Beyond Oriental Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Ting Chih Huang - Athens Space Design

Ihe emepụtara bụ Beyond Oriental Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Ting Chih Huang - Athens Space Design bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2021

Beyond Oriental Ọrụ Isi: Nhazi Ime Ụlọ Obibi

nke Ting Chih Huang - Athens Space Design

Onye Ahịa: Athens Space Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #115609

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Beyond Oriental Ọrụ Isi: Nhazi Ime Ụlọ Obibi

Ederede Akwụkwọ: Beyond Oriental bụ ọrụ nhazi ime ụlọ obibi kpuchiri mita square 365. Nhazi a jikọtara ihe ndị si na omenala China na Japan ya na ahịrị nke oge a dị ọcha. E dobere ụlọ ọṅụṅụ tii nke ụdị Japan n'akụkụ ọnụ ụzọ, na-anabata ndị ezinụlọ na ndị ọbịa. N'ime ọnụ ụzọ mbata, ihe oyiyi bronz nwere agba aja aja gbara ọchịchịrị guzo n'ihu mgbidi nke jiri agba oji na ọlaedo mee. Bar nwere ọdịdị nkata (arc-shaped) ka e ji enyo tii nke e bebusiri n'ọtụtụ akụkụ dị iche iche wuo ya. Ihe ndị e ji rụọ ọrụ a gụnyere stainless steel, ohia oke nkume marble, mbadamba nkume dị mfe, ọrụ osisi, ígwè e ji titanium machie, na enyo. Ọnụ ụlọ asaa nwere ime ime ịsa ahụ nyere onye ọ bụla n'ezinụlọ ohere nzuzo nke ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Beyond Oriental Ọrụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Beyond Oriental Ọrụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Beyond Oriental Ọrụ Isi: Nhazi Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The project is filled with conservative, yet, updated oriental decorations that depict a similar Chinese elegance, and gradually develop into Eastern sentiments, depicting an oriental elegance and revealing a touch of transcending Eastern aesthetics. At the entrance, there is a view of the Japanese-style tea house. This feature uncovers the tea ceremony culture along with a preview of the designs. These arrangements communicate the spirit of the traditional Japanese tea ceremony.
Nha & Mkpuchi: Embarking on a tasteful journey through the 365 square meters space, the eyes lay upon expressive light and shadow elements in the entrance foyer. Before the focal black and gold wall stands the dark brown bronze sculpture of Guanyin with willow branches that unfold the overture of this oriental decoration. The arc-shaped bar made of tea mirrors has a polygonal cut to pave the facade. Throughout the private domain, the style remains consistent with the new oriental luxury of the public domain applying materials such as stainless steel pieces, marble, thin rock slabs, woodwork, titanium-plated metal, and mirror.
Mkpado: New Oriental Aesthetics, Oriental Classical Customization, Japanese tea house, Peony Flower and Bird, Chinese image
Teknụzụ Mmepụta: At a comprehensive review of this luxurious residential project, the ideal household life is customized with fine-quality details. It is an evident model showing that a boutique-like space design is not an imitation of another existence, but rather is a carefully planned piece with spatial aesthetics appealing to clients.
Ịma Aka Imepụta: The biggest challenge of this design plan is situating seven suites with bathrooms in one residential space, while still providing privacy for individual activities among the family members. The master bedroom, the room for grandparents, and the guest room are on the right side of the public domain, allowing the inhabitants to share their living movement with the public domain. The three rooms for teenagers are located on the left side of the public domain, which share a different living room.
Nchọpụta: This space emanates sophistication and dazzling luxury. The classic oriental sentiment emerges from the elaborate decorations, while the modern refinement speaks through the clean-cut lines and layouts. As bold contrasts blend together, oriental and western, classic and modern, an exclusive elegance is born.
Mkpali: The inspiration of this project originates from the conservative oriental sentiments that are meticulously depicted from wall to wall. The tea house presents a welcoming area that uncovers the reverence for the Japanese tea ceremony and models the spirit of one life offers one encounter. The position of each circle is arranged with balance and symmetry to enhance visual aesthetics, conveying the idolized value of consummation in the Eastern culture and reflecting a peaceful mindset.
Oge Ọrụ: The project was finished in April 2019 in Luzhou District, New Taipei City, Taiwan
Usoro Ọrụ: The transition of stylistic elements from Japanese to Chinese, then from Chinese style to classic style, create a simple yet luxurious setting. The three major components of the public domain, the tea house, living room, and dining room, are in harmony with each other. The distinct sections and integrated boundaries allow a close interaction among the entire family.
Patentị: Copyrights belong to Ting Chih Huang, 2019
Ndị Otu: Ting Chih Huang
Asụsụ Foto: Image #1: Lin Fu Ming, Beyond Oriental, 2020.
Image #2: Lin Fu Ming, Beyond Oriental, 2020.
Image #3: Lin Fu Ming, Beyond Oriental, 2020.
Image #4: Lin Fu Ming, Beyond Oriental, 2020.
Image #5: Lin Fu Ming, Beyond Oriental, 2020.

Video Credits
Video #1: Editor So Nan, Beyond Oriental, 2021.