Concavity and Convexity Ime Ụlọ Nnabata nke Kevin Hsieh and Yunshuang Lin

Ihe emepụtara bụ Concavity and Convexity Ime Ụlọ Nnabata nke Kevin Hsieh and Yunshuang Lin bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

Concavity and Convexity Ime Ụlọ Nnabata

nke Kevin Hsieh and Yunshuang Lin

Onye Ahịa: Form Space Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #136938

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Concavity and Convexity Ime Ụlọ Nnabata

Ihe Odide Akwụkwọ: Concavity and Convexity bụ ụlọ nnabata nwere ogo abụọ dị na Taoyuan, Taiwan. Ime ụlọ ahụ jikọtara akara ndị ochie na ihe eji arụ ọrụ nke oge a. A na-eji mgbochi mesh a machiri anwụ anwụ dịka ihe mkpuchi na dịkwa ka uko elu gburugburu steepụ ndị ahụ. Mesh ahụ na-ekwe ka ìhè gafere, nke mere na ìhè na onyinyo na-esogharị n'elu mgbidi ọcha larịị ndị ahụ. Ụzọ dị larịị nke nwere ahịrị oji na ọcha, yana enyo ojii, na-ewepụta ihe ọdịdị anya dịka ọwara ime ala. E ji nkà nkwazi ihe achụzighị achụzi kpụọ elu ụlọ ahụ karịa ka ọ bụrụ nhazi nwere nha nhaa. Nchọpụta ihe eji hazie ihe a bụ sitere n'ihe osise Pierre Soulages.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Concavity and Convexity Ime Ụlọ Nnabata meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Concavity and Convexity Ime Ụlọ Nnabata ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Concavity and Convexity Ime Ụlọ Nnabata maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The interior is designed with modern elements to interpret the classical style, bringing galvanized mesh panels into the space as screens and ceilings between staircases. The mesh panel has a penetrating characteristic to bring in light, so that the space can form natural ripples and dance with light and shadow. This design creates an artistic and stylish appearance through the use of contradictory elements.
Nha & Mkpuchi: Construction began in February 2021 and was completed in June 2021.
The total square footage is 1170 square meters. Located in Taoyuan, Taiwan, the two-story reception center includes a meeting area, audio visual room, exhibition area, VIP ROOM, pantry and lounge.
Mkpado: Symmetry, neoclassical, modern, material experimental, Corinthian Order, corrugated sheet, Pierre Soulages
Teknụzụ Mmepụta: The concept of the corridor comes from Pierre Soulages paintings, using black and white stripes and black mirrors to create a visual interlacing effect, like a time tunnel. Through the mirror effect, light and different materials blending with each other, enlarging the depth of field and bringing spaciousness. The design of the ceiling is different from the common symmetrical approach, and is illustrated by asymmetrical collage carvings, allowing the classical to be presented in a modern form.
Ịma Aka Imepụta: This is not a newly built project, but a retrofit of the original building. Corrugated sheet and galvanized mesh panels are the symbol of inexpensive materials in Taiwan, often used in factories and countryside bungalows. In this case, the designer has taken a common, mundane material and elevated its value with the use of color palette, structure and classical elements to make it both modern and technological.
Nchọpụta: In Pierre Soulages paintings, the squeegee is used to create strong color blocks and stripes on the paint. The texture becomes the visual focal point, and the presence of light is felt in the concavity and convexity of the paint. Therefore, this project is based on the development of a classical and modern space, full of texture and the flow of light and shadow.
Mkpali: Inspired by the abstract painter Pierre Soulages, the design explores the changing relationship between black, line and light through Pierre Soulages powerful and textured style of painting. The designer uses light as a design element, and through the reflection and interplay of colors and spatial textures, a sense of natural rhythm is derived from the space.
Oge Ọrụ: This project is built in Taiwan.
Usoro Ọrụ: The designer installed galvanized mesh panels and metallic water ripple glass panels in the staircase, open the sense of space through the large vertical window openings. With a large amount of light and plain white walls, the designer let the expression of the space change with the weather and time of day.
Patentị: Copyrights belong to Form Space Design.
Ndị Otu: Kevin Hsieh
Yunshuang Lin
Asụsụ Foto: Photographer: Hezi Studio