Haven of Echoes Nhazi Ime Ụlọ Obibi nke Kirstin Fu-Ying Wang

Ihe emepụtara bụ Haven of Echoes Nhazi Ime Ụlọ Obibi nke Kirstin Fu-Ying Wang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2026

Haven of Echoes Nhazi Ime Ụlọ Obibi

nke Kirstin Fu-Ying Wang

Onye Ahịa: Spaceblossom Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Haven of Echoes Nhazi Ime Ụlọ Obibi

Haven of Echoes bụ ime ụlọ obibi nke na-eme ka ncheta onwe onye bụrụ akụkụ dị ndụ nke ndụ kwa ụbọchị. A na-etinye akwụkwọ, ngwá ụlọ ihe nketa, na ihe mgbe ochie ndị a chịkọtara n'ime usoro njegharị, nchekwa, na ngosipụta, na-emepụta ụlọ ebe ncheta na omume kwa ụbọchị na-adịkọ ọnụ. Ihe nkedo ahụ mgbidi nke ala diatomaceous na-ekunye ikuku na-achịkwa iru mmiri ma na-amịkọrọ isi si na kichin, na-enyere aka ichekwa ngwá ụlọ ihe nketa e mezigharịrị na nchịkọta akwụkwọ ma na-eme ka ebe kichin, ebe iri nri, na ebe obibi ghere oghe ma jikọọ ọnụ. Ụlọ obibi ahụ ruru ihe dị ka mita skwea 130, ebe mgbidi akwụkwọ ndị e mere ka ha kwekọọ na-arịgo ruo mita 3.5.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Haven of Echoes Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Haven of Echoes Nhazi Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Haven of Echoes Nhazi Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Haven of Echoes redefines the residence as a living archive where memory objects actively shape spatial experience. Books, heirloom pieces, and collected artifacts are embedded into circulation, display, and storage systems, allowing personal history to unfold naturally through daily life. The integration of breathable diatomaceous earth walls enhances environmental comfort while preserving openness across the kitchen, dining, and living zones.
Nha & Mkpuchi: The residence spans approximately 130 square meters, organized into open-plan kitchen, living, and dining zones. Ceiling heights range from 2.7 to 3.2 meters to maximize daylight and openness. Custom book walls rise to 3.5 meters with a 1.2-meter depth, integrating storage and circulation. The central island measures 2.4 by 1.5 meters, while breathable diatomaceous wall finishes support passive odor absorption and humidity regulation.
Mkpado: Haven of Echoes, Residential Interior, Living Archive, Open Plan Living, Ritual Island, Memory Driven Space, Diatomaceous Earth Wall, Integrated Storage, Passive Odor Control, Heirloom Preservation
Teknụzụ Mmepụta: The project combines breathable diatomaceous earth wall finishes, custom millwork, integrated book walls, and precision carpentry to support both environmental performance and long-term storage needs. Timber veneer, mineral plaster, steel detailing, and restored heritage furnishings were carefully coordinated to balance material warmth, durability, and preservation of personal collections within the open-plan residence.
Ịma Aka Imepụta: The main challenge was integrating heirloom furniture, books, and travel collections into an open-plan home without disrupting clarity, openness, or preservation requirements. Balancing social interaction, historical context, and material performance required careful coordination of circulation, storage depth, and breathable wall technologies, resulting in a residence that supports both emotional resonance and functional precision.
Nchọpụta: This qualitative residential design study investigated how personal memory and collected artifacts can become part of everyday life. Research focused on circulation behavior, domestic rituals, and preservation needs through homeowner interviews, observation, and material testing. Findings informed a spatial strategy that improves usability, passive environmental comfort, and long-term heritage preservation, demonstrating how memory-driven interiors can enrich both daily living quality and emotional continuity.
Mkpali: The project began with the idea that memory should be lived with rather than stored away. The homeowners’ books, inherited furniture, and travel artifacts collected across Europe inspired a spatial study on how personal history can be woven into everyday domestic rituals. The design also explored how an open-plan kitchen and living environment could remain visually connected while improving odor absorption and humidity balance through breathable diatomaceous earth wall finishes.
Oge Ọrụ: The project started in September 2025 and was completed in December 2025 in Taoyuan, Taiwan.
Usoro Ọrụ: Daily life is organized as a layered sequence that begins at the entrance threshold, transitions through curated storage and display zones, and opens into a ritual-centered kitchen, dining, and living environment. The central island anchors cooking, gathering, and conversation, while continuous circulation pathways create intuitive movement and visual continuity. This flow transforms ordinary routines into shared domestic rituals shaped by memory and interaction.
Patentị: Copyrights belong to Kirstin Fu-Ying Wang, 2026.
Ndị Otu: Kirstin Fu-Ying Wang