche elements makes space division for some columns and walls. Under the conversion of light, it weakens the compression caused by stone materials, breaks the dull and serious atmosphere, and gives people a new and fresh experience.
Ịma Aka Imepụta: The designer has made a new interpretation of the dignity and elegance of Chinese-style furniture, the calligraphy and painting tea room creates the oriental charm with the aesthetic needs of modern people, chooses the clear-cut and simplified wood lines to replace the complex carving patterns and ornaments, and combines the simple and comfortable cotton and linen, fashionable and personalized leather, elegant and gorgeous silk and other materials to improve the collocation of style.
Nchọpụta: This case is located in Changchun City, Jilin Province, which is known as the "spring city of the northern kingdom", the mountain shadow here is muddy and heavy, and the pine and turbulent waves everywhere. You can hear pleasant sing from the birds. It has the quiet and gentle feeling of Chinese landscape painting. Through the level cooperation between regional forms, the modern Oriental aesthetic attitude is expressed in a progressive and backward way.
Mkpali: With the concept of "the landscape painting of Xuanhe Palace in Song Dynasty", designer takes the landscape as the place of feeling and integrates it into the dominant atmosphere of modernism, applies more diversified design language to have a dialogue with the space, and then transforms the abstract artistic expression into the perceptible space image, striving to create the harmonious beauty of tradition and modernity.
Oge Ọrụ: The project started in December 2018 in Changchun and finished in April 2019 in Changchun.
Usoro Ọrụ: The so-called "painting leaves three spaces, and the vitality follows". The appropriate blank space in the corridor area creates a comfortable space atmosphere, simple art ornaments and hanging paintings elaborate the meaning of luxury in a graceful way, so that the thin space is filled with rich rhythm and rhythm.
Patentị: Copyrights belong to Qinyin Tan, 2019.
Ndị Otu: Qinyin Tan
Asụsụ Foto: Image #1: Photographer Qinyin Tan, Negotiation Area, 2019.
Image #2: Photographer Qinyin Tan, Reception Hall, 2019.
Image #3: Photographer Qinyin Tan, Tea Room, 2019.
Image #4: Photographer Qinyin Tan, Bar, 2019.
Image #5: Photographer Qinyin Tan, Financial Room, 2019.