Ihe emepụtara bụ Piren Ụlọ Obibi nke Maciej Basalygo bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2023

Piren Ụlọ Obibi

nke Maciej Basalygo

Onye Ahịa: Maciej Basałygo

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #148956

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Piren Ụlọ Obibi

Piren bụ ọrụ nhazi ụlọ obibi. Oghere ndị ahụ na-ejikọta ọnụ ma na-akọwapụta mpaghara ụlọ a na-eji. E jiri ihe sitere n'okike rụọ ọrụ ahụ. Enwere ike ịhụ osisi, nkume na iko n'ọkwa dị iche iche. E haziri nkọwa nke na-ekpuchi akụrụngwa teknụzụ nke ụlọ ahụ n'otu n'otu. Ụzọ ngafe na mgbidi iko na-enye ohere maka njikọ anya na gburugburu.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Piren Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Piren Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Piren Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The resulting space is non-obvious, it harmonizes with the surroundings through the interpenetration of functional zones, which facilitates mutual relations between the residents. Built of natural materials, enriched with individually designed furniture elements, the interior architecture also allows you to find a zone full of peace and intimacy. The entire functioning of the facility is supervised by intentionally hidden technology that controls the quality of air, light, temperature and sound.
Nha & Mkpuchi: The project has approximately 450 square meters spread over 3 floors. 1 underground and two above-ground.
Mkpado: Interior architecture, residential design, philosophy of life, house, individual project
Teknụzụ Mmepụta: The choice of materials and technologies resulted from the aesthetic and functional needs of both investors and designers. The technical infrastructure of the building was almost completely hidden. The list of materials includes specially tinted ash wood, granite floor slabs in the color of volcanic tuff, transparent protective glass at the stairs and mezzanine. The whole was to be connected by the whiteness of the walls, which served to reflect light and display artistic works.
Ịma Aka Imepụta: Design is a process in which abstract challenges are transformed into forms, signs, symbols embedded in space. This project was primarily an attempt to achieve an optical balance based on the use of a selected and properly arranged group of materials. The interiors were to be characterized by non-obviousness and the desire to constantly explore them.
Nchọpụta: Design activities balanced around the boundaries set by superior ideas such as safety, comfort, naturalness, perfection. They were accompanied by the limits of emotions expressed by deriving happiness from passion in the form of contemplation of music, painting, graphics and love of cooking. Assigning spatial and material features to the above elements was a constant setting of boundaries and balancing between them.
Mkpali: The inspiration was conversations with the owners about their passions, experience and plans. They translated into spatial solutions based on analyzes of the presence of light in the interiors, non-accidental combinations of materials, proportions or control of sound propagation. The apparent boundaries set in this way were to emphasize the functions and specific pace of life of the household members. Finally, the main ideas became nature, freedom, comfort, penetration, freshness.
Oge Ọrụ: The residence is located in Poznan, Poland. The design work lasted 12 months
Usoro Ọrụ: Designing affects the shaping of emotions, creates spatial images of the environment for spending time. The project is not only a response to existential needs, but a plan that was supposed to stand the test of time and intrigue the residents even after returning from attractive holidays, exceptional concerts or places that could make an original impression. By freely opening and closing the glass openings, you can control the symbiosis of architecture and the outside.
Asụsụ Foto: Image #1-5 : Photographer Maciej Frydrysiak