Path of Daylight Nhazi Ime Ụlọ Nkwa Ntutu nke Jao-Wen Shao

Ihe emepụtara bụ Path of Daylight Nhazi Ime Ụlọ Nkwa Ntutu nke Jao-Wen Shao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

Path of Daylight Nhazi Ime Ụlọ Nkwa Ntutu

nke Jao-Wen Shao

Onye Ahịa: Moon Space Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #127748

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Path of Daylight Nhazi Ime Ụlọ Nkwa Ntutu

Ụzọ nke Ìhè Ehihie bụ nhazi ime ụlọ nkwa ntutu dị na Taichung City, Taiwan. Ụzọ ọhịa bụ isi echiche nke nhazi a. Ngwaọrụ igwe oji na-ese ahịrị enweghị isi nke na-egosi ụlọ obibi dị n'ime oke ọhịa. Etinyere okwute ọcha na osisi ndụ akwụkwọ akwụkwọ akwụkwọ ndụ akwụkwọ ndụ n'akụkụ ụzọ na-aga n'ime ụlọ. Iko na enyo na-egbanwu ìhè ehihie ma na-emepụta ìhè na onyinyo na-agbanwe agbanwe. Ekewara ohere a ka ọ bụrụ mpaghara ọha na eze nwere ọgbakọ nchekwa oge na ime ụlọ ntutu atọ nzuzo, nke akpọrọ ndị ikom obodo, ndị nwanyị elu, na obodo ọgbara ọhụrụ. E ji ụdị agba jụrụ oyi na agba pink dị nro na nwayọ maka ime ụlọ ndị a.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Path of Daylight Nhazi Ime Ụlọ Nkwa Ntutu meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Path of Daylight Nhazi Ime Ụlọ Nkwa Ntutu ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Path of Daylight Nhazi Ime Ụlọ Nkwa Ntutu maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: With precise words of the designer, the client original hardware and glass materials are paired and redesigned with several new-added materials that outlined the space linear and echoed with the concept of the (forest paths.) Four design areas are divided: the public area and three boxes for salon use with different styles. To correspond with the client service purpose of the high-end hair salon, designed boxes named the (urban gentlemen,) the (socialites,) and the (modern metropolis) are created along with the hardware, glasses, and mirror materials that added the sense of texture.
Nha & Mkpuchi: The indoor area is 100 ping, while the designing scope included the public space hallway, the reservation counter, and hair salon boxes in the private area.
Mkpado: forest paths, steady cold colors, elegant light-pink colors, natural daylight
Teknụzụ Mmepụta: Glasses, hardware, painted solid wood, mirrors, light screens, plastic tiles.
Ịma Aka Imepụta: According to the space observation, the designer came up with the (cabin in the woods) prototype. To fulfill the client spatial expectations of (metropolis fashion), which every high-end hair salon contains, the designer must get rid of the concrete, wooden house appearance; instead, precise angle calculations and construction methods are applied with black hardware to outline linear. The elements created a three-dimensional design and have delivered the (cabin in the woods) with an abstractive and reinterpreted style.
Nchọpụta: The public area applied light color tones as the color theme, while light hardware is used to create non-equilateral solid geometries. A few inclined turnings are also applied to the hallway design; pure pebbles and greenery plants spread out wind and natural forest path. Mature and steady cold colors and soft, elegant light-pink colors are applied to the salon boxes; by combining materials that are in between virtual and real, such as mirrors and hardware, three themes: (urban gentlemen), the (socialites), and the (modern metropolis) are divided and created.
Mkpali: This project is a high-end salon space located in Taichung City. To create an overall sense of peace, natural and exquisite, the designer applied (forest paths) as the central concept; black hardware is used to outline the abstractive lines and create an abstract appearance of a fashionable (cabin in the woods.) Meanwhile, pure-white pebbles and greenery plantings are decorated aside to elaborate a relaxing and natural forest hallway. The glasses and mirrors have lightened the changes of shadows and lights through reflections, giving a sense of vividness into the space.
Oge Ọrụ: The project finished in March 2020 in Taiwan.
Usoro Ọrụ: For the entrance design, the designer pieced ironware and light-glass materials to create lightness and transparency; it also echoes with the design concept of the cabin in the woods by merging daylight with the indoor traffic flow and the light-toned interior colors to create a peaceful vibe. Meanwhile, the spacious traffic flow of the entrance has also allowed customers to walk in and out freely; when it is raining outside, users are also able to drive their cars into the hallway, and visit the counter or the salon boxes across the driveway, bringing both aesthetic and functionality.
Ndị Otu: Jao-Wen Shao
Asụsụ Foto: Moon Space Design