Fluid Rhythm Ime Ụlọ Ọrụ Nhazi nke Cho Yin Ching

Ihe emepụtara bụ Fluid Rhythm Ime Ụlọ Ọrụ Nhazi nke Cho Yin Ching bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2025

Fluid Rhythm Ime Ụlọ Ọrụ Nhazi

nke Cho Yin Ching

Onye Ahịa: Borg Design interior Renovation Co., Ltd.

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Fluid Rhythm Ime Ụlọ Ọrụ Nhazi

Fluid Rhythm bụ ime ụlọ ọrụ nhazi nke na-arụkwa ọrụ dị ka ụlọ ngosi ihe. Oghere ahụ kpuchie mita kwaduru 148.5 gafere ụlọ abụọ. Ala mbụ nwere mpaghara nnabata, ebe nchekwa na akụrụngwa ndị ọbịa. Ala nke abụọ nwere isi ebe ọrụ, kichin na ebe izu ike. Elu ndị gbagoro agbago na-esite na mgbidi ruo n'elu ụlọ, ebe ihe nchọpụta ìhè etinyere na-aza mmegharị ahụ. Ihe ndị e ji rụọ ya gụnyere ọla titanium oxide, acrylic optical na nkume agwakọtara na-enweghị carbon dị elu. A hapụrụ ụfọdụ elu ndị a n'usoro na-emechabeghị ka enwee ike ịtụle usoro na nhazi dị iche iche.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Fluid Rhythm Ime Ụlọ Ọrụ Nhazi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Fluid Rhythm Ime Ụlọ Ọrụ Nhazi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Fluid Rhythm Ime Ụlọ Ọrụ Nhazi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This project reimagines a design studio as a living showroom where materials, craftsmanship, and light converge in an immersive sensory dialogue. Every surface is curated to invite touch, revealing the transition from raw texture to refined finish. Layered curves shape both threshold and narrative, while light traces form and material, blurring the line between process and completion. It becomes a spatial manifesto where design is experienced, not explained.
Nha & Mkpuchi: This interior design studio spans two floors, covering 148.5 square meters, and is structured to balance functionality, aesthetics, and environmental adaptability. The first floor features a reception area, storage, and guest facilities, while the second floor houses the main workspace, kitchen, lounge, and private amenities. A key material choice is Japanese-imported eggshell paint, which regulates humidity, improves air quality, and reduces condensation.
Mkpado: Fluid Architecture, Light Layering, Curved Pathways, Material Overlap, Exhibition Space, Workplace Aesthetics, Visual Immersion, Environmental Interaction
Teknụzụ Mmepụta: This design integrates precision craftsmanship and advanced material applications. Key materials include Titanium Oxide Metal, Optical Acrylic, and Low Carbon Composite Stone, chosen for their reflective, translucent, and textural qualities. A custom large scale sliding door seamlessly merges with the space, while Japanese imported eggshell paint regulates humidity and minimizes glare. Embedded LED sensors enhance interactivity, reinforcing the responsive nature of space.
Ịma Aka Imepụta: One of the greatest challenges was the precision engineering of the large-scale sliding door, which had to support the weight of full-surface tiled panels while ensuring seamless movement. The integration of metal framework and ceramic finishes required exact tolerances to prevent fractures. Additionally, the studio itself serves as a live demonstration, showcasing a spectrum of techniques, patterns, and finishes, with some deliberately left unfinished for comparison, demanding careful composition to achieve a cohesive, authentic spatial identity.
Nchọpụta: This applied design research explores how spatial composition, material interplay, and interactive lighting influence user perception. Using spatial prototyping and user observation, data was collected through movement tracking, material perception studies, and lighting response analysis. Findings revealed that dynamic lighting and contrasting textures enhance spatial awareness, informing more adaptive, sensory-driven workplace and exhibition design.
Mkpali: A space that doesn’t engage the senses is a wasted opportunity. Inspired by the fluidity of water and the interplay of light and reflection, this project transforms space into a sensory driven experience. It explores how light, material, and form create a dialogue between architecture and users, dissolving the boundary between function and emotion. The goal was to design an environment that responds dynamically to movement and perception, engaging users on a visceral level.
Oge Ọrụ: This project began its design phase in Taichung, Taiwan, in June 2023 and was completed and put into operation in January 2024.
Usoro Ọrụ: Visitors step into a welcoming expanse where curves flow seamlessly from walls to ceiling, mirroring the fluid rhythm of water in motion. Overhead, sculpted forms catch and refract light, casting shifting waves of shadow. The path unfolds naturally, guided by subtle light cues embedded in the floor, responding to each step. Ascending, daylight filters softly through curved partitions, while the vivid orange restroom offers a sudden, refreshing contrast, setting up an intentional pause within the flow.
Patentị: Borg Design interior Renovation Co., Ltd.
Asụsụ Foto: Image #1: LEADER KING INTERNATIONAL CO., LTD.
Image #2: LEADER KING INTERNATIONAL CO., LTD.
Image #3: LEADER KING INTERNATIONAL CO., LTD.
Image #4: LEADER KING INTERNATIONAL CO., LTD.
Image #5: LEADER KING INTERNATIONAL CO., LTD.