A Dream Ewuwu Ọkụ Tabletop nke Naai-Jung Shih

Ihe emepụtara bụ A Dream Ewuwu Ọkụ Tabletop nke Naai-Jung Shih bụ onye meriri a na-asọpụrụ nke ukwuu nke 2017 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

BronzNkà Mma· 2017

A Dream Ewuwu Ọkụ Tabletop

nke Naai-Jung Shih

Onye Ahịa: Naai-Jung Shih

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Nkà Mma

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Onye Meriri Onyinye A Kwadoro

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka A Dream Ewuwu Ọkụ Tabletop

Onye rụrụ ya tụlere nrọ na-enweghị oke ma dịkwa na anya. Enweghi ike ijide ya, ma odi ezi uche. Ọ haziri nrụnye dị ka ụzọ iji hụ ihe atụ nke ọdịdị nnabata ahụ na nrọ. Onye ọ bụla nọ na-atụgharị ụtụ na-enye aka na akụkụ nke nrọ na-agbasa. O debere ntọala ahụ ọhụụ na ntọala ọkụ na-enwu n'elu iji mee ka ọ dị ka ibu na-enweghị isi dị ka igwu mmiri.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

A Dream Ewuwu Ọkụ Tabletop meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na A Dream Ewuwu Ọkụ Tabletop ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. A Dream Ewuwu Ọkụ Tabletop na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: A dream is weightless and transparent. It can hardly be caught, and yet it is so realistic. The entire setting is placed on a transparent base with a light source projects upward to make it feel weightless like floating in the air. The installation is also a metaphor of the surrealistic nature of a dream. Each curved linear form contributes to a part of a propagating dream.
Nha & Mkpuchi: 80*70*35 cm
Mkpado: lighting installation, dynamic form, metaphor
Teknụzụ Mmepụta: The design needs a free-form linear member to mimic the blurred boundary of a metaphor. The member needs to be functioned like a canvas for a dreamer to paint upon. The color should be white. After a series of brainstorming searches, a hanger seems a perfect choice.
The installation is hand-chained. Several tests were conducted to the possible connectors, such as steel cables, abs RP filaments, and general ropes. Cable was a good choice at the first place because it held each hanger in position. But it is not transparent. Eventually a transparent 3 mm plastic string was used and surprisingly it held each member in position under tension.
Ịma Aka Imepụta: A pair of linear form is interlocked with two holes on each component for connection. There should be four cables and eight connections when the head and end of the installation meets each other. A new method is developed to layout all four cables on the same path and to chain all the components in one single cable as a closed loop. The development of a close loop has a significant meaning, since a dream seems does not have a specific starting point or ending point.
Nchọpụta: This is the third design of a series sincerely devotions. Each design contributes a profound study of orders, for elements and light sources. The first two were conducted in a linear form to contrast the body curvature and the end section. The composition of different shapes was also applied. The last one selected a loop to represent an order of form.
Mkpali: The inspiration came from the metaphor of a dream.
Oge Ọrụ: This project took about one month and was made in Taipei, Taiwan.
Usoro Ọrụ: This light installation is designed to put on a table with the top part slightly lower than eye level. By following the profile, a person can traverse the entire setting inside and outside, up and down, or from any orientation. The relative location between the box and the installation is changeable.
Asụsụ Foto: all by Naai Jung Shih