Yearning for Home Nhazi Ime Ụlọ Obibi nke Yu Lung Lee

Ihe emepụtara bụ Yearning for Home Nhazi Ime Ụlọ Obibi nke Yu Lung Lee bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

Yearning for Home Nhazi Ime Ụlọ Obibi

nke Yu Lung Lee

Onye Ahịa: HOLY Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #130542

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Yearning for Home Nhazi Ime Ụlọ Obibi

Ọchịchọ maka Ụlọ bụ nhazi ime ụlọ obibi nke na-akwadokwa ojiji ọrụ. E meghere ọdịdị mbụ nke ụlọ ahụ, na-ahapụ otu ọnụ ụlọ ihi ụra ka o jikọtara na ọnụ ụlọ nke abụọ, ka oghere ahụ dịkwuo mbara. Agba acha isi ojii nke sịmentị e tere na ọ na-ekpuchi mgbidi telivishọn na ọnụ ụzọ nzuzo nke ọnụ ụlọ ihi ụra, ụlọ nchekwa, na ime ụlọ ịsa ahụ nke ọbịa, na-egosipụta oyiri dị iche iche nke ìhè na onyinyo. Ọdịdị gbagọrọ agbagọ na-eme ka mkpọlite na ogidi dị nro, ebe a na-etinye ìhè kwụ ọtọ maka mgbede. Otu kaụnta na tebụl nri dị n'akụkụ bụ ihe eji arụ ọrụ. Mgbidi echekwara na-ejide nchịkọta ihe nka nke onye ahịa.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Yearning for Home Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Yearning for Home Nhazi Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Yearning for Home Nhazi Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The overall spatial broke the rules of traditional residences by knocking through the initial base; only one bedroom area that connects the secondary bedroom is built, allowing the stricture to be more expansive. The private area applied a trap door and cement paints in shades of grey to reflect the television wall of the living room. This space is required for commercial use; therefore, the public area is planned using diagonal methods and placed with counters and dining tables as working tables, allowing the user to maintain a private area within the open-end space.
Nha & Mkpuchi: Applied with curve designs in many ways to soften beam-columns and area division; also, the mottled grey cement paints are used on the television wall towards the trap doors of the bedroom, the storage room, and the guest bathroom. The cement paint also shows different layers of lights and shadows according to the angle of the sunlight. The sofa wall is intermediated with a semi wooden cabinet that embedded wires and electric sockets to satisfy storage needs. Curved designs are applied and extended throughout the television wall and the beam columns.
Mkpado: Cement paints, lighting transparent, rust-imitated bricks, trap door designs, curved-shape decorating.
Teknụzụ Mmepụta: Hardware elements, cement paints, wooden pieces, lightings, dimming roller shades, double-layered sheers, melamine overlay plywood, rust-imitated bricks, hexagonal bricks, through methods, laminate hard plastic sheet in grey tones.
Ịma Aka Imepụta: To perfectly match the client beloved 20-times-20 sized tiles, the height of the counter is designed to be 80 centimeters. This ingenuity has perfectly fit the sizes of most imported tiles, while the appropriate height has balanced the public area visually without creating abrupt and towering feelings.
Nchọpụta: The entryway is embedded with wooden and hardware-made shelves to hang up outer clothes, helmets, and others; a low wooden stool is placed aside to make the shoe-wearing progress more comfortable. Commercial demands are required; therefore, the public area is equipped with two working areas. Embedded electric sockets on the floor have allowed users to work more freely and conveniently. A hallowed area is designed below the counter side; it is specially planned for the client to place the robot vacuum. The ingenuity has allowed the robot to clean the public area without being restricted freely.
Mkpali: Instead of the traditional ways for spatial arrangements, this design is made as an open-end space. The preserved walls, the trap door design, the curves, and the color contrast echo each other; meanwhile, the expansive window has brought in sunlight that outlines the pureness of white, grey, and tones of wood. The designer has given back simplicity to this gallery-like residence, allowing each vista and corner to be appreciated and enjoyed by users.
Oge Ọrụ: The project started in April 2020 and finished in August 2020 in Daxi Township, Taoyuan City.
Usoro Ọrụ: The public area is designed as an open-end area, while a counter and a diagonal dining table slash working table are placed as the center of the room. The walls of the space are also preserved for the client art collection to be hung up. Arc-shaped designs have prevented the dull feeling of right angles, and linear lightings are embedded to create a lively atmosphere during the night. Furthermore, cabinets are placed along the traffic flow behind the sofa to develop spatial transparency; the cabinet is an intermediary and a container to store books.
Ndị Otu: Yu-Lung Lee, Szu-Hui Wang
Asụsụ Foto: Chuang-Chieh Chiu