Overture of Daylight Ọrụ Isi: Nhazi Ime Ụlọbi nke Yi Xiang Lin

Ihe emepụtara bụ Overture of Daylight Ọrụ Isi: Nhazi Ime Ụlọbi nke Yi Xiang Lin bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

Overture of Daylight Ọrụ Isi: Nhazi Ime Ụlọbi

nke Yi Xiang Lin

Onye Ahịa: WJ Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

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Nhazi a

Maka Overture of Daylight Ọrụ Isi: Nhazi Ime Ụlọbi

Ederede Akwụkwọ: Overture of Daylight bụ nhazi ime ụlọbi maka ụlọ e ji anabata ndị ọbịa. Ewepụrụ mgbochi doro anya dị n'etiti kichin, ụlọ oriri na ụlọ obibi, ngwa ịchọ mma na ngwongwo ka na-egosipụta ebe ọ bụla n'ọnọdụ ha. Atụmatụ mepere emepe na-eme ka ime ụlọ dịrị mbara ma dịkwa mfe iji nọkọta. Windo France buru ibu na-eweba ìhè ehihie, ya na blaịndụ enwere ike ịgbanwe na akwa Japanese e ji akpachi ihe. Ọcha, osisi, vinia (veneer) na nkume na-enye àgwà dị jụụ ma maa mma. Ụlọ nnabata nwere tatami na osisi dị ala na-anabata ndị ọbịa.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Overture of Daylight Ọrụ Isi: Nhazi Ime Ụlọbi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Overture of Daylight Ọrụ Isi: Nhazi Ime Ụlọbi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Overture of Daylight Ọrụ Isi: Nhazi Ime Ụlọbi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: As the client has the need to host, the designer has broken through the stereotypes of space concepts. The clear partitions between the kitchen, dining room, living room, and so on are diminished by the conceptual implication of utilizing ornaments which have made the inner space visually broaden, and also the client can use the house for banquet much more conveniently. Moreover, the designer has established large French casements to introduce more sunlight into the mansion which is consistent with the light-adjusting blinds and Japanese lattices in the room, making the interior space brighter.
Nha & Mkpuchi: The designer has planned the flow line of the main bedroom carefully such as the blank aisle behind the bedside which has not only widened the leisure space but also preserved the space for storage, redefining its scenery of it. Furthermore, the designer has combined different materials together to build the door of the closet so as to correspond with the elegant space concept. The partition of the bedside is chosen in simple color so as to make it consistent with the closet behind it. Also, the design of the cladding of the circular arc camber with the bedside lamp chandelier has given the bedroom a comfortable and relaxed mood.
Mkpado: Japanese leisure mood, brighter, modern, elegant
Teknụzụ Mmepụta: The designer has established the space an elegant ambiance with simple colors such as white paints, wood material, and stones. By utilizing natural materials such as wooden makings, veneers, and slates, the space has been outlined in a gentle image. Moreover, the lightweight wooden TV wall matches with the wooden lattices have established a refined Japanese style. In addition to the bright atmosphere, the designer has put a dressing mirror at the entrance, which is a bold skill that fulfills the transparency and brightness of visual perception.
Ịma Aka Imepụta: In order to meet the expectation of hosting guests, the graphic design has eliminated the traditional definition of domain and has brought in a little concept of the clubhouse. Therefore, instead of a distinct partition, the designer has used ornaments, furniture, and other functional items to imply the domains so that the graphic design of the interior needs to plan the flow line of the public domain carefully which has been discussed with the client over and over. Finally, they have come to a decision that has also made the house a place for hosting and resting.
Nchọpụta: The client has the need for hosting and expects the space can accommodate as many people as it can, and also wishes all the guests can share the same mood when staying in it. Therefore, the designer prime consideration is the space concept of the public domain. Considering the sufficient sunlight of the house, the designer has demolished the partition between each area so that the natural lights can supply the whole space. The designer has used the materials in low Chroma to decorate the house such as simple materials which have expressed the quiet and elegant features.
Mkpali: The daylight appears in slow-motion with the shadow of the cloudy, and the window eaves are like the horizon in the distance. The warm sunlight has accompanied by the overture of the space filtering into the room, making the living room bright and quiet. WJ Design has taken advantage of the natural sunlight, supplemented with a bold texture that utilizes geometric lines, sunlight, and plain materials to break through the stereotypes of leisure space, creating a Japanese relaxing style.
Oge Ọrụ: The project finished in June 2020 in Kaohsiung.
Usoro Ọrụ: The designer has taken the client expectation of hosting into consideration. Hence, by using wooden materials, simple building stones, and a gentle color tone, the designer has established a Japanese leisure style that is bright and clear. In order to fulfill the purpose of entertaining guests, the designer has built a reception room which is in Japanese style and the painted wall has created an image of mountain and river. By utilizing Tatami as the foundation of the room, supplemented with a low wood platform under the windowsill.
Ndị Otu: YI-XIANG LIN, CAI-JIE LIN
Asụsụ Foto: WJ Interior Design