National Gallery Athens Ụlọ Ngosi Nka nke Parmenidis Longuepee Mari Team

Ihe emepụtara bụ National Gallery Athens Ụlọ Ngosi Nka nke Parmenidis Longuepee Mari Team bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaedoIme Ụlọ· 2022

National Gallery Athens Ụlọ Ngosi Nka

nke Parmenidis Longuepee Mari Team

Onye Ahịa: National Gallery of Greece

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka National Gallery Athens Ụlọ Ngosi Nka

N'ụlọ oge a nke afọ 1960s nke National Gallery dị na Athens, e mere ka ụlọ ngosi dị ka ebe njem nlegharị anya n'ogige mepere emepe. E mere ka ime ụlọ ahụ bụrụ usoro nke mpaghara mgbanwe e ji osisi chọọ mma maka ozi, yana ụlọ ngosi ọcha nwere uko kwụgidere nke e mere pụrụ iche maka ọrụ ngosi ọ bụla. Site n'ịchịkwa ụzọ ile anya, omimi nlele n'ime ụlọ na n'ebe obodo dị, ọkụ izugbe n'ihe metụtara ọkụ dị n'èzí, na iweda ihe eji arụ ọrụ na nkọwa ọrụ aka ka emee ka ọrụ nka ahụ pụta ìhè, oghere ahụ na-enye mmetụta nke nnwere onwe nhọrọ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

National Gallery Athens Ụlọ Ngosi Nka meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na National Gallery Athens Ụlọ Ngosi Nka ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. National Gallery Athens Ụlọ Ngosi Nka na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Nha & Mkpuchi: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Mkpado: museography, interior space, gaze, minimalism
Teknụzụ Mmepụta: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Ịma Aka Imepụta: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Nchọpụta: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Mkpali: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Oge Ọrụ: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Usoro Ọrụ: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Ndị Otu: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Asụsụ Foto: All photos own to the team.