Plastic Box Ọrụ Bụ Isi: Ụlọ Ahịa Sụpamaket nke Juan David Martínez

Ihe emepụtara bụ Plastic Box Ọrụ Bụ Isi: Ụlọ Ahịa Sụpamaket nke Juan David Martínez bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2026

Plastic Box Ọrụ Bụ Isi: Ụlọ Ahịa Sụpamaket

nke Juan David Martínez

Onye Ahịa: Minimal Studio Projects SL

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Plastic Box Ọrụ Bụ Isi: Ụlọ Ahịa Sụpamaket

Ederede Akwụkwọ: Ọrụ a bụ ihe atụ nke minimalist brutalism. Oghere a na-akọwagharị ahụmịhe ịzụ ahịa site na mma anya na-ekwesị ekwesị na arụmọrụ ọhụrụ. E chepụtara ya dị ka okpokoro konkrit nwere ahịrị kwụ ọtọ na olu geometric, ọ na-eweta echiche nke ike na nkwụsi ike. Ihe kacha pụta ìhè bụ elu ụlọ, nke nwere ihe karịrị otu puku igbe plastik a megharịrị emegharị nke a haziri n'ụzọ modula, nke ahaziri nke ọma.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Plastic Box Ọrụ Bụ Isi: Ụlọ Ahịa Sụpamaket meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Plastic Box Ọrụ Bụ Isi: Ụlọ Ahịa Sụpamaket ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Plastic Box Ọrụ Bụ Isi: Ụlọ Ahịa Sụpamaket bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Plastic Box is a minimalist brutalist project that transforms the shopping experience through a bold aesthetic and innovative functionality. Conceived as a concrete envelope with clean lines, it conveys strength and permanence. Its key element is a ceiling made of more than a thousand recycled plastic crates that filter light and integrate lighting, ventilation, and rainwater systems. Inside, steel and concrete reinforce a sober commercial language that redefines materials and their uses.
Nha & Mkpuchi: The lighting was conceived in an indirect and highly controlled manner. Light passes through and reflects off the system of 1,200 reused plastic crates in the ceiling, creating diffuse illumination that eliminates the typical glare found in supermarkets. In this way, light does not merely illuminate the space; it builds atmosphere and reinforces its scenographic character, creating a connection between the space and the shadows it generates.
Mkpado: supermarket, Plastic Box, plastic, brutalism
Teknụzụ Mmepụta: The project is defined by a reduced and honest material palette: concrete, steel, and reused plastic. Concrete provides brutality and neutrality; steel resolves the furniture with industrial precision; and plastic, usually hidden, becomes the architectural protagonist through the reuse of more than 1,200 crates. The ceiling was the greatest technical challenge, developed without precedents at this scale and requiring extensive prototyping, testing, and on site adjustments to assemble more than 1,200 reused elements with absolute precision.
Ịma Aka Imepụta: The main objective was to transform an everyday, functional space into an architectural experience. The client required a fully operational and efficient supermarket with clear circulation, while also seeking a space with its own identity recognizable and memorable. The program was simple: a sales area, storage, fluid circulation, and a powerful image that breaks with convention.
Nchọpụta: The space was already operating as a supermarket, but it was in a completely neutral state, lacking architectural character, with standard solutions and a flat spatial reading. It was a generic container with no spatial value, which allowed us to intervene with complete freedom, starting from an almost blank slate.
Mkpali: The project is inspired by the idea of turning a space of consumption into an almost ritual, artistic experience. A brutalist and reduced language is used, where a single gesture defines the entire identity. This concept takes shape in the ceiling, made from over 1200 reused plastic crates, creating a recognizable and hypnotic atmosphere. The space becomes a box within a box, where function and symbolism coexist.
Oge Ọrụ: Completed in 2024 in Port d Alcúdia, Mallorca.
Ndị Otu: Joan David Martínez Jofre
Asụsụ Foto: Fotógrafo / Leonardo Cóndor