Homestead of Pureness Ọrụ Ime Ụlọ Obibi nke Chia Chi Yeh

Ihe emepụtara bụ Homestead of Pureness Ọrụ Ime Ụlọ Obibi nke Chia Chi Yeh bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

Homestead of Pureness Ọrụ Ime Ụlọ Obibi

nke Chia Chi Yeh

Onye Ahịa: E&C DECO Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #130553

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Homestead of Pureness Ọrụ Ime Ụlọ Obibi

Homestead of Pureness bụ nhazi ime ụlọ obibi maka ụlọ nwere ọnụ ụlọ anọ na Taiwan. Mpaghara ọha na eze na-agbaso usoro imepe ọkara, ebe mgbochi iyo nwere ihe mkpuchi titanium na-ekewapụta mpaghara dị iche iche ma na-eme ka oghere ahụ dịgide na-ahụta n'anya. Ọnụ ụzọ na-agagharị na-emechi kichin iji gbochie isi nri n'oge esi nri. E belatara ime ụlọ ndina onyeisi na ime ụlọ ụmụaka nke ọ bụla site na sentimita 50 iji mee ka ime ụlọ ọmụmụ buo ibu karịa. A gwakọtara agba isi ntụ, lavenda, na osisi dị mfe na mgbidi telivishọn e ji marble mee, ebe ngwongwo mkpọ nchara na-akwado oke ihe ndị dị mfe.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Homestead of Pureness Ọrụ Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Homestead of Pureness Ọrụ Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Homestead of Pureness Ọrụ Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The public area is applied with a semi-open-end method; the study and the kitchen are equipped with titanium-plated hardware and a glass screen to create a large visual effect. The kitchen is also set up with a sliding door; it allows the user to freely change the spatial while efficiently isolating cooking smells during cookery. At the same time, shades of grey, lavender, and wooden tonal are applied in many ways; the elements are paired with the exquisite marble plates of the television wall, giving the overall a sense of elegance and high-end.
Nha & Mkpuchi: It has initial base conditions of high floors; therefore, the designer applied a linear-slot method with hardware to highlight the outline of each area. At the same time, the semi-open-end method allows the spatial feeling to be more transparent while eliminating the dullness brought by the original narrow and long spatial. Furthermore, the overall is set up with multiple sliding doors to construct a one-piece-formed spatial aesthetic.
Mkpado: Visual penetration method, steady tonal, ceiling decoration, suspending cabinets, lightweight designs.
Teknụzụ Mmepụta: Crystallized and low-key luxurious marble television wall, glass screens, tea glasses, titanium-plated hardware, wooden floorings, wooden system cabinets, laminated floorings, non-toxic, cement paints.
Ịma Aka Imepụta: The critical point of this project was to infuse richness and steadiness into the space without creating a sense of heaviness. The designer selected light-colored wooden-grain elements on the flooring, cabinets, and walls while pairing the sofas, chairs, tables, and rugs in dark brown; the color selections between dark and light have allowed the overall to be more harmonious and balanced.
Nchọpụta: This project applied light colors and shades of white as the central theme. By changing the materials in the same tonal and the placements of the brown titanium-plated hardware, tea glasses, and ash-grey leather, all elements have created layers and aesthetics for the space. The apply of wooden floorings and marbles have built up a sense of graciousness and is semi-luxurious. The private is continued the warm wooden tonal. An ash-grey leather made of the master bedroom back wall is paired with echoing grey curtains, which help adjust brightness brought by the lightings from both sides of the room.
Mkpali: This project applied tonal of light and rustic as the central theme and has used wood, lavender, and grey colors in many ways; meanwhile, a high and transparent glass screen and tea glasses are set up to give the space a more expansive and see-through feeling. Within the semi-open-end and rustic space, the designer has created an untainted sense of living for the house owner, a Xanadu within the city.
Oge Ọrụ: The project started in July 2020 and finished in October 2020 in Taiwan.
Usoro Ọrụ: The residence is equipped with four rooms; by shrinking the master bedroom and the children room by 50 centimeters internally, the study can be expanded. At the same time, the double-sided wall is removed and replaced with glass sliding doors with titanium-plated frames to create transparency; a short kitchen island is also set up to increase flexibility during cooking. The same method is applied between the study and the living room; clear glasses have brought an expansive visual effect to the overall space.
Ndị Otu: CHIA-CHI YEH
Asụsụ Foto: Mark Hsu