Light Bathed Ọrụ Isi: Ime Ụlọ Obibi Nhazi nke Shih Ming Kan

Ihe emepụtara bụ Light Bathed Ọrụ Isi: Ime Ụlọ Obibi Nhazi nke Shih Ming Kan bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2024

Light Bathed Ọrụ Isi: Ime Ụlọ Obibi Nhazi

nke Shih Ming Kan

Onye Ahịa: Tang Chao Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #151868

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Light Bathed Ọrụ Isi: Ime Ụlọ Obibi Nhazi

Ederede Akwụkwọ: Light Bathed bụ nhazi ime ụlọ obibi maka ụlọ nke 232 mita kwenrị na Taoyuan City, Taiwan. Atụmatụ ahụ gụnyere ọnụ ụzọ mbata, ụlọ obibi, ụlọ oriri, kichin, ebe ekpere ndị Buddha, ọnụ ụlọ ihi ụra abụọ na ọnụ ụlọ ịsa ahụ atọ. Edebere ụlọ obibi ahụ n'akụkụ nke anwụ na-enye ìhè, ka ìhè anwụ wee ruo n'ụlọ oriri jikọtara ya, ụlọ egwu piano na mpaghara ebe ekpere. Ntị elu ụlọ, mgbidi ebe a na-edebe akwụkwọ na ụzọ ọ̀nụ ígwè gọọsị na-agagharị ka a na-eji akọwapụta oghere ndị a n'ime atụmatụ mepere emepe. A na-eji osisi, marble, mgbidi tile porcelain dị mfe, ihe mkpuchi mgbidi Japan, na igwe e ji titanium machie eme ihe.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Light Bathed Ọrụ Isi: Ime Ụlọ Obibi Nhazi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Light Bathed Ọrụ Isi: Ime Ụlọ Obibi Nhazi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Light Bathed Ọrụ Isi: Ime Ụlọ Obibi Nhazi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: To create a serene atmosphere, natural wood elements are incorporated into modern style interior design with a humanistic approach. To make a strong statement of determination and stability, the marble reveals the vista view and the main view in the space. The glossy gray mirror, metal, and titanium coating, with layers upon layers of detail, gradually exude a luxurious yet low-key elegance in a mellow and amicable ambience.
Nha & Mkpuchi: In the space of 232 square meters, there are an entrance, one living room, one dining room, one kitchen, one Buddhist altar, two bedrooms and three bathrooms.
Mkpado: Interior Design, Humanistic, Marble, Modern design, Open layout
Teknụzụ Mmepụta: Titanium plated metal, thin porcelain tile, Japanese wallcovering, marble, wooden floor.
Ịma Aka Imepụta: The dark brown wood grains at the border between the living room and dining room create a porch. It not only makes the structural beams look less intrusive, but also defines different spaces. In the dining room, the calm stone materials paired with the lightweight wood accents bring a sense of stability to the interior. As the dark tones contrast nicely against shallow shades, the diffused glow brings harmonious and rich layers of changes.
Nchọpụta: The main TV wall with mottled textures injects a sense of nostalgia into the space, and meanwhile achieves a distinctive look between delicacy and roughness. Behind the sofa, the partial wall with a hollowed-out bookcase opens up a generous vertical space, and also creates a tranquil Buddhist altar. On the ceiling with frames, the grayscale edges add visual height to the space. In the original structure, a low beam spans across the living room and dining room, creating a sense of oppression. To offset the oppression, bronze gold titanium coated metal covers the surface of the beam. Its exterior is trimmed with grayscale iron pieces to soften the obstructive volumes under the diffused light, and the shimmering tones bounce off the surfaces to cast a sparkle around the room and add elegant charm to the residence.
Mkpali: To leverage abundant daylight in this sun-filled abode, the living room is placed at the sunny side. The layout allows natural light to flow uninterrupted into the connected living room, the dining room, the piano room, and the Buddhist altar. These spaces are separated by the roof ridge, bookcase wall, and sliding glass door. The seemingly unobstructed open layout clearly defines each space, creating a nicely blended balance of strength and softness.
Oge Ọrụ: The project is finished in April 2022 in Taoyuan City, Taiwan.
Usoro Ọrụ: Upon opening the entrance door, the stability of the wood tones sets the tone for a serene environment and gives a warm welcome. The beige and gray marble is framed by dark and inky stone. To eliminate the look of chaos, the clean-cut lines offset the disorder feel of a burst of arborescent veins. Dark green needles of the coniferous trees and falling white snowflakes on the stone outline a vista view of Scandinavian forests in winter, adding a cool tone to the elegant field of wood elements. The yellow lamps buried inside the vista wall instantly light up the space, while the gold veins introduce a warm, cozy entrance.
Ndị Otu: Shih Ming Kan
Asụsụ Foto: Tang Chao Interior Design