Fluid and Form Ọrụ Ime Ụlọ: Nhazi Ime Ụlọ Obibi nke George PC Kao

Ihe emepụtara bụ Fluid and Form Ọrụ Ime Ụlọ: Nhazi Ime Ụlọ Obibi nke George PC Kao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2020

Fluid and Form Ọrụ Ime Ụlọ: Nhazi Ime Ụlọ Obibi

nke George PC Kao

Onye Ahịa: ACG Design International

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #92843

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Fluid and Form Ọrụ Ime Ụlọ: Nhazi Ime Ụlọ Obibi

Fluid and Form bụ nhazi ime ụlọ obibi maka ụlọ nwere naanị otu ọkwa n'ala ala n'Obodo Taipei, Taiwan. Nhazi ya na-emeghe n'ebe a na-ele anya ubi na ìhè sitere n'okike. Mmị na-eru mmị bụ isi okwu, nke a na-egosipụta site n'elu ụlọ grille osisi na-eru eru nke na-ejikọta oghere ọha. A na-eji osisi siri ike agbara agba, taịlị okwute sitere n'okike na agba mineral. Otu nnukwu ọnụ ụzọ na-amịpụ amịpụ na-ekewa mpaghara ọha na nke onwe ma na-edobe nkwekọrịta anya. A haziri ọgagharị maka ndị na-eji oche nwere wịịlụ, na paseeji akwụkwọ ndụ akwụkwọ ndụ na-ekewa ọnụ ụlọ nna ukwu na ọnụ ụlọ ụmụaka.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Fluid and Form Ọrụ Ime Ụlọ: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Fluid and Form Ọrụ Ime Ụlọ: Nhazi Ime Ụlọ Obibi ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Fluid and Form Ọrụ Ime Ụlọ: Nhazi Ime Ụlọ Obibi bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The site for this project is a single-layer residence on the ground floor with natural lighting and vista backyard. Having anchored on framed oriental natural landscape evoking the natural motif of Chinese mountain cloud and Hokkaido snowfield of which the theme of fluidity emerges as the spatial linkage throughout the interior, an epitome of the minimalist and flowing spatial visuals of post-modernism while evoking the natural ambiance and motif of oriental landscape.
Nha & Mkpuchi: In terms of functional layout, the design satisfies the living functionality and entertaining needs with large sliding door demarcating the public and private domains while maintaining spatial continuity and openness. Apart from affording a complete and open area usage and vista for the public domain, it features circulation design for any disabled users so the independent functional spaces accommodate the social function while preserving privacy for the private domains.
Mkpado: Timber Grille, Fluidity, Chinese Landscape, Art History, Masonry Slate Tile, Mineral Paint
Teknụzụ Mmepụta: As Fluidity emerges as the styling theme of the overall design, large volume of dyed genuine timber posts, along with cascading and aligned spatial linkage of the ceiling of public domain links up different functional spaces articulated with natural and beautiful organic and flowing styling. Through the natural masonry materials on large wall surface and floor, it aids the visual extension of natural vista flowing into the interior, a most relaxing natural ambiance.
Ịma Aka Imepụta: While the public domains adopt large amount of genuine timber grille as the formwork for the flowing ceiling, the irregular form does require consideration for the movement of junctional joint material due to temperature changes, which dictated the subsequent time-consuming detailing and paintwork, while the external landscaping planning and construction were affected by the weather. Furthermore, how to minimize the effect of construction on the neighbors were indeed challenging.
Nchọpụta: As the interior, user needs and beautiful scenarios are linked up naturally and rationally, they formed balance and individuality. As a large number of genuine pine posts and natural masonry tiles, and mineral paints were used, the design also called for aligned, rhythmic, symmetrical and asymmetrical design techniques in the flowing large-area and asymmetrical ceiling form in the name of linking up two spaces of different natures.
Mkpali: The Fluid and form originate from the spatial ambition of the design team, as oriental landscape painting pursues an ambiance of spirit, in contrast to the rational realism portrayed in western painting. The strokes of repetitive symbolism often featured in Chinese landscape painting, complemented by cloud and spatial layers, as the blank void serves to create a balanced proportion left for imagination of beholders.
Oge Ọrụ: The project was finished in June, 2019 in Taipei City, Taiwan.
Usoro Ọrụ: The gree corridor between the public and private domains serves as the connecting path and medium space in between, which further divides the master bedroom and children bedroom. While the master bedroom inherits the external space styling of soft arc styling and bedroom lighting for a light and bright visual rhythm, while children bedrooms feature favored colors and play-hole storage customized to their plans to their liking for optimal flexibility and storage volume.
Ndị Otu: George PC Kao
Shang-Ni Chung
Asụsụ Foto: Squid Image Studio.