Embrace Ọrụ Ebe Kpọmkwem nke Supernova Art Embassy

Ihe emepụtara bụ Embrace Ọrụ Ebe Kpọmkwem nke Supernova Art Embassy bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

IgweNkà Mma· 2021

Embrace Ọrụ Ebe Kpọmkwem

nke Supernova Art Embassy

Onye Ahịa: Memorandum Project

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Nkà Mma

14,896

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #121349

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Embrace Ọrụ Ebe Kpọmkwem

Mmakọ bụ ihe osise e sere n'ihu ụlọ n'obodo Sterlitamak, nke a haziri kpọmkwem maka ebe ahụ. Ihe osise a dị mita iri abụọ na asaa n'ịdị elu na mita iri na ise n'obosara, ebe elu e sere ihe dị mita square nde anọ na ise. E ji ọcha ihu ụlọ na rollers na-ese ihe rụọ ọrụ a, ebumnuuzo (facade lifts) enyekwara aka ime ka e nwee ike ịrụ ọrụ n'ebe dị elu. Ọrụ nka a were izu atọ ka e mechara ya. Akụkọ e gosipụtara na-echeta otu onye agha nke Ndị Agha Ije Ụkwụ nke 170 nke Sterlitamak, onye hapụrụ ije agha ya ji elekere aka ọlaọcha, kwe nkwa na ọ ga-eji ya lọta. Ozu ya na elekere ahụ ka a chọtara n'afọ 2015, wetakwa ha n'ụlọ nye nwunye ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Embrace Ọrụ Ebe Kpọmkwem meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Embrace Ọrụ Ebe Kpọmkwem ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Embrace Ọrụ Ebe Kpọmkwem maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
Nha & Mkpuchi: Height 27 m, width 15 m, total artistic painting square 405 sq.m
Mkpado: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
Teknụzụ Mmepụta: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
Ịma Aka Imepụta: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
Nchọpụta: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
Mkpali: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
Oge Ọrụ: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
Usoro Ọrụ: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
Patentị: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
Ndị Otu: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
Asụsụ Foto: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.