Guo Fan Ntinye Nka, Ihe Ịmụma nke Yang Mai

Ihe emepụtara bụ Guo Fan Ntinye Nka, Ihe Ịmụma nke Yang Mai bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

BronzNkà Mma· 2022

Guo Fan Ntinye Nka, Ihe Ịmụma

nke Yang Mai

Onye Ahịa: Yang Mai

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Nkà Mma

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #128379

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Guo Fan Ntinye Nka, Ihe Ịmụma

Guo Fan bụ ntinye nka jikọtara na ihe ịmụma nka, dabere n'omenala ndị China nọ mba ọzọ na-eziga ego. Ọrụ a na-amụ akụkọ ihe mere eme nke ndị Chaozhou ndị gara Southeast Asia ịchọ ihe iji dịrị ndụ. Ihe owuwu spindle jikọtara n'ụzọ abụọ na-atụgharị mgbe niile, nke mere na ihe ndị mere n'oge gara aga na-adaba n'elu ibe ha na-akwụsịghị. Ihe ịmụma ndị a na-agbaso echiche nke iberibe akụkọ ihe mere eme, na ibe ọ bụla na-enye onye yiri ya ọrụ dị iche n'otu akụkọ ahụ. A na-eji ọla brass, stainless steel, aluminom, resin na acrylic, e mere ka ọ dị site n'iji laser bee ma jiri 3D printing kpụọ ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Guo Fan Ntinye Nka, Ihe Ịmụma meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Guo Fan Ntinye Nka, Ihe Ịmụma ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Guo Fan Ntinye Nka, Ihe Ịmụma na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Researching the important Chaozhou overseas Chinese culture in Chaoshan, excavating the history of Chaozhou overseas Chinese who went to the Southeast Asia to make a living. In order to more experimentally explore the historical facts of the "Overseas Fragrance" and the "Guo Fan", this work is expressed and displayed by means of an art installation derived from art jewelry and a more holistic art design.To pay tribute to the ancestors of Chaoshan who traveled far and wide.
Nha & Mkpuchi: Art installations size :
278mm*236mm*149mm

Jewelry size:
48mm*68mm*14mm
45mm*87mm*7mm
83mm*141mm*93mm
105mm*40mm*126mm
Mkpado: Culture, Overseas Chinese remittance, Art installation, Jewelry, Chaozhou gold lacquer wood carving
Teknụzụ Mmepụta: Material: brass, stainless steel, aluminum, resin, acrylic
Production: laser cutting, 3D printing
Ịma Aka Imepụta: The most important and difficult part of this project is to sort out the historical facts of " culture of overseas Chinese remittance " and turn it into an art work to show to people through design, so that people can understand it .
Nchọpụta: The theme of this project is "culture of overseas Chinese remittance", with the close relationship between Chaozhou wood carving and overseas Chinese remittance as the development line. Through reading and combing a large number of literature and books, fieldwork visits, etc., the inherent cultural stories are unearthed, and the stories are patterned and combined with dynamic installations to tell the memories of overseas Chinese remittance through jewelry. Aiming to pass on and spread Chaoshan culture.
Mkpali: Chaozhou gold lacquer wood carving are typical representatives of Chaoshan culture. Among them, the shrine is an important object of expression of this skill. Furthermore, it is the carrier of Chaozhou clan concept. Chaoshan were adhered to the special traditional culture of both continental and maritime, to make a living in Southeast Asia by Guo Fan. The culture of overseas Chinese remittance links the families at home and abroad, and plays a huge role in the development of their hometowns.
Oge Ọrụ: The project started in October in Guangzhou and finished in May 2021 in Guangzhou Guangdong province, China, and was exhibited in Guangzhou academic of fine arts in June 2021.
Usoro Ọrụ: The installation works by the historical facets of "culture of overseas Chinese remittance" and "Guo Fan" overlap infinitely through the continuous turning of the two-way linkage spindle structure.

And the jewelry is based on the concept of "slices of history", transforming the wearer into the protagonist of the historical fragments and experiencing the story of each slice.When the wearer wears different parts of the jewelry, he or she will be transformed into different roles. They are both in the same slice of historical story.