Ihe emepụtara bụ Redo Tea Ụlọ Nkwakọba Tii nke Hongrui Luan - SIGNdeSIGN bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.
BronzIme Ụlọ· 2020
Redo Tea Ụlọ Nkwakọba Tii
Onye Ahịa: SIGNdeSIGN
Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #91117Nhazi a
Maka Redo Tea Ụlọ Nkwakọba Tii
Ebumnuche nke ọrụ ahụ mebiri otu ọrụ nke ụlọ nkwakọba ihe ọdịnala ma mepụta ọnọdụ ọhụrụ kwekọrọ na ndụ obibi ya site na ọnọdụ mpaghara agwakọta. Site na itinye esemokwu banyere omume ndụ obodo mepere emepe (ọbá akwụkwọ, ebe a na-edebe ihe ngosi, ụlọ ebe a na-egosi ihe a teaụrị, tii, na ebe a na-a beụ mmanya), ọ na-atụgharị otu oghere micro ka ọ bụrụ 'obodo mepere emepe' n'usoro “ka ukwuu”. Ihe oru ngo a na - agba mbo ichikota akwukwo ikpoko nke onwe na ahube ohia ndi ohuru nke ulo oru.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Bronz
Redo Tea Ụlọ Nkwakọba Tii meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Redo Tea Ụlọ Nkwakọba Tii ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Redo Tea Ụlọ Nkwakọba Tii na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- The concept of warehouse 2.0 breaks the single function of traditional warehouse space and creates a new scene in line with the contemporary lifestyle through mixed space mode. By creating buildings with city thinking, public space can take on urbanity. By embedding a behavioral picture of contemporary urban life (libraries, art galleries, exhibition halls, tea, and beverage tasting centers), then turn a single micro-space into an " open urban space" on a "greater" scale.
- Nha & Mkpuchi
- The space is about 7000 sq. m. And the floor height is 9m. reading space, exhibition space and tea tasting space are organized as floating boxes organically organized through space language.
- Mkpado
- Tea warehouse, Multi-functional, Creative space, Gallery space, Interior design
- Teknụzụ Mmepụta
- Along the " second behavior streamline ", reading space, exhibition space and tea tasting space which are metaphors of modern city life are arranged. These spaces are organized as floating boxes organically organized through space language. At the entrance of the tea warehouse space, a small "square footstep" is set up to shunt visitors. As a transitional space, visitors can walk on it while the Art Gallery at the top turns into a gazer of behaviors and activities of visitors.
- Ịma Aka Imepụta
- The traditional storage space of tea merchants is closed, while the space of traditional art galleries is grand and indifferent. The project try to combine private invitations and public institutions' macro-aesthetic experience. It is positioned as an open public place to share "scenario" aesthetic experience with the public. The vast space can accommodate thinking, free the soul, and then carry out the emotional interaction between man and man-made things.
- Nchọpụta
- 1. Redefining Storage Units.
Combining with international standards, the project break through the traditional concept of cubic meter and redefine the new storage unit "Tea Square". With a standardized storage shelf as the background, the modular and slender structure makes space present a hazy feeling.
2. Superimpose new dynamic behavior and implant multi-functional space: "suspended air cube".
3. "Micro Space" Created by Urban Thinking and Community Concept. - Mkpali
- Under the context of traditional space design, warehousing is used to efficiently and safely store goods. Besides these functions, are there more interesting and valuable dimensions to reinterpret and reexamine warehousing space? Why do beautiful things have to be safely hidden away? Can they be presented to the public? Is there a more open and dynamic warehousing mode besides the closed warehousing mode? The project provides an excellent opportunity to practice the concept.
- Oge Ọrụ
- The project is located in xi'an city, Shaanxi province of China. The design was started in July 2019 and the project is under construction.
- Usoro Ọrụ
- The space with multiple-meaning of the implanted "second behavioral streamline" can be used as the scene of immersive theatre. To make public the story scripts in the field of artistic innovation and conduct second media dissemination, new IP is rebuilt through the new demonstration of tea story. In the new era of Internet of Things driven by 5G technology, the project can serve as interfaces for new business experiments, generators and linkers of activities, providing unlimited business imagination.
- Ndị Otu
- Hongrui Luan
Shenglun Zhu
Zengxian Zhou
Chao Fang
Jing Guo
Shuai Yuan
Mingjia Ye
Xiaomeng Cui - Asụsụ Foto
- SIGNdeSIGN, 2019.
Nkwado
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