Grand Sequence Nhazi Ime Ụlọ Obibi nke Fu Mei Chiu

Ihe emepụtara bụ Grand Sequence Nhazi Ime Ụlọ Obibi nke Fu Mei Chiu bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2026

Grand Sequence Nhazi Ime Ụlọ Obibi

nke Fu Mei Chiu

Onye Ahịa: Reason Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #174728

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Grand Sequence Nhazi Ime Ụlọ Obibi

Grand Sequence bụ nhazi ime ụlọ obibi e mepụtara maka ezinụlọ mmadụ anọ. Ụlọ ahụ dị square mita 148.5 nke dị na Taichung ka a kpụrụ site na agba, ìhè, na ihe eji arụ ọrụ. Ọnụ ụzọ mbata gbara ọchịchịrị na-enye mbata dị jụụ, ebe kaboodu enyo na iko na-ebelata mmetụta nke ịnọ n'ebe kpọchiri akpọchi. Ahịrị mgbidi nwere ìhè na-eduzi anya ma na-eme ka oghere ahụ saa mbara. Marble Italy nwere agba beige dị nro na-adịghị egbuke egbuke gbasara na mgbidi bụ isi, ebe ákwà mgbochi ọcha na-esighị ike na-agbasa ìhè anyanwụ siri ike. Oriọna ígwè gbara okirikiri na-akwụ n'etiti ebe iri nri. Akụkụ dị iche iche na-enye onye ọ bụla n'ezinụlọ ebe nke aka ya pụrụ iche.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Grand Sequence Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Grand Sequence Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Grand Sequence Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: A dark toned foyer offers a moment of releasing stress upon returning home, while the combination of mirror and glass cabinetry alleviate the sense of confinement. As the sightline follows the trace of the illuminated wall band, a sense of spaciousness is disclosed. The glass curtain wall along the building’s exterior conjoins various living corners, offering abundant daylight.
Nha & Mkpuchi: Construction area 148.5 square meter.
Mkpado: Marbles, brass, walnut, glass, modern, contemporary aesthetics
Teknụzụ Mmepụta: Spanning the main wall, soft matte beige Italian marble establishes a calm and composed backdrop through its refined cutting details. White curtain sheers diffuse harsh sunlight, soften the glare, and suffuse an undertone of relaxation and tranquility. When lighting meets colors and materials at the right balance, the space reveals a rhythmic sequence of movement and stillness, shadow and light, resonating a warm and artful lifestyle of a family of four.
Ịma Aka Imepụta: Catering to the needs and the independence of growing children, each personal space is cohesively integrated yet distinct from each other, expressing their individual character through daily life.
Nchọpụta: Probe to a deeper dialogue between materials and color: a brown leather sofa paired with a walnut bookshelf forms the wife’s cozy reading corner. Whereas a charcoal-toned armchair for the husband complements the dark stone steps, which leads to a private retreat hidden behind the stone wall, unfolding alongside the deepening rhythm of the materials.
Mkpali: Aesthetics is an objective discipline, but its appreciation greatly varies across generations and perspectives. This project explores the overarching nature of aesthetics: how a family of four, each with distinct preferences and interests, can share a space that is shaped through subtle details, balanced atmospheres, and emotional resonance. Inspired by the warm simplicity of the homeowners’ art collection, the design investigates the connection between the occupants and the living space, particularly through the color and light.
Oge Ọrụ: The project finished in December 2025 in Xitun District, Taichung city.
Usoro Ọrụ: Alongside the side wall, where a row of dark cabinetry subtly defines the spatial boundaries, and glass cabinet doors reflect fragments of daily life, a series of circle metallic pendants centers the dining area as the heart of the space. Contrasting to the minimal elegance of the main wall, the dining tabletop’s marble veins bloomingly spread out, layering texture and visuality, forming a material interplay composed of multidimensional relationships, rather than a singular combination.
Patentị: Copyrights belong to Reason Design
Ndị Otu: Fu Mei Chiu
Asụsụ Foto: MD Motivo Photography