White Forest Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi nke Po Chuan Kao

Ihe emepụtara bụ White Forest Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi nke Po Chuan Kao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2022

White Forest Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi

nke Po Chuan Kao

Onye Ahịa: ACG Design International

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka White Forest Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi

Ederede Akwụkwọ: White Forest bụ nhazi ime ụlọ obibi maka ụlọ dị ihe dịka ping 42 na Taichung. Atụmatụ ahụ gụnyere ọnụ ụzọ mbata, kichin, ọnụụlọ oriri, ọnụụlọ obibi na ọnụụlọ ọmụmụ, tinyere isi ọnụụlọ ihi ụra na ime ịsa ahụ ya, yana ọnụụlọ ihi ụra nke abụọ na ime ịsa ahụ ya. Ewepụrụ mgbidi ndị na-adịghị mkpa iji mezie nhazi mbụ nke gbagọrọ agbagọ ma kewaa nke ukwuu. Terazzo isi ntụ dị n'ọnụ ụzọ mbata na-ejikọta kichin na ọnụụlọ oriri. Marble, enyo, tail iko na osisi kpuru ụcha na-echetara nkume, isi iyi na okooko osisi, ebe ọtụtụ ìhè aluminom na-enye ìhè dị nro nke na-esiteghị na ntụziaka.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

White Forest Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na White Forest Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. White Forest Ọrụ Bụ Isi: Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
Nha & Mkpuchi: The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
Mkpado: flowers blooming, relaxing, silence and pure, pink
Teknụzụ Mmepụta: Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
Ịma Aka Imepụta: To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
Nchọpụta: To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
Mkpali: The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
Oge Ọrụ: The project finished in Jun 2021 in Taichung.
Usoro Ọrụ: Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
Ndị Otu: PO-CHUAN KAO
Asụsụ Foto: ACG Design International