Ishidaya Ọrụ Bụ Isi: Ụlọ Oriri Japan nke Atsushi Kawaguchi

Ihe emepụtara bụ Ishidaya Ọrụ Bụ Isi: Ụlọ Oriri Japan nke Atsushi Kawaguchi bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2026

Ishidaya Ọrụ Bụ Isi: Ụlọ Oriri Japan

nke Atsushi Kawaguchi

Onye Ahịa: Ishidaya

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

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Nhazi a

Maka Ishidaya Ọrụ Bụ Isi: Ụlọ Oriri Japan

Ederede Akwụkwọ: Ishidaya bụ ụlọ oriri Japan dị na etiti obodo Hanoi. Ọrụ a na-eji Taisho Roman, oge ọ bụ mgbe omenala Japan na nke Ọdịda Anyanwụ zutere, dị ka usoro ya, na-emekọrịta n'etiti mma nka Japan na àgwà Ọdịda Anyanwụ nke ụlọ ahụ. Usoro nkwụsị osisi dị n'elu kaụnta na-ejikọta ihe owuwu ọdịnala na jiometrị Art Deco ma na-arụ ọrụ dị ka isi ihe ngosi anya. Kama ịbụ ihe ịchọ mma, ọ na-akpụzi echiche site na ìhè na echiche na-agbanwe agbanwe. Ihe si na ya pụta bụ oghere e jidere aka layerụ ihe ntụaka omenala ma na-enye nkọwa doro anya nke iri nri oge a na Hanoi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Ishidaya Ọrụ Bụ Isi: Ụlọ Oriri Japan meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Ishidaya Ọrụ Bụ Isi: Ụlọ Oriri Japan ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Ishidaya Ọrụ Bụ Isi: Ụlọ Oriri Japan na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Nha & Mkpuchi: Renovation of existing buildings
Mkpado: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
Teknụzụ Mmepụta: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Ịma Aka Imepụta: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
Nchọpụta: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Mkpali: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Oge Ọrụ: The project started in August 2024 in Hanoi and finished in April 2025.
Usoro Ọrụ: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Asụsụ Foto: All photos / HIROYUKI OKI