Holy Sky Nhazi Ime Ụlọ Obibi nke Jyun Shen Zeng

Ihe emepụtara bụ Holy Sky Nhazi Ime Ụlọ Obibi nke Jyun Shen Zeng bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2025

Holy Sky Nhazi Ime Ụlọ Obibi

nke Jyun Shen Zeng

Onye Ahịa: Kensing Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #164377

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Holy Sky Nhazi Ime Ụlọ Obibi

Holy Sky bụ nhazi ime ụlọ obibi e mepụtara maka ezinụlọ ndị Kraịst na Taiwan. Ụlọ nke dị mita akụkụ 130 na-eji ahịrị oke ala akọwapụta mgbidi telivishọn na mpaghara obibi, gbatịpụ ruo na mgbidi iji kpụọ oyiyi yiri obe. Ìhè kpuchiri elu ụlọ na-egosipụta iheọma ndị si n'elu na-agbadata, na-agbakọta n'ụzọ okirikiri jikọrọ ọnụ ụzọ atọ. Nhazi mepere emepe na-ejikọta mpaghara ndị a ma gbasaa etu e si eji ohere dị na ụlọ. E ji ụdị ihe na agba yiri ibe ha n'elu ihe niile iji mepụta otu ihe zuru oke. Akwụkwọ ntụsara agba ndụ na-adịru anya na kabinetị enwere ike ịgbanwe agbanwe na-ebelata mmefu n'ọdịnihu.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Holy Sky Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Holy Sky Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Holy Sky Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: We created a symbol of Jesus’s arrival within the space, using floor boundary lines to define the TV wall and living area, extending all the way to the wall to form a cross-like image.
The surrounding ceiling lighting resembles rays of light pouring down from the heavens, converging in a circular corridor that seamlessly connects the three doors, creating a unique atmosphere within the space.
Nha & Mkpuchi: This space is 130 square meters.
Mkpado: sacred,continue,light,arc,cross,natural
Teknụzụ Mmepụta: In the future, environmental protection on Earth will be a necessary consideration. Therefore, green materials were chosen for the paint.
Durability was also taken into account to reduce the need for repeated applications and minimize waste.
For the cabinetry, flexible designs were used, allowing for adaptability in future updates or space innovations.
This ensures that the cabinets can be continuously reused, reducing environmental waste and enhancing the potential for green materials and recycling.
Ịma Aka Imepụta: In use, we need to consider different age groups, as their reach and habits vary. Therefore, we designed everything with ease of access and convenience in mind.
Whether it's the simple and intuitive color schemes or the natural flow of movement within the space, everything is aimed at improving the usability and functionality of the environment for users.
Nchọpụta: In our spatial design, we considered how to use the most efficient method to maximize the space's benefits without wasting any small areas, while also ensuring the overall aesthetics create a pleasant experience for users.
We used an open-plan layout to establish spatial connections and expanded space usage by overlapping areas. As a result, we created a comfortable living environment and enhanced interaction for multiple users within the same space.
Mkpali: We drew inspiration for the design from Christianity. Since the users are a devout Christian family, we envisioned rays of light descending from heaven and the imagery of the cross, as well as using simple materials to shape the overall design in terms of form, color, and texture.
We also incorporated layers of light and shadow from the heavenly light, creating a sacred, simple, and natural spatial environment.
Oge Ọrụ: Start in Taiwan in January 2024 and complete in Taiwan in September 2024
Usoro Ọrụ: We used similar materials and colors for the various surface finishing needs. Whether it's the special paint for the TV wall, the cabinet doors in the entryway, or the flooring materials, everything is matched under the same theme.
This approach creates maximum harmony in the overall space, allowing each area to feel coordinated within the entire environment.
This, in turn, draws the user's attention and enhances their satisfaction with the space.
Ndị Otu: Director JYUN SHEN ZENG
Asụsụ Foto: Chen Yun Chi，Holy，2024