Olivino Nhazi Ime Ụlọ Ụlọ Oriri na Ọṅụṅụ nke Not A Studio

Ihe emepụtara bụ Olivino Nhazi Ime Ụlọ Ụlọ Oriri na Ọṅụṅụ nke Not A Studio bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Platinum na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

PlatinumIme Ụlọ· 2026

Olivino Nhazi Ime Ụlọ Ụlọ Oriri na Ọṅụṅụ

nke Not A Studio

Onye Ahịa: Olivino

Onye Meriri Ihe Nrite A' Design Award nke Platinum na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #182117

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Olivino Nhazi Ime Ụlọ Ụlọ Oriri na Ọṅụṅụ

Olivino bụ ụlọ oriri na ọṅụṅụ e kere n'ime ụlọ nnọkọ ngosi ọrụ mmepụta ihe mbụ na China. E debere ma mee ka oghere okpukpu abụọ mbụ ahụ nke na-enweghị ogidi na ntupu ìhè elu ụlọ sie ike karịa, ebe e zoro ọrụ ndị ọzọ na ọkụ n'ime nhazi elu ụlọ e melitere. E tinyere ebe nchekwa mmanya enyo dị okirikiri na stovu ọla kọpa iji duzie mmegharị na-enweghị mgbochi. Ihe ndị e ji rụọ ya gụnyere agba nka, mbadamba ọla, brik e ji aka mee, ntakịrị ọla edo na enyo. Ìhè ehihie na ìhè arụrụ arụ nke nwere ọkwa dị iche iche na-akpụzi ebe iri nri ghere oghe na nke nzuzo. Mbara ala ya niile bụ mita skwea 626.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Platinum

Olivino Nhazi Ime Ụlọ Ụlọ Oriri na Ọṅụṅụ meriri A' Design Award nke Platinum, nnabata dị oke ugwu e nyere design ndị bụ n'ezie pụrụ iche, mara mma ma dị ebube. Ndị meriri na Platinum bụ ihe ịtụnanya nke imepụta, ihe akaebe nke oke ntụgharị uche imepụta ihe, ma na-egosi ikike ọrụ na ọgụgụ isi na-enweghị ntụnyere nke ndị designer ha. A na-atụ anya na design ndị a ga-abụ ọrụ kacha mara amara nke na-akọwa ịma mma nke oge, na-enye aka na ọdịmma obodo ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Olivino Nhazi Ime Ụlọ Ụlọ Oriri na Ọṅụṅụ na-egosi ọkwa ịdị mma karịrị oke ma n'enweghị obi abụọ na-eme ka ụwa bụrụ ebe ka mma site na àgwà ya bara uru na dị oke ọnụ ahịa. Olivino Nhazi Ime Ụlọ Ụlọ Oriri na Ọṅụṅụ bụ ọrụ meriri A' Design Award nke Platinum nke na-akpali ọchịchọ, na-akpali, na-eme ka obi ụtọ jupụta ma na-akpali oke ọṅụ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This project transforms a former industrial "white box" exhibition hall into a Michelin-level restaurant through a strategy of dialogue rather than coverage. By retaining the original steel dome and column-free volume, and integrating refined insertions such as a circular glass wine cellar and copper stove, the design reconciles industrial rationality with culinary warmth. Light becomes a spatial medium, shaping an immersive emotional container within a preserved architectural framework.
Nha & Mkpuchi: The total project area is 626 square meters. The existing double-height, column-free industrial volume is retained. The original skylight grid is preserved and structurally reinforced. Integrated HVAC and concealed lighting systems are embedded within the roof build-up. Main materials include art paint, metal plate, handmade brick, gold foil, and glass. A circular wine cellar is inserted within the linear plan to optimize spatial circulation and visual focus.
Mkpado: Adaptive Reuse, Industrial Heritage, Michelin Restaurant Design, Light Narrative, Spatial Dialogue, Experiential Dining, Column-Free Space, Glass Wine Cellar, Urban Riverfront, Contemporary Nordic Influence
Teknụzụ Mmepụta: The intervention optimized the existing steel structure and skylight system while concealing MEP lines within upgraded roof assemblies to improve waterproofing and thermal insulation. A circular glass revolving door was repurposed into a bottle-shaped wine cellar, acting as a spatial mediator. Custom metalwork, inverted copper stove fabrication, art paint finishes, handmade brick and gold foil detailing were integrated with precise lighting coordination to maintain tectonic clarity.
Ịma Aka Imepụta: The primary challenge was reconciling Michelin-level refinement with a raw industrial shell. Structurally preserving the skylight grid while upgrading insulation, waterproofing and concealed services required precise coordination. Balancing openness with intimacy in a column-free volume demanded strategic insertion of circular elements. The design avoided excessive decoration, ensuring dialogue with the original architecture rather than superficial overlay.
Nchọpụta: This project is a practice-based spatial research exploring the adaptive reuse of an industrial exhibition hall for fine dining. Through spatial analysis, studies and on-site structural assessment, the design team developed strategies to integrate refined hospitality functions within a preserved industrial shell. The result demonstrates a balanced transformation model that enhances user experience while offering a replicable approach for heritage revitalization and urban cultural activation.
Mkpali: The project was inspired by the intrinsic experiential commonality between exhibition and dining spaces. Rather than replacing function, the design continues the emotional narrative of the original industrial architecture. The motivation was to respect the building's artistic heritage while introducing warmth and refinement. The concept evolved from studying spatial memory and user perception, seeking a balance between industrial austerity and Nordic-influenced humanistic comfort
Oge Ọrụ: The project started in January 2025 and finished in May 2025 in China.
Usoro Ọrụ: Guests enter through glass revolving doors into a fluid, open hall. The circular wine cellar and copper stove organize circulation, creating intuitive movement without partitions. Daylight animates the space through skylights; at night, layered lighting forms intimate dining zones. Seating layout ensures river views for each table, while indoor and outdoor scenes visually interact through large grid glazing.
Asụsụ Foto: Image #1: Photographer Mountain imagery, Olivino, 2025.
Image #2: Photographer Mountain imagery, Olivino, 2025.
Image #3: Photographer Mountain imagery, Olivino, 2025.
Image #4: Photographer Mountain imagery, Olivino, 2025.
Image #5: Photographer Mountain imagery, Olivino, 2025.