Japanese Taste Ụlọ Ahịa Mgbasa Ngwaahịa nke Shunsuke Ohe

Ihe emepụtara bụ Japanese Taste Ụlọ Ahịa Mgbasa Ngwaahịa nke Shunsuke Ohe bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2026

Japanese Taste Ụlọ Ahịa Mgbasa Ngwaahịa

nke Shunsuke Ohe

Onye Ahịa: Shunsuke Ohe

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #183559

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Japanese Taste Ụlọ Ahịa Mgbasa Ngwaahịa

Japanese Taste bụ ụlọ ahịa mgbasa ngwaahịa dị na Kyoto Station na Japan. Ụlọ ahịa a na-egosipụta ọrụ aka, nri, sake, ihe ịchọ mma na ngwaahịa a na-eji kwa ụbọchị nke ndị ọka ọrụ aka, ndị ọrụ ugbo na ndị na-emepụta ihe si n'akụkụ niile nke Japan mere. Ime ụlọ ahịa a na-agbaso usoro nhazi dị mfe nke ndị Japan, na-eji oghere, ìhè, onyinyo na njide onwe kama iji ihe ịchọ mma dị iche iche. Elu ụlọ na-acha oji gbara ime ụlọ na-ekpo ọkụ nke osisi, nkume na ìhè dị nro gburugburu. Otu nnukwu tebụl dị n'etiti na-arụ ọrụ ma dịka ebe ngosi ma dịka ebe emume, ebe ihe ndị kwụ ọtọ nwere oghere na-atụkwasị omimi. Nhazi a na-agbanwe ebe ndị mmadụ na-agafe ka ọ bụrụ ebe nzute omenala.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Japanese Taste Ụlọ Ahịa Mgbasa Ngwaahịa meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Japanese Taste Ụlọ Ahịa Mgbasa Ngwaahịa ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Japanese Taste Ụlọ Ahịa Mgbasa Ngwaahịa na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The Japanese products featured here range widely, from crafts and food to sake, cosmetics and everyday essentials. However, these are not merely commodities. They embody the local climate, materials and techniques, the philosophy of their makers, and the aesthetic sensibilities cultivated by the Japanese people. Consequently, this space aims to serve as a vessel that quietly draws out the value inherent in these diverse items and conveys it to our visitors.
Nha & Mkpuchi: Project area : 114.5 sqm / Category : Retail Outlet
Mkpado: stone , wood , tile , Japanese-style , Kyoto , noren , LUSTYdesign , Shunsuke Ohe
Teknụzụ Mmepụta: Ceiling : wall paper / Wall : wood , wall paper , stone , wooden lattice / Floor : pvc tile
Ịma Aka Imepụta: At the centre of the space, a large table functions as both display and stage, connecting visitors with products and their stories. Soft fabric like lighting above and vertical lattice elements create warmth, depth, and quiet symbolism. A restrained palette of wood, stone, black, and red brings unity to the diverse product range, forming a subtle spatial framework that allows the products to stand out.
Nchọpụta: A key aim of this project was to transform Kyoto Station from a place of transit into a place of cultural encounter. Through calm fixture planning, restrained lighting, layered sightlines, and a curatorial approach that unifies diverse products, the space invites visitors to pause, explore, and reflect. More than a shop, Japanese Taste presents a contemporary way to communicate the essence of Japanese craftsmanship and sensibility to the world.
Mkpali: Kyoto remains an international city open to the world, whilst embracing a thousand years of history and culture. In this city, which welcomes countless visitors from both home and abroad, Kyoto Station is not merely a transport hub, but a gateway that shapes the city’s first impression. This project involves a retail initiative in this highly public space, showcasing and selling goods crafted by artisans, farmers and producers from across Japan.
Oge Ọrụ: Project Duration : From April 2025 to July 2025 Project location : Kyoto(Japan)
Usoro Ọrụ: At the heart of the design is minimalism, a principle deeply rooted in Japanese culture. Rather than relying on superficial motifs, the space reinterprets ma, light and shadow, materiality, order, and restraint within a contemporary retail setting. Framed by a black toned exterior, the interior offers warmth, soft light, and calm, creating a quiet contrast to the bustle of the station and inviting visitors to pause and engage.
Asụsụ Foto: Photograph : NANA TAJIMA by ToLoLo studio