Lightclassical Ọrụ Ime Ụlọ Obibi nke Ghih Hsiang Cheng

Ihe emepụtara bụ Lightclassical Ọrụ Ime Ụlọ Obibi nke Ghih Hsiang Cheng bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

Lightclassical Ọrụ Ime Ụlọ Obibi

nke Ghih Hsiang Cheng

Onye Ahịa: Chang Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #134151

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Lightclassical Ọrụ Ime Ụlọ Obibi

Ederede Akwụkwọ: Lightclassical bụ atụmatụ ime ụlọ obibi maka ụlọ karịrị mita kwụ ọtọ 300 nke nwere ọnụ ụlọ anọ, ụlọ nnabata abụọ na ụlọ ịsa ahụ atọ. Ụlọ a na-eso ụdị neoclassical. Agba ọcha bụ ntọala nke usoro agba, ebe agba ndị dị ike na-eme ka ikuku ụlọ na-acha. Enyo, akwa mgbochi mgbidi (wallpaper) na agba ịchọ mma na-agbakwunye omimi na ọnụ ụlọ ndị ahụ. Ụzọ mmegharị na-eme ka ntọala ebe ọ bụla dịgide ọcha ma bụrụkwa square. Elu ụlọ na-eji ọtụtụ ọkwa na onyinyo iji na-ejide iko nke ìhè nzuzo. A tụgharịrị ọnụ ụzọ ọnụ ụlọ ihi ka ọgbọ atọ nwee ike ịhụ ibe ha.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Lightclassical Ọrụ Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Lightclassical Ọrụ Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Lightclassical Ọrụ Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Setting out from creating the life scenery for the owner, the designer lets the space show proper grace, and the ingenuity is concentrated in the detail. Like the use of color, with white as the base, the saturated color is to brighten the atmosphere; for the moving line design, it keeps the contour of each area neat and square; in the daily vision design of the owner, the three generations can see each other when they open the bedroom door.
Nha & Mkpuchi: This is a residential house that has 4 rooms, 2 halls and 3 toilets, totally over 300-square-meters.
Mkpado: Interior, Design, House, Residence
Teknụzụ Mmepụta: In order to maintain the simple and elegant atmosphere of the space, but not boring, the designer maintains the sense of space unity and rich levels with the decorative color, mirror, wallpaper and other different materials interspersed; and on the ceiling design, the shadow in the corner with multi-level design could receive the lamp groove of indirect illumination elegantly.
In addition, the designer slightly adjusts the direction of bedroom door in the original space, let the family open the door and see each other immediately.
Ịma Aka Imepụta: The requirement of the owner is very clear. In addition to the beloved neoclassical style, another insistence is the indirect lighting on the ceiling. In order to avoid the obtrusive light groove embedded for the indirect lighting, the designer puts great effort on the ceiling, with multi-level and shadow layout, to gently receive the existence of light groove.
Nchọpụta: The layout of public space is also the key of the designer's efforts. The color of dining table continues the elegance of living room, and the furniture is placed delicately to create a depth of field in the public space, calm, graceful, and delicate.
Mkpali: The designer sets out from the neoclassicism style that the house owner prefers, with the material in abstemious use of color and full of ingenuity, to create the clean, elegant, and not rigid spatial expression. The designer also carefully considers the daily life of house owner; from the three generations of the family opening the bedroom doors, to sitting on the sofa to look around, all lines of sight from morning to evening, are the designer carefully outlined life scenery.
Oge Ọrụ: The project is located in a building overlooking the river view in Xindian District of New Taipei City.
Usoro Ọrụ: Under the designer's careful construction, the scenery of home is not limited to the scene seen from the window, but the seemingly ordinary bedroom, living room, dining table, and even the lamp groove on the ceiling have become the daily scenery of the owner. Here, the space not only bears the function, but also looks like an elegant painting, and the three generations in the same house can not only appreciate the life scenery, but also the most precious bright spot in the painting.
Ndị Otu: Designer: GHIH HSIANG CHENG