Cadence of the Spiral Ọrụ Bụ Isi: Nrụnye Mmegharị Ahụ nke Yusuke Kamiyama

Ihe emepụtara bụ Cadence of the Spiral Ọrụ Bụ Isi: Nrụnye Mmegharị Ahụ nke Yusuke Kamiyama bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

ỌlaọchaNkà Mma· 2026

Cadence of the Spiral Ọrụ Bụ Isi: Nrụnye Mmegharị Ahụ

nke Yusuke Kamiyama

Onye Ahịa: Spline Design Hub Inc.

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Nkà Mma

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Cadence of the Spiral Ọrụ Bụ Isi: Nrụnye Mmegharị Ahụ

Ederede Akwụkwọ: Cadence of the Spiral na-enyocha oge dị ka ihe na-emepụta onwe ya, nke nwere mmekọrịta, na nke dị ndụ. A na-akpụ ihe iberibe nchara spring steel na-anaghị acha nchara nchara n'ụdị na-agbanwe agbanwe site n'ogwe aka mechanical iri atọ. Ogwe aka ndị a na-emegharị n'usoro dị nro, nke agbanwere n'oge dị iche iche. Ka spiral ahụ na-eku ume, na-agba mgba, ma na-ahazigharị onwe ya, ọ dịghị oge abụọ ọ bụla yiri ibe ya. A na-esi na isi ihe mmiri spring nke elekere mechanical enweta mmụọ ka emepụta ọrụ a. Ọ na-akọwagharị nchara gbara agba dị ka arịa nke ike echekwara echekwa na mmụụ oge. A naghị emegharị mmegharị ahụ. Kama, a na-egosipụta mgbanwe site na ọdịiche a na-achịkwa achịkwa. A naghị atụ oge, kama a na-enwe mmetụta ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Cadence of the Spiral Ọrụ Bụ Isi: Nrụnye Mmegharị Ahụ meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Cadence of the Spiral Ọrụ Bụ Isi: Nrụnye Mmegharị Ahụ ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Cadence of the Spiral Ọrụ Bụ Isi: Nrụnye Mmegharị Ahụ bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Nha & Mkpuchi: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Mkpado: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Teknụzụ Mmepụta: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Ịma Aka Imepụta: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Nchọpụta: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Mkpali: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Oge Ọrụ: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Usoro Ọrụ: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Patentị: Copyrights belong to Spline Design Hub Inc., 2025.
Ndị Otu: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Asụsụ Foto: IMAGE CREDITS: Daisuke Ohki