Counterpoint Poetry Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi nke Hsin Ting

Ihe emepụtara bụ Counterpoint Poetry Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi nke Hsin Ting bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2025

Counterpoint Poetry Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi

nke Hsin Ting

Onye Ahịa: RIS Collective

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #163057

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Counterpoint Poetry Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi

Book Text: Counterpoint Poetry bụ nhazi ime ụlọ obibi dị na ime obodo Changhua City, Taiwan. Ụlọ a kpuchiri mpaghara wuru ihe ruru mita kwuru kwuru 121, dịrịnụ n'ime ụlọ nke ndá na ogidi ya nke afọ 1980 mepụtara mgbidi a kpọwara akpọwa. Nhazi ya na-eso usoro grid itoolu-square nke Mandala Chart, ebe a dọbara oghere isi na etiti. Mgbidi nchekwa na-emepụta ụzọ na-agbagọ agbagọ nke na-ezochi ihe mgbagwoju anya. Agba aja-aja na-anọchi anya inupụta nke ala, ebe mgbidi green dị ka emeral na-akara ebe obibi bụ isi. Ụlọ kọmputa dị jụụ nke nwere futon na-akwado ojiji kwa ụbọchị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Counterpoint Poetry Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Counterpoint Poetry Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Counterpoint Poetry Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Located in countryside, this project is the second generation's return to agriculture industry. Surrounded by farmland, the building's 1980s beams and columns form square walls. Inspired by the Mandala Chart, we introduce Chinese architectural concepts into the design.
Nha & Mkpuchi: Contruction area 121 square meter.
Mkpado: emeralddesign,oriental classic
Teknụzụ Mmepụta: The general tone uses earthy browns to represent fruitfulness of the soil. The main living area wall is emerald green, symbolizing the family's united business support. In the dining area, golden leaves drop from the ceiling reflect the topographic art and field view. The Chinese gathering ambience is maintained with marble veining in the western servery, guiding vision inward through cascading layers of detail.
Ịma Aka Imepụta: Due to the existing plumbing system, as well as the consideration of Feng Shui, the relative positions of the room were restricted.
The precise placement of the walls are set after distinguishing the respective relationships of the position. By placing the core space at the center, we can learn a centralized space that inwardly focuses towards the center and interconnected areas around it.
Nchọpụta: The traditional layout of courtyard houses features a winding path, with a wall composed of storage units serving as a screen. This design element functions to conceal and organize clutter. The extended and winding pathways enhance the grandeur of the residence. Not only is the integrity of the nine-square grid pattern maintained, but the spirit of elegant layered narratives is also embodied in the spatial design.
Mkpali: In an era of information overload, the young homeowner's choice of the apartment is safe and conventional, akin to architect Wang Da-hung's blend of Western and Chinese traditions in the Hong Ying Apartment. We expect to practice such tradition through a more modernized and a more down-to-earth method.
Oge Ọrụ: The design was completed in Changhua City, Taiwan, in November 2022.

With specified combination, highlights the interdependent relationship between coldness, organic, order, and freedom, also supports personal characteristics and functional utility, symbolizing the harmonious coexistence of rationality and sensibility.
Usoro Ọrụ: Due to Feng Shui considerations, the master bedroom couldn’t be connected to the walk-in closet and bathroom. Instead, the young homeowner prioritized a quiet computer room for practical use, complete with a futon for naps and relaxation after showers, while the bedroom was reserved solely for sleep. The tones and textures of the materials were carefully balanced to create harmony, with earthy tones and darker textures reflecting the essence of Chinese culture.
Ndị Otu: Designer: Ｗeng, Hsin-Ting
Asụsụ Foto: Sujyu Studio