Ihe emepụtara bụ The Chakai Ngosi nke Studio Kaz bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Nkwụnye.

ỌlaọchaNkwụnye· 2025

The Chakai Ngosi

nke Studio Kaz

Onye Ahịa: Studio Kaz

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Nkwụnye

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #168696

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Chakai Ngosi

E jiri Tango Chirimen, nke ejiri projection mapping were kpuchie onyonyo, mee oke uche. Ákwà a dị oke ọnụ na-ama jijiji site na ntakịrị mmegharị ikuku, dị ka mmegharị mmadụ, ma na-aza mmegharị ákwà ahụ n'ụzọ mmekọrịta site na sensors etinyere n'ime ákwà ahụ. Ihe e ji rụọ ala ụlọ bụ plywood a chọrọ mma nke e mere site n'ịrapara ahịhịa rush, nke a ga-atụfu n'ụzọ nkịtị, n'elu plywood n'ihi na ogologo ya ezughi ịbanye n'ime igwe ịkpa tatami.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

The Chakai Ngosi meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na The Chakai Ngosi ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. The Chakai Ngosi bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Tango Chirimen, soaked in images projected by projection mapping, is used as a psychological barrier. The extremely thin fabric sways with the slightest air movement, and sensors embedded in the fabric react interactively to the movement of the fabric. The floor is made of an original material called "IGUSA-faced plywood", made by gluing rush grass that would have been discarded because it was too long to fit into a tatami loom onto plywood.
Nha & Mkpuchi: MATERIAL
Tango Chirimen
IGUSA-faced plywood
DIMENSIONS
width 3,138.5mm
depth 3,138.5mm
height 2,075mm
TECHNICAL
projection mapping
Mkpado: chakai, chashitsu, Igusa-faced plywood, Tango Chirimen, projection mapping
Teknụzụ Mmepụta: We used Tango Chirimen imbued with projection-mapped images as a boundary. Sensors embedded in the tango crepe detect the slightest swaying of the cloth and respond interactively The floor is made of decorative plywood made from rush grass from the wada family in kumamoto, which could not fit into the tatami loom because it was not long enough and had to be disposed of.
Ịma Aka Imepụta: The internal factors
1. Identifying the essence of the tea ceremony.
2. Knowing the history and components of the tea room.
3. Understanding and mastering the tea ceremony itself.
the external factors
1. Adjusting the signals from the sensors embedded in the fabric to reflect them in the program of projection mapping .
2. The technique of kneading rush grass onto plywood.
3. Adapting to an experiential exhibition space.
4.Use sustainable materials and methods consciously.
Nchọpụta: The spirit of the tea ceremony is the spirit of "omotenashi" (hospitality). The purpose of the tea ceremony is not to drink tea, but to “entertain” the guest through the act of drinking tea. For this purpose, everything in the tea room, from the entrance, to the alcove, hanging scrolls, flowers, incense, clothing, and various manners, are mobilized to provide hospitality.
Mkpali: The tea ceremony is not only a ritual of tea, but also a way to entertain guests with tea. The guest is also a part of the creation of the tea ceremony.
We design the tea ceremony room for this mentality.
The rule we decided on was to use Japanese materials but not to assemble them in a Japanese way. The tea ceremony room is constructed of veneer plywood made of rush, the material used for tatami, and a cloth soaked with images that change interactively to create a psychological boundaries.
Oge Ọrụ: This project took place from October 18, 2024 to October 27, 2024 in Tokyo, Japan.
Usoro Ọrụ: Sensors embedded in the tango crepe detect and quantify the shaking of the cloth, and by incorporating these values into video and music programs, the images and sounds can be changed interactively.
Patentị: Patented:
Patent : No.7359351
Patent Holder : Kyoto Prefectural Institute for Textile, Machinery and Metal
Year : 2023
Jurisdiction : Japan
Ndị Otu: video production : Miyuki Chikahiro Akari Kawase
graphic design : Junco Wada
interior design : Coichi Wada
Asụsụ Foto: image #No1:Photographer/Nacása & Partners Inc.
image #No2:Photographer/Nacása & Partners Inc.
image #No3:Photographer/Bunsei Matsuura
image #No4:Photographer/Bunsei Matsuura
image #No5:Photographer/Nacása & Partners Inc.
video:SWAG.inc
music:STUDIO KAZ co,.ltd.